Jonathan S Marion
Biographic Data
| ID | 81120 |
|---|---|
| NAME | Jonathan S Marion |
| GIVEN NAMES | Jonathan S |
| FAMILY NAME | Marion |
| SIGNATURE | MARION J S |
| AFFILIATIONS | California State University, San Marcos |
| ORCID | 0000-0002-5252-7600 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 18 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Visual Research
Visual Research
Becoming Popular
For most people today, familiarity with ballroom dancing comes from its popularity on television. The current run of Strictly Come Dancing — a program in which celebrities are partnered with profes
Viewpoints
Photography as Ethnographic Passport
This article explores photography as both social and cultural passport into the image-based world of competitive ballroom dance. First differentiating between the social and cultural accesses facilitated by my photography, I then use specific images to explore the utility of photography in accessing, understanding, and representing the activity-based globalization of ballroom's aesthetic standards and practices across time, place, and context
State of the Ethics in Visual Anthropology
Rooted in anthropologists' long-standing roles as producers, users, and disseminators of images, this brief article takes the pulse of ethical considerations related to visual media in the discipline. Reflecting on the intent, content, and implications of the Society for Visual Anthropology–sponsored visual ethics discussion sessions at the 2007–9 American Anthropological Association meetings, we seek here to situate these events in the context o…
Reflecting Visual Ethnography
Leiden : CNWS Publications , 2006 . Reflecting Visual Ethnography is based on the Evaluating Visual Ethnography conference held at Leiden University (September 21–24, 1999) in honor of anthropologist and ethnographic filmmaker Dirk Nijland. The book elaborates upon two themes central to Nijland's work and the conference alike: the use of the camera in anthropological research, and the relationship between anthropological knowledge and visual ethn…
Translating Multisensory Experience
Why "Ballroom" is Bigger than the Studio Floor
Where" is "There
State of the Ethics in Visual Anthropology
Rooted in anthropologists' long-standing roles as producers, users, and disseminators of images, this brief article takes the pulse of ethical considerations related to visual media in the discipline. Reflecting on the intent, content, and implications of the Society for Visual Anthropology–sponsored visual ethics discussion sessions at the 2007–9 American Anthropological Association meetings, we seek here to situate these events in the context o…
Photography as Ethnographic Passport
This article explores photography as both social and cultural passport into the image-based world of competitive ballroom dance. First differentiating between the social and cultural accesses facilitated by my photography, I then use specific images to explore the utility of photography in accessing, understanding, and representing the activity-based globalization of ballroom's aesthetic standards and practices across time, place, and context
Becoming Popular
For most people today, familiarity with ballroom dancing comes from its popularity on television. The current run of Strictly Come Dancing — a program in which celebrities are partnered with profes
Translating Multisensory Experience
Where" is "There
Why "Ballroom" is Bigger than the Studio Floor
Where" is "There
Reflecting Visual Ethnography
Leiden : CNWS Publications , 2006 . Reflecting Visual Ethnography is based on the Evaluating Visual Ethnography conference held at Leiden University (September 21–24, 1999) in honor of anthropologist and ethnographic filmmaker Dirk Nijland. The book elaborates upon two themes central to Nijland's work and the conference alike: the use of the camera in anthropological research, and the relationship between anthropological knowledge and visual ethn…
Translating Multisensory Experience
Photography as Ethnographic Passport
This article explores photography as both social and cultural passport into the image-based world of competitive ballroom dance. First differentiating between the social and cultural accesses facilitated by my photography, I then use specific images to explore the utility of photography in accessing, understanding, and representing the activity-based globalization of ballroom's aesthetic standards and practices across time, place, and context
State of the Ethics in Visual Anthropology
Rooted in anthropologists' long-standing roles as producers, users, and disseminators of images, this brief article takes the pulse of ethical considerations related to visual media in the discipline. Reflecting on the intent, content, and implications of the Society for Visual Anthropology–sponsored visual ethics discussion sessions at the 2007–9 American Anthropological Association meetings, we seek here to situate these events in the context o…
Viewpoints
Becoming Popular
For most people today, familiarity with ballroom dancing comes from its popularity on television. The current run of Strictly Come Dancing — a program in which celebrities are partnered with profes
Visual Research
Visual Research
Art (8 works) · Visual arts (8 works) · Computer Science (6 works) · Sociology (6 works) · Anthropology (5 works) · Participatory Visual Research Methods (5 works) · Ethnography (4 works) · History (4 works) · Art history (3 works) · Ballroom (3 works)