Edimilson De Almeida Pereira
Biographic Data
| ID | 81763 |
|---|---|
| NAME | Edimilson De Almeida Pereira |
| GIVEN NAMES | Edimilson De Almeida |
| FAMILY NAME | Pereira |
| SIGNATURE | PEREIRA E A |
| AFFILIATIONS | Universidade Federal de Juiz de Fora |
| VERIFIED | No |
| TOTAL WORKS | 36 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 36 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
A realidade – teia para o pensamento
O objetivo do presente artigo é analisar as relações entre a realidade social e a constituição do texto poético. A partir do núcleo linguístico de uma série de poemas serão discutidas questões relativas à imposição da realidade sobre a imaginação, bem como a proposição de uma linguagem poética reflexiva, que estabelece uma autonomia relativa para a escrita do texto poético. Pretende-se, de maneira incipiente, mapear uma dinâmica poética que vem s…
Ronald Augusto: “Se a poesia tiver um lugar, ela estará fadada à decadência. A ocupação de um lugar indica equilíbrio, talvez mesmo uma forma de consagração. A poesia não pode abdicar de precipitações…
Esta entrevista permitirá analisar alguns dos aspectos mais instigantes do trabalho de Ronald Augusto como poeta e pensador, bem como seu entendimento acerca das relações estabelecidas entre a criação poética e suas tendências críticas. Nosso entrevistado lança um olhar aguçado não só sobre o cenário da poesia contemporânea, mas também sobre a ordem social e política do país
Trocas culturais e escrita literária: Apontamentos
Depoimento de Edimilson de Almeida Pereira à Diadorim 21(1
O enigmático olhar do outro sobre si mesmo: Notas sobre o livro "O estranho" de Oswaldo de Camargo
O presente artigo pretende analisar alguns aspectos ideológicos que demonstram como a poética de Oswaldo de Camargo está intimamente ligada a um sentimento de não pertencimento identitário e territorial. No contexto de uma sociedade brasileira marcada pelas contradições, o poeta/sujeito negro volta-se contra as forças que o obrigam a adaptar-se aos padrões de uma "mentalidade branca", ao passo que é desqualificado e descriminado pela cor da sua p…
Poemas extraídos do livro inédito qvasi: Segundo Caderno (2013)
Homeless
Homeless
Homeless Edimilson de Almeida Pereira Cartografia I o cultivo no mar é devoração : a cada movimento de escuna um fruto se desgasta para intuir a empresa que dirige esse campo é urgente revolvê-lo desde a medula —à superfície o rascunho dos embates revela muito & pouco sobre o inferno submerso a palavra-sonar traz à tona o espólio que, um dia corpo, atravessou o próprio meridiano : para esse o esquecimento e a sede como sinais [End Page 449] ou no…
Walking Around
The Painter José Luiz S
Callaloo - Volume 24, Number 4, Fall 2001
Corália her Food
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Calunga Lungara
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
The Painter Estêvão Silva
Callaloo - Volume 24, Number 4, Fall 2001
Unknow Title Article ID 6575
Orpheus
Orpheus Edimilson de Almeida Pereira Translated by Steven F. White 1. carnaval belongs to Saturdaywith stories about deadboxcars over the deadgrandfather spirituals on the Sedan record player at 78 45 33 16 rpm carnaval movesin a costumed thirst 2. the afternoon ripenshappiness of mangoes in the air hope doesn't on the patiothe shadow of vigils the absurd cat [End Page 1142] hair gives way to lifea swaying that can barely be seen hope doesn't 3. …
Unsuffered Parts of a Wife's Letter
Callaloo - Volume 24, Number 4, Fall 2001
Sunday
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
The Painter Jorge Dos Anjos
Callaloo - Volume 24, Number 4, Fall 2001
Banner of Agony
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Dear Listeners
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Book
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Dorva's House
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Brasil: Panorama De Interações E Conflitos Numa Sociedade Multicultural
Este artigo examina o panorama das interações e conflitos dentro da sociedade multicultural brasileira. Os autores argumentam que, apesar do ideal de uma democracia racial, a nação enfrenta desafios complexos relacionados à desigualdade racial e à discriminação. O texto explora as tensões entre a retórica da harmonia racial e a realidade das disparidades socioeconômicas, analisando como as relações raciais se manifestam em diferentes esferas da v…
Poems
Reinventing a Sacred Past in Contemporary Afro-Brazilian Poetry: Five African-Brazilian Poets from Livro de Falas [Book of Voices]
Callaloo - Volume 20, Number 1, Winter 1997
An Interview with Edimilson de Almeida Pereira
An Interview with Edimilson de Almeida Pereira Steven F. White (bio) Click for larger view View full resolution Edimilson de Almeida Pereira was born in Juiz de Fora, in the state of Minas Gerais in Brazil in 1963. He has published eight books of poetry, including a volume of collected poems Corpo vivido [Lived Body] (1991) as well as the more recent Rebojo [Whirlpool] and O homem da orelha furada [The Man with the Pierced Ear], both of which app…
An Interview with Edimilson de Almeida Pereira
An Interview with Edimilson de Almeida Pereira Steven F. White (bio) Click for larger view View full resolution Edimilson de Almeida Pereira was born in Juiz de Fora, in the state of Minas Gerais in Brazil in 1963. He has published eight books of poetry, including a volume of collected poems Corpo vivido [Lived Body] (1991) as well as the more recent Rebojo [Whirlpool] and O homem da orelha furada [The Man with the Pierced Ear], both of which app…
The Fruit
The Fruit Edimilson de Almeida Pereira (bio) The dead appear at carnival dancing densely: green souls and a ripe illusion. The definition of night or day does not frighten life: the body loses its leaves and dies united. The dead fall no more: the restoration of stems grows imperceptibly. As Frutas Edimilson de Almeida Pereira (bio) Translated by Steven F. White Os mortos aparecem no carnaval numa dança de espessura as almas verdes e a ilusão mad…
School
School Edimilson de Almeida Pereira (bio) We go into the streets like a secret and our costumes express realities deeper than fear. These are days of masks, of clear intentions; we are in ourselves; in us, the world and its cards are concentrated. We recognize the cloud and the illusion. There is nothing in these streets that keeps them from deceiving and decoding us. We pass like a river at dawn and our costumes designate truths firmer than the …
Ouro Preto: Interpretation Itinerary
Ouro Preto Edimilson de Almeida Pereira (bio) Upon contemplating the baroque of the churches and the glare of the gold, the visitor looking does not merge the building with the past: small hills so dark: and does not grasp the silence of a totem never seen. The baroque is not the depletion of the gold but the right of the raped body. Ouro Preto: interpretation itinerary Edimilson de Almeida Pereira (bio) Translated by Phyllis Peres, Reetika Vazir…
Survey of African-Brazilian Literature
Survey of African-Brazilian Literature * Edimilson de Almeida Pereira (bio) In this survey of African-Brazilian Literature I will focus on authors and texts from the eighteenth and nineteenth centuries as well as from the first half of the twentieth. Initially, I will outline some of the major issues arising from critical considerations of these texts. Existing criticism of that literature has been marked by the limitations of what I will call a …
Iron
Iron Edimilson de Almeida Pereira (bio) At one time you knew the magic and the friends gathered around their own breathing. Resolutions came, opening caverns in the garden. The friends return once more with their descendents. There is a moon in which we crouch: hard questions sleep within us. O Ferro Edimilson de Almeida Pereira (bio) Translated by Steven F. White Num tempo soubeste a magia e os companheiros em redor do fôlego. As resoluções vier…
Morning Prayer
Morning Prayer Edimilson de Almeida Pereira (bio) for Núbia Pereira The day does not know your name and it could not. Many shrieks of rain still slumber in the trees. Whoever saw the sun can’t see the laughter of Zambi. Only the old ones look but they don’t speak or if they speak it’s in the language of silence. come mistress come mistress let’s make miracle The day is a burning night and Zambi is the mystery. ah mistress, ah mistress, The day do…
Circle
Circle Edimilson de Almeida Pereira (bio) The hands embrace us, and with them we initiate the celebration of shells and essential rhythms. Ah, when legs leap, heads hang down: stars on the ground. Your dust and my desire are one at the tip of seeing. We act because we are together and present at the hour of the world, our brother of dilutions and eternities. In the temple, the offering of leaves and meanings. Your being and mine, altars of a more…
The Dancer
The Dancer Edimilson de Almeida Pereira (bio) Time above the banners. What remains is the fire and shining, always a risk. The pain does not threaten the body. The sweat is old, and life advances toward the morning. Time and its heel are mysterious the way my steps are my body’s celebration. I recite the religion of calluses. O Passista Edimilson de Almeida Pereira (bio) Translated by Steven F. White O tempo sobre os estandartes. Restam o fogo e …
Induca, Maria do Rosario
Induca, Maria do Rosário Edimilson de Almeida Pereira (bio) Induca, where has life gone? The boy slips through the wall and disappears in the darkness of the room. Induca, I came late your eyes waited for me. Another boy slips through the wall with sugared wafers in his hand. Hey, Induca, where has life gone? I hope night falls patiently, I hope. You comment on the fear with a proverb. Induca, the boys slip back through the wall. The night belong…
An Interview with Edimilson de Almeida Pereira
An Interview with Edimilson de Almeida Pereira Steven F. White (bio) Click for larger view View full resolution Edimilson de Almeida Pereira was born in Juiz de Fora, in the state of Minas Gerais in Brazil in 1963. He has published eight books of poetry, including a volume of collected poems Corpo vivido [Lived Body] (1991) as well as the more recent Rebojo [Whirlpool] and O homem da orelha furada [The Man with the Pierced Ear], both of which app…
From Livro de falas [Book of Voices]
Callaloo - Volume 19, Number 1, Winter 1996
Contemporary Brazilian poetry: Invention and freedom in the Afro-Brazilian cultural tradition
Reinventing a Sacred Past in Contemporary Afro-Brazilian Poetry: Five African-Brazilian Poets from Livro de Falas [Book of Voices]
Callaloo - Volume 20, Number 1, Winter 1997
Poems
Walking Around
The Painter José Luiz S
Callaloo - Volume 24, Number 4, Fall 2001
Corália her Food
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Calunga Lungara
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
The Painter Estêvão Silva
Callaloo - Volume 24, Number 4, Fall 2001
Unknow Title Article ID 6575
Orpheus
Orpheus Edimilson de Almeida Pereira Translated by Steven F. White 1. carnaval belongs to Saturdaywith stories about deadboxcars over the deadgrandfather spirituals on the Sedan record player at 78 45 33 16 rpm carnaval movesin a costumed thirst 2. the afternoon ripenshappiness of mangoes in the air hope doesn't on the patiothe shadow of vigils the absurd cat [End Page 1142] hair gives way to lifea swaying that can barely be seen hope doesn't 3. …
Unsuffered Parts of a Wife's Letter
Callaloo - Volume 24, Number 4, Fall 2001
Sunday
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
The Painter Jorge Dos Anjos
Callaloo - Volume 24, Number 4, Fall 2001
Banner of Agony
Edimilson de Almeida Pereira lives in Juiz de Fora in the state of Minas Gerais, Brazil. He has published poetry and studies of Brazilian culture which include Corpo vivido, A roda do mundo (with Ricardo Aleixo), Negras raízes mineiras: Os arturos, and Mundo encaixado: Significação da cultura popular. He teaches Brazilian literature at the Federal University in Juiz de Fora
Art (30 works) · Humanities (25 works) · Literature, Culture, and Criticism (22 works) · Cultural, Media, and Literary Studies (14 works) · Literature (13 works) · Poetry (11 works) · Art history (9 works) · Sociology (9 works) · Ethnology (7 works) · Philosophy (7 works)