Danny Mcnally
Biographic Data
| ID | 81478 |
|---|---|
| NAME | Danny Mcnally |
| GIVEN NAMES | Danny |
| FAMILY NAME | Mcnally |
| SIGNATURE | MCNALLY D |
| AFFILIATIONS | Teesside University |
| ORCID | 0000-0003-3703-0513 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 37 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 4 |
Participatory art and geography
This paper posits participatory art as a distinct but underexplored practice of interest for human geography’s contemporary work on art and aesthetics. It suggests that participatory art needs a conceptual, critical, and interdisciplinary grounding in human geography to advance the expanding relationship between participatory art practice and theory, aesthetics, and geography. Through three analytical themes – politics, publics, and space – the p…
Planning, Art, and Aesthetics
Robin Hood Gardens (RHG) was a brutalist social housing estate in Poplar, East London, built in 1972 by British architects Alison and Peter Smithson, and since 2017 has been undergoing demolition to be turned into luxury flats as part of the Blackwall Reach Development scheme. Its recent trajectory has followed a similar pattern of state led gentrification experienced by many other inner-city housing estates; with a history of managed decline, pu…
Hindu Mobilities and Cremation
In Chap. 1 Avril Maddrell, Brenda Mathijssen, Yasminah Beebeejaun, Katie McClymont and Danny McNally untangle the embodied, gendered, racialised and institutionalized cremation practices of Hindu communities in three case study towns: Northampton and Swindon in England and Newport in Wales. They argue that attending to questions of (in)adequate funerary infrastructure and norms – including prompt cremation; accommodating ritual requirements for w…
Diverse teams researching diversity
Fieldwork encounters are not only contingent to biographical subjectivities, but are mediated by a confluence of identity, place and embodiment. This paper offers reflexive accounts of researchers with various socio-cultural and disciplinary backgrounds, who collaborated as a team to examine the varied funerary experiences and needs of established minorities and recent migrants in England and Wales. Focusing on the researchers' varied personal ex…
Death in the Peripheries
“Deathscapes” constitute a growing field of research, yet the topic remains widely neglected within urban planning. In this paper, we examine the adequacy of existing provision for death, remembrance, and the disposal of body remains for ethnic minority groups living in four British towns: Huddersfield, Newport, Northampton, and Swindon. The paper argues that the failure of contemporary planning policy and practice to address the intersections be…
Intersections of (infra)structural violence and cultural inclusion
Building on embodied and de‐colonial approaches to geopolitics, this paper examines the relationship between forms of governance in municipal cemetery and crematorium provision and the needs of established minorities, arguing that inadequate infrastructure and services can constitute harm. Crucially, it is contended that forms of governance impact not only on the living, but also on perceptions of the wellbeing of the dead. Grounded in a study of…
I am Tower of Hamlets
I am Tower of Hamlets, as I am in Tower of Hamlets, just like a lot of other people are' (2011–2012) was an artwork by Argentinian artist Amalia Pica, and involved a pink-granite sculpture touring around different homes in the London Borough of Tower Hamlets for one year. This paper offers a geographical investigation into the type of encounters and relations created by this artwork. Rather than assume the progressive role of such art encounters,…
Collaboration as acknowledged co-production
This article offers a geographical investigation into the production of a collaborative art project called Tribe (2013). Adopting a site-based approach, it contemplates Tribe as emerging from a collection of processual and contingent relations beyond its collaborative form. This draws the understanding of its production away from just the artist and collaborating youth group, towards the situated relations that unfolded through the artwork's spat…
Intersections of (infra)structural violence and cultural inclusion
Building on embodied and de‐colonial approaches to geopolitics, this paper examines the relationship between forms of governance in municipal cemetery and crematorium provision and the needs of established minorities, arguing that inadequate infrastructure and services can constitute harm. Crucially, it is contended that forms of governance impact not only on the living, but also on perceptions of the wellbeing of the dead. Grounded in a study of…
I am Tower of Hamlets
I am Tower of Hamlets, as I am in Tower of Hamlets, just like a lot of other people are' (2011–2012) was an artwork by Argentinian artist Amalia Pica, and involved a pink-granite sculpture touring around different homes in the London Borough of Tower Hamlets for one year. This paper offers a geographical investigation into the type of encounters and relations created by this artwork. Rather than assume the progressive role of such art encounters,…
Participatory art and geography
This paper posits participatory art as a distinct but underexplored practice of interest for human geography’s contemporary work on art and aesthetics. It suggests that participatory art needs a conceptual, critical, and interdisciplinary grounding in human geography to advance the expanding relationship between participatory art practice and theory, aesthetics, and geography. Through three analytical themes – politics, publics, and space – the p…
Collaboration as acknowledged co-production
This article offers a geographical investigation into the production of a collaborative art project called Tribe (2013). Adopting a site-based approach, it contemplates Tribe as emerging from a collection of processual and contingent relations beyond its collaborative form. This draws the understanding of its production away from just the artist and collaborating youth group, towards the situated relations that unfolded through the artwork's spat…
Diverse teams researching diversity
Fieldwork encounters are not only contingent to biographical subjectivities, but are mediated by a confluence of identity, place and embodiment. This paper offers reflexive accounts of researchers with various socio-cultural and disciplinary backgrounds, who collaborated as a team to examine the varied funerary experiences and needs of established minorities and recent migrants in England and Wales. Focusing on the researchers' varied personal ex…
Death in the Peripheries
“Deathscapes” constitute a growing field of research, yet the topic remains widely neglected within urban planning. In this paper, we examine the adequacy of existing provision for death, remembrance, and the disposal of body remains for ethnic minority groups living in four British towns: Huddersfield, Newport, Northampton, and Swindon. The paper argues that the failure of contemporary planning policy and practice to address the intersections be…
Collaboration as acknowledged co-production
This article offers a geographical investigation into the production of a collaborative art project called Tribe (2013). Adopting a site-based approach, it contemplates Tribe as emerging from a collection of processual and contingent relations beyond its collaborative form. This draws the understanding of its production away from just the artist and collaborating youth group, towards the situated relations that unfolded through the artwork's spat…
I am Tower of Hamlets
I am Tower of Hamlets, as I am in Tower of Hamlets, just like a lot of other people are' (2011–2012) was an artwork by Argentinian artist Amalia Pica, and involved a pink-granite sculpture touring around different homes in the London Borough of Tower Hamlets for one year. This paper offers a geographical investigation into the type of encounters and relations created by this artwork. Rather than assume the progressive role of such art encounters,…
Death in the Peripheries
“Deathscapes” constitute a growing field of research, yet the topic remains widely neglected within urban planning. In this paper, we examine the adequacy of existing provision for death, remembrance, and the disposal of body remains for ethnic minority groups living in four British towns: Huddersfield, Newport, Northampton, and Swindon. The paper argues that the failure of contemporary planning policy and practice to address the intersections be…
Intersections of (infra)structural violence and cultural inclusion
Building on embodied and de‐colonial approaches to geopolitics, this paper examines the relationship between forms of governance in municipal cemetery and crematorium provision and the needs of established minorities, arguing that inadequate infrastructure and services can constitute harm. Crucially, it is contended that forms of governance impact not only on the living, but also on perceptions of the wellbeing of the dead. Grounded in a study of…
Planning, Art, and Aesthetics
Robin Hood Gardens (RHG) was a brutalist social housing estate in Poplar, East London, built in 1972 by British architects Alison and Peter Smithson, and since 2017 has been undergoing demolition to be turned into luxury flats as part of the Blackwall Reach Development scheme. Its recent trajectory has followed a similar pattern of state led gentrification experienced by many other inner-city housing estates; with a history of managed decline, pu…
Hindu Mobilities and Cremation
In Chap. 1 Avril Maddrell, Brenda Mathijssen, Yasminah Beebeejaun, Katie McClymont and Danny McNally untangle the embodied, gendered, racialised and institutionalized cremation practices of Hindu communities in three case study towns: Northampton and Swindon in England and Newport in Wales. They argue that attending to questions of (in)adequate funerary infrastructure and norms – including prompt cremation; accommodating ritual requirements for w…
Diverse teams researching diversity
Fieldwork encounters are not only contingent to biographical subjectivities, but are mediated by a confluence of identity, place and embodiment. This paper offers reflexive accounts of researchers with various socio-cultural and disciplinary backgrounds, who collaborated as a team to examine the varied funerary experiences and needs of established minorities and recent migrants in England and Wales. Focusing on the researchers' varied personal ex…
Participatory art and geography
This paper posits participatory art as a distinct but underexplored practice of interest for human geography’s contemporary work on art and aesthetics. It suggests that participatory art needs a conceptual, critical, and interdisciplinary grounding in human geography to advance the expanding relationship between participatory art practice and theory, aesthetics, and geography. Through three analytical themes – politics, publics, and space – the p…
Political science (7 works) · Sociology (7 works) · Aesthetics (5 works) · Law (5 works) · Anthropology (4 works) · Art (4 works) · Law (4 works) · Politics (4 works) · Archaeology (3 works) · Gender Studies (3 works)