Jasmina Šepetavc
Biographic Data
| ID | 816573 |
|---|---|
| NAME | Jasmina Šepetavc |
| GIVEN NAMES | Jasmina |
| FAMILY NAME | Šepetavc |
| SIGNATURE | ŠEPETAVC J |
| AFFILIATIONS | University of Ljubljana |
| ORCID | 0000-0001-5348-7607 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Monsters, Victims and Rebels
The article looks at Slovenian queer images in the country’s post-independence feature cinema. While during Yugoslavian times Slovenian cinema contained complex, at times even radical queer imagery, the 1990s’ re-traditionalization of society was also reflected on film in the erasure of queerness. However, when queerness again became part of national cinematic images, it reflected the country’s complex transition and in-betweenness – between the …
Peripheral Visions of Alternative Futures
Editorial: Peripheral Visions of Alternative Futures: Feminist Techno-imaginaries
Slovenian folk-pop music as a place and nation making strategy between heritage and popular culture
Cultural heritage tourism partly depends on authorized heritage definitions, and partly on complex bottom-up processes of heritage identification, interpretation, and communication. This paper addresses the ways in which music, when understood as intangible heritage, may be used for place making and nation branding purposes, and the dynamic between these two processes, as seen from the perspective of cultural and heritage tourism workers. To anal…
Slovenska narodnozabavna glasba kot nesnovna kulturna dediščina
Avtorici v članku na podlagi analize trinajstih intervjujev s tujimi, nacionalnimi, regionalnimi in lokalnimi predstavniki muzejev in festivalov narodnozabavne glasbe (NZG) predstavita, na kakšne načine ti dediščinski vratarji razumejo NZG kot dediščino. Pri tem analizirata tudi, v kolikšni meri definicije popularnoglasbenih žanrov kot kulturne dediščine v diasporah sovpadajo oz. se razlikujejo od tistih, ki jih uporabljajo deležniki iz matične d…
Opomenjanje povezav med glasbo, identitetami in vrednotami
Družbenokulturno učinkovanje sodobne popularne glasbe je večplastno in večsmerno. Po eni strani je sodobna popularna glasba v veliki meri deteritorializirana; produkcijsko, distribucijsko in recepcijsko namreč ni enoznačno prostorsko usidrana, temveč je vpeta v izrazito transnacionalen kontekst. Po drugi strani je ravno popularna glasba pomemben izrazni medij, ki lahko na ravni zvoka, besedil in uprizoritveno-recepcijskih praks ter z njimi poveza…
Popular music as living heritage
Produced, distributed, and consumed in a de-territorialised way, modern popular music presents a set of challenges to cultural heritage policies which largely rely on spatial frameworks, as needs for the preservation of local, regional, or national cultural heritage are typically highlighted. Moreover, certain popular music genres dating back to the mid-20th century are both representations and re-inventions of local and ‘folk’ or ‘traditional’ m…
Peripheral Visions of Alternative Futures
Editorial: Peripheral Visions of Alternative Futures: Feminist Techno-imaginaries
Slovenian folk-pop music as a place and nation making strategy between heritage and popular culture
Cultural heritage tourism partly depends on authorized heritage definitions, and partly on complex bottom-up processes of heritage identification, interpretation, and communication. This paper addresses the ways in which music, when understood as intangible heritage, may be used for place making and nation branding purposes, and the dynamic between these two processes, as seen from the perspective of cultural and heritage tourism workers. To anal…
Slovenska narodnozabavna glasba kot nesnovna kulturna dediščina
Avtorici v članku na podlagi analize trinajstih intervjujev s tujimi, nacionalnimi, regionalnimi in lokalnimi predstavniki muzejev in festivalov narodnozabavne glasbe (NZG) predstavita, na kakšne načine ti dediščinski vratarji razumejo NZG kot dediščino. Pri tem analizirata tudi, v kolikšni meri definicije popularnoglasbenih žanrov kot kulturne dediščine v diasporah sovpadajo oz. se razlikujejo od tistih, ki jih uporabljajo deležniki iz matične d…
Slovenian folk-pop music as a place and nation making strategy between heritage and popular culture
Cultural heritage tourism partly depends on authorized heritage definitions, and partly on complex bottom-up processes of heritage identification, interpretation, and communication. This paper addresses the ways in which music, when understood as intangible heritage, may be used for place making and nation branding purposes, and the dynamic between these two processes, as seen from the perspective of cultural and heritage tourism workers. To anal…
Slovenska narodnozabavna glasba kot nesnovna kulturna dediščina
Avtorici v članku na podlagi analize trinajstih intervjujev s tujimi, nacionalnimi, regionalnimi in lokalnimi predstavniki muzejev in festivalov narodnozabavne glasbe (NZG) predstavita, na kakšne načine ti dediščinski vratarji razumejo NZG kot dediščino. Pri tem analizirata tudi, v kolikšni meri definicije popularnoglasbenih žanrov kot kulturne dediščine v diasporah sovpadajo oz. se razlikujejo od tistih, ki jih uporabljajo deležniki iz matične d…
Opomenjanje povezav med glasbo, identitetami in vrednotami
Družbenokulturno učinkovanje sodobne popularne glasbe je večplastno in večsmerno. Po eni strani je sodobna popularna glasba v veliki meri deteritorializirana; produkcijsko, distribucijsko in recepcijsko namreč ni enoznačno prostorsko usidrana, temveč je vpeta v izrazito transnacionalen kontekst. Po drugi strani je ravno popularna glasba pomemben izrazni medij, ki lahko na ravni zvoka, besedil in uprizoritveno-recepcijskih praks ter z njimi poveza…
Popular music as living heritage
Produced, distributed, and consumed in a de-territorialised way, modern popular music presents a set of challenges to cultural heritage policies which largely rely on spatial frameworks, as needs for the preservation of local, regional, or national cultural heritage are typically highlighted. Moreover, certain popular music genres dating back to the mid-20th century are both representations and re-inventions of local and ‘folk’ or ‘traditional’ m…
Monsters, Victims and Rebels
The article looks at Slovenian queer images in the country’s post-independence feature cinema. While during Yugoslavian times Slovenian cinema contained complex, at times even radical queer imagery, the 1990s’ re-traditionalization of society was also reflected on film in the erasure of queerness. However, when queerness again became part of national cinematic images, it reflected the country’s complex transition and in-betweenness – between the …
Peripheral Visions of Alternative Futures
Editorial: Peripheral Visions of Alternative Futures: Feminist Techno-imaginaries
Art (5 works) · Sociology (4 works) · Aesthetics (3 works) · Anthropology (3 works) · Diverse Musicological Studies (3 works) · History (3 works) · Archaeology (2 works) · Cultural heritage (2 works) · Cultural heritage management (2 works) · Cultural Heritage Management and Preservation (2 works)