Homi Bhabha

Biographic Data

ID81118
NAMEHomi Bhabha
GIVEN NAMESHomi
FAMILY NAMEBhabha
SIGNATUREBHABHA H
AFFILIATIONSHarvard University
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS497
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2021
H-INDEX3

  • What is Radical

    Alexander Alberro, Alexander Mendiburu et al.ARTICLEARTMargins2021

    What does it mean to think and act radically, and how does this relate to forms of radicalism connected to earlier moments, for example, in the 20th century? What can be the role of radical art and scholarship under the conditions of late capitalism? More generally, how can art and artists serve the ongoing struggle for social justice and the agendas of emancipatory social change? Finally, what kinds of art criticism and art historical scholarshi…

  • Cosmopolitanisms

    Open AccessSheldon Pollock, Homi Bhabha et al.CHAPTERCosmopolitanism2020

  • Cosmopolitanism and Convergence

    Kwame Anthony Appiah, Homi Bhabha et al.ARTICLENew Literary History2018Cited by: 2

    In a wide-ranging discussion Homi Bhabha and Anthony Appiah reflect on the present moment in the humanities, in African-American Studies, in philosophy and literary studies, and in politics around the world. Among the topics they discuss are: honor and dignity and their relation to the Universal Declaration of Human Rights; teaching in an increasingly diverse university; the role of the Internet in shaping culture and politics; challenges to legi…

  • In a Spirit of Calm Violence

    Homi Bhabha, Homi Κ BhabhaCHAPTERAfter Colonialism2016

  • Simone de Beauvoir: Engagements, Contexts, Reconsiderations

    Homi Bhabha, Homi Κ BhabhaARTICLEFrench Politics Culture & Society2010

    At one hundred, we are told, a book becomes a classic; at one hundred Simone de Beauvoir has surely become a legend. And yet, like all legends, she remains something of an enigma, yet to be discovered. To be discovered, perhaps, in a way similar to her own attempt at self-discovery in Hard Times (the second volume of The Force of Circumstance), which results in a moving encounter with symptoms, repressions, and defenses that reveal those darker u…

  • Adagio

    Homi Bhabha, Homi Κ BhabhaARTICLECritical Inquiry2005Cited by: 4

  • Of Mimicry and ManThe Ambivalence of Colonial Discourse

    Homi Bhabha, Homi Κ BhabhaCHAPTERTensions of Empire1997

    This chapter focuses on the ambivalence of colonial discourse, specifically the issue of mimicry, which, it explains, is the sign of a double articulation, a complex strategy of reform, regulation, and discipline. It suggests that the effect of mimicry on the authority of colonial discourse is profound and disturbing, for in normalizing the colonial state or subject, the dream of post-Enlightenment civility alienates its own language of liberty a…

  • Visualizing Theory

    Open AccessHomi Bhabha, Homi Κ Bhabha et al.ARTICLEVisual Anthropology Review1992Cited by: 2

  • The World and the Home

    Homi Bhabha, Homi Κ BhabhaARTICLESocial Text1992Cited by: 60

  • Race and the Humanities: The "Ends" of Modernity

    Homi Bhabha, Homi Κ BhabhaARTICLEPublic Culture1992Cited by: 1

    Research Article| May 01 1992 Race and the Humanities: The “Ends” of Modernity? Homi Bhabha Homi Bhabha Search for other works by this author on: This Site Google Public Culture (1992) 4 (2): 81–85. https://doi.org/10.1215/08992363-4-2-81 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Homi Bhabha; Race and the Humanities: The “Ends” of Modernity?. Public Culture 1 May 1992; 4 (2): 81–85. doi: htt…

  • Of Mimicry and Man: The Ambivalence of Colonial Discourse

    Homi Bhabha, Homi Κ BhabhaARTICLEOctober1984Cited by: 428