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Julie M Taylor

Biographic Data

ID81751
NAMEJulie M Taylor
GIVEN NAMESJulie M
FAMILY NAMETaylor
SIGNATURETAYLOR J M
AFFILIATIONSSIL International
ORCID0000-0001-5146-5607
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS7
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Coexistence of Causal and Cultural Expressions of Musical Values among the Sabaot of Kenya

    Julie M Taylor, Julie Taylor et al.•BOOK•The Oxford Handbook of Music and…•2015

    Through the experience of the Sabaot of western Kenya, this chapter highlights the complex dialectic that engages both missionaries and the missionized in ongoing cultural exchange. While early missionaries may have introduced Western hymnody (which did not follow the tonal contours of the Sabaot language), many current musical projects are directed toward the search for a “traditional mix” that assigns Christian lyrics and meanings to songs in a…

  • The drama of emergent nationhood

    Open Access•Julie M Taylor•ARTICLE•Dialectical Anthropology•1987

  • The Politics of Aesthetic Debate

    Open Access•Julie M Taylor•ARTICLE•Ethnology•1982•Cited by: 7•References: 3

    Carnaval? It's the only day they have democracy in the country. Interview with Samba composer, cited in Leopoldi (1978) How to judge the carnaval parade? If the audience of the celebration is not he who makes it, but rather the class for whom it is set up, whose should the aesthetic values be? Should they be popular? Should they be middle class? Should they be those of the intellectual elite which sits as official judge? This is not clear. The da…

  • Eva Perón

    Asuncion Lavrin, Julie M Taylor•ARTICLE•Hispanic American Historical Review•1981

    Eva Peron , one of the most powerful women in the world at the time of her death in 1952, rose from humble origins to international renown as First Lady of Argentina and the force behind her husband, Juan Peron. Despite her popularity she was inaccessible to the people of Argentina, and so images were constructed around her to fill that void. According to J.M. Taylor, these around Eva Peron reflect Argentine culture and political history at the t…

  • Tango

    Julie M Taylor•ARTICLE•Ethnomusicology•1976

    A favorite Argentine national pastime consists of debate over the supposed demise or latest claim to revival of the national dance. Is the tango already dead? Or are the dance and its music not only alive but one of the most complete expressions of Argentine character? Endless discussions of these conflicting opinions and the deep concern expressed on all sides over the death of the tango constitute the most important evidence that the dance, or …

  • The Politics of Aesthetic Debate

    Open Access•Julie M Taylor•ARTICLE•Ethnology•1982•Cited by: 7•References: 3

    Carnaval? It's the only day they have democracy in the country. Interview with Samba composer, cited in Leopoldi (1978) How to judge the carnaval parade? If the audience of the celebration is not he who makes it, but rather the class for whom it is set up, whose should the aesthetic values be? Should they be popular? Should they be middle class? Should they be those of the intellectual elite which sits as official judge? This is not clear. The da…

  • Tango

    Julie M Taylor•ARTICLE•Ethnomusicology•1976

    A favorite Argentine national pastime consists of debate over the supposed demise or latest claim to revival of the national dance. Is the tango already dead? Or are the dance and its music not only alive but one of the most complete expressions of Argentine character? Endless discussions of these conflicting opinions and the deep concern expressed on all sides over the death of the tango constitute the most important evidence that the dance, or …

  • Eva Perón

    Asuncion Lavrin, Julie M Taylor•ARTICLE•Hispanic American Historical Review•1981

    Eva Peron , one of the most powerful women in the world at the time of her death in 1952, rose from humble origins to international renown as First Lady of Argentina and the force behind her husband, Juan Peron. Despite her popularity she was inaccessible to the people of Argentina, and so images were constructed around her to fill that void. According to J.M. Taylor, these around Eva Peron reflect Argentine culture and political history at the t…

  • The Politics of Aesthetic Debate

    Open Access•Julie M Taylor•ARTICLE•Ethnology•1982•Cited by: 7•References: 3

    Carnaval? It's the only day they have democracy in the country. Interview with Samba composer, cited in Leopoldi (1978) How to judge the carnaval parade? If the audience of the celebration is not he who makes it, but rather the class for whom it is set up, whose should the aesthetic values be? Should they be popular? Should they be middle class? Should they be those of the intellectual elite which sits as official judge? This is not clear. The da…

  • The drama of emergent nationhood

    Open Access•Julie M Taylor•ARTICLE•Dialectical Anthropology•1987

  • Coexistence of Causal and Cultural Expressions of Musical Values among the Sabaot of Kenya

    Julie M Taylor, Julie Taylor et al.•BOOK•The Oxford Handbook of Music and…•2015

    Through the experience of the Sabaot of western Kenya, this chapter highlights the complex dialectic that engages both missionaries and the missionized in ongoing cultural exchange. While early missionaries may have introduced Western hymnody (which did not follow the tonal contours of the Sabaot language), many current musical projects are directed toward the search for a “traditional mix” that assigns Christian lyrics and meanings to songs in a…

Art (5 works) · History (3 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Aesthetics (2 works) · Cross-Cultural and Social Analysis (2 works) · History (2 works) · Politics (2 works) · Sociology (2 works)

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