Eleanor Owicki
Biographic Data
| ID | 810743 |
|---|---|
| NAME | Eleanor Owicki |
| GIVEN NAMES | Eleanor |
| FAMILY NAME | Owicki |
| SIGNATURE | OWICKI E |
| AFFILIATIONS | Indiana University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
The Ocean at the End of the Lane by Joel Horwood
Reviewed by: The Ocean at the End of the Lane by Joel Horwood Eleanor Owicki THE OCEAN AT THE END OF THE LANE. By Joel Horwood. Directed by Katy Rudd. National Theatre, Dorfman Theatre, London. December 28, 2019. The run of The Ocean at the End of the Lane, adapted by Joel Horwood from Neil Gaiman’s novel of the same title, coincided with at least two other London productions based on fantasy novels: Harry Potter and the Cursed Child at the Palac…
Politics as Usual? Theatre, the Northern Irish Assembly, and the Romanticization of Normality
This article explores the treatment of Northern Irish electoral politics in two plays featuring Members of the Legislative Assembly (MLAs) as major characters. Between 2007 and 2016, many viewed the stability of the Northern Irish Assembly as evidence of the continued success of the peace process. Although the principle of mandatory coalition at the system’s heart bears witness to the lasting nature of divisions within the state, the collaboratio…
Can’t Forget About You by David Ireland (review)
The Spaces of Irish Drama
Reviewed by: The Spaces of Irish Drama: Stage and Place in Contemporary Plays by Helen Heusner Lojek Eleanor Owicki The Spaces of Irish Drama: Stage and Place in Contemporary Plays. By Helen Heusner Lojek. New York: Palgrave Macmillan, 2011; pp. 192. In The Spaces of Irish Drama, Helen Lojek explores contemporary Irish theatre’s use of space, charting the form’s relationship to changing ideas of Irish national identity. She explores several level…
Ulster Bank Belfast Festival at Queens (review)
Reviewed by: Ulster Bank Belfast Festival at Queens Eleanor Owicki Ulster Bank Belfast Festival at Queens. Belfast, Northern Ireland, 14–30 October 2011. In the years immediately following the 1998 Good Friday Agreement (GFA), which ended the Northern Irish Troubles, citizens of the state felt both optimism (that they would now be free of violence) and trepidation (that the peace would not last). This mood has become more ambivalent in recent yea…
The Ulster Literary Theatre and the Northern Revival (review)
Reviewed by: The Ulster Literary Theatre and the Northern Revival Eleanor Owicki The Ulster Literary Theatre and the Northern Revival. By Eugene McNulty. Cork: Cork University Press, 2008; pp. 272. $60.00 cloth. Nineteenth-century Ireland saw the beginnings of a movement known as the “Cultural Revival,” a search for a “true” Irish identity that sought to reclaim the Irish language and ancient Irish mythology. In addition to these goals, the Reviv…
The Clay Cart (review)
Reviewed by: The Clay Cart Eleanor Owicki The Clay Cart. By Śūdraka. Directed by Bill Rauch. Oregon Shakespeare Festival, Angus Bowmer Theatre, Ashland. 15 August 2008. When Bill Rauch, a founding member of the Cornerstone Theatre Company, took over the artistic directorship of the Oregon Shakespeare Festival in 2007, he instituted (not surprisingly) several changes in order to strengthen the festival’s connection with local communities. For many…
No prominent works on this page.
The Clay Cart (review)
Reviewed by: The Clay Cart Eleanor Owicki The Clay Cart. By Śūdraka. Directed by Bill Rauch. Oregon Shakespeare Festival, Angus Bowmer Theatre, Ashland. 15 August 2008. When Bill Rauch, a founding member of the Cornerstone Theatre Company, took over the artistic directorship of the Oregon Shakespeare Festival in 2007, he instituted (not surprisingly) several changes in order to strengthen the festival’s connection with local communities. For many…
The Ulster Literary Theatre and the Northern Revival (review)
Reviewed by: The Ulster Literary Theatre and the Northern Revival Eleanor Owicki The Ulster Literary Theatre and the Northern Revival. By Eugene McNulty. Cork: Cork University Press, 2008; pp. 272. $60.00 cloth. Nineteenth-century Ireland saw the beginnings of a movement known as the “Cultural Revival,” a search for a “true” Irish identity that sought to reclaim the Irish language and ancient Irish mythology. In addition to these goals, the Reviv…
Ulster Bank Belfast Festival at Queens (review)
Reviewed by: Ulster Bank Belfast Festival at Queens Eleanor Owicki Ulster Bank Belfast Festival at Queens. Belfast, Northern Ireland, 14–30 October 2011. In the years immediately following the 1998 Good Friday Agreement (GFA), which ended the Northern Irish Troubles, citizens of the state felt both optimism (that they would now be free of violence) and trepidation (that the peace would not last). This mood has become more ambivalent in recent yea…
The Spaces of Irish Drama
Reviewed by: The Spaces of Irish Drama: Stage and Place in Contemporary Plays by Helen Heusner Lojek Eleanor Owicki The Spaces of Irish Drama: Stage and Place in Contemporary Plays. By Helen Heusner Lojek. New York: Palgrave Macmillan, 2011; pp. 192. In The Spaces of Irish Drama, Helen Lojek explores contemporary Irish theatre’s use of space, charting the form’s relationship to changing ideas of Irish national identity. She explores several level…
Can’t Forget About You by David Ireland (review)
Politics as Usual? Theatre, the Northern Irish Assembly, and the Romanticization of Normality
This article explores the treatment of Northern Irish electoral politics in two plays featuring Members of the Legislative Assembly (MLAs) as major characters. Between 2007 and 2016, many viewed the stability of the Northern Irish Assembly as evidence of the continued success of the peace process. Although the principle of mandatory coalition at the system’s heart bears witness to the lasting nature of divisions within the state, the collaboratio…
The Ocean at the End of the Lane by Joel Horwood
Reviewed by: The Ocean at the End of the Lane by Joel Horwood Eleanor Owicki THE OCEAN AT THE END OF THE LANE. By Joel Horwood. Directed by Katy Rudd. National Theatre, Dorfman Theatre, London. December 28, 2019. The run of The Ocean at the End of the Lane, adapted by Joel Horwood from Neil Gaiman’s novel of the same title, coincided with at least two other London productions based on fantasy novels: Harry Potter and the Cursed Child at the Palac…
Art (6 works) · History (6 works) · History (5 works) · Irish and British Studies (4 works) · Literature (3 works) · Philosophy (3 works) · Art history (2 works) · Irish (2 works) · Law (2 works) · Philosophy (2 works)