K A Gourlay

Biographic Data

ID81363
NAMEK A Gourlay
GIVEN NAMESK A
FAMILY NAMEGourlay
SIGNATUREGOURLAY K A
VERIFIEDNo
TOTAL WORKS25
TOTAL CITATIONS9
AUTHOR COUNT24
EDITOR COUNT1
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2022
H-INDEX1

  • Agogo

    K A Gourlay, John M Schechter et al.CHAPTERThe new Grove dictionary of music…2022

  • Kimkim

    K A GourlayCHAPTERThe new Grove dictionary of music…2018

  • Mampongui–nguembo

    K A GourlayCHAPTERThe new Grove dictionary of music…2018

  • Boyeke

    K A GourlayCHAPTERThe new Grove dictionary of music…2015

  • Bàtá

    Rainer Polak, K A Gourlay et al.CHAPTERThe new Grove dictionary of music…2015

  • Clarinet, transverse

    K A GourlayCHAPTERThe new Grove dictionary of music…2015

  • Bokenza

    K A GourlayCHAPTERThe new Grove dictionary of music…2015

  • Amakondere

    K A Gourlay, Peter CookeCHAPTERThe new Grove dictionary of music…2014

  • Gombi (i)

    K A Gourlay, F J De HenCHAPTERThe new Grove dictionary of music…2011

  • Ilongo

    K A Gourlay, Ferdinand J De HenCHAPTERThe new Grove dictionary of music…2011

  • Ikidi

    K A Gourlay, Ferdinand J De HenCHAPTERThe new Grove dictionary of music…2011

  • Clarinet

    Janet K Page, K A Gourlay et al.CHAPTERThe new Grove dictionary of music…2001

  • Cross-Cultural Perspectives on Music

    K A Gourlay, Robert Falck et al.ARTICLEEthnomusicology1986

  • Commercial Recordings of Papua New Guinea Music, 1949-1983

    K A Gourlay, Don NilesARTICLEEthnomusicology1986

  • Sound-Producing Instruments in Traditional Society

    Don Niles, K A GourlayARTICLEEthnomusicology1982

  • Die Macht des Wortes

    Open AccessK A GourlayARTICLEAfrica1981References: 5

    Die Macht des Wortes: Preisgesang und Berufmusiker bet den Fulbe des Diamaré (Nordkamerun) By Veit Erlmann. Hohenschäftlern: Klaus Rentier Verlag1980. ix, 326 p., maps, tables, musical transcriptions. (Studien zur Musik afrikas, Band 1). n.p. - Volume 51 Issue 4

  • The Soul of Mbira

    K A Gourlay, Paul Berliner et al.ARTICLEEthnomusicology1980

  • Traditional Songs of the Maori

    K A Gourlay, Mervyn Mclean et al.ARTICLEEthnomusicology1980

    These songs in many different styles embody the fundamental values of traditional Maori culture and form a vital part of marae ceremonial. Most common song types are represented: laments, love songs, war chants, songs of welcome, face-saving songs and witty occasional songs. They are remarkable for the sophistication of the music and the power and subtlety of the words. Both Orbell and McLean are widely known and respected and have published exte…

  • Tiv Song

    K A Gourlay, Charles KeilARTICLEEthnomusicology1980

  • Blasius To Una

    K A Gourlay, Frederic DuvelleARTICLEEthnomusicology1980

  • Sacred Flute Music from New Guinea

    Open AccessK A Gourlay, Ragnar Johnson et al.ARTICLERAIN1978

  • African Hymnody in Christian Worship

    K A Gourlay, A M JonesARTICLEEthnomusicology1978

  • Towards a Reassessment of the Ethnomusicologist's Role in Research

    K A GourlayARTICLEEthnomusicology1978Cited by: 9References: 2

    E thnomusicology may or may not be, as Mantle Hood's wag allegedly observed, what ethnomusicologists do, but it cannot be done without them. The aim of this essay is to examine the concept of the ethnomusicologist implied in certain theories of research method, to investigate the theoretical implications of alternative concepts, and to propose a research model which allows for Blum's contention that ethnomusicologist, like any of his informants, …

  • Papua New Guinea

    K A Gourlay, Charles Duvelle et al.ARTICLEEthnomusicology1977

  • African Music and Oral Data

    K A Gourlay, Ruth M Stone et al.ARTICLEEthnomusicology1977