Egon Wellesz

Biographic Data

ID81812
NAMEEgon Wellesz
GIVEN NAMESEgon
FAMILY NAMEWellesz
SIGNATUREWELLESZ E
AFFILIATIONSAshwell Museum
VERIFIEDNo
TOTAL WORKS27
TOTAL CITATIONS2
WORKS AS AUTHOR27
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1923
LATEST PUBLICATION YEAR1974
H-INDEX1

  • The Age of Enlightenment, 1745-1790

    Egon Wellesz, Frederick Sternfeld et al.ARTICLERevue de musicologie1974

  • Sacred Choral

    Hugh Ottaway, Bernard Naylor et al.ARTICLEThe Musical Times1972

  • Studies in Eastern Chant. Vol. II

    Michel Huglo, Egon Wellesz et al.ARTICLERevue de musicologie1971

  • Modern Orchestral

    Peter Dickinson, Sven-Erik Back et al.ARTICLEThe Musical Times1967

  • New Chamber Music

    Peter J Pirie, Benjamin Frankel et al.ARTICLEThe Musical Times1967

  • Ad Parnassum

    Stanley Sadie, Egon Wellesz et al.ARTICLEThe Musical Times1966

  • Studies in Eastern Chant

    Michel Huglo, Egon Wellesz et al.ARTICLERevue de musicologie1966

    A medieval Slavonic theoretical treatise on music, Stefan Lazarov notes on Cyprian the Hymnographer, Mariangela Arata the Akathistos hymn, Antonia Filonov Gove performance of the kanon in Thessaloniki in the 14th century, Christian Hannick Byzantine and modern Greek parahymnography, K. Mitsakis. (Part Contents)

  • To Sleep

    John Keats, Egon WelleszARTICLEThe Musical Times1965

  • The Interpretation of Plainchant

    Egon WelleszARTICLEMusic and Letters1964

    Journal Article THE INTERPRETATION OF PLAINCHANT Get access EGON WELLESZ EGON WELLESZ 32 Holywell, Oxford Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 45, Issue 3, July 1964, Pages 310-a–310, https://doi.org/10.1093/ml/45.3.310-a Published: 01 July 1964

  • The Interpretation of Plainchant

    Egon WelleszARTICLEMusic and Letters1963

    Journal Article THE INTERPRETATION OF PLAINCHANT Get access EGON WELLESZ EGON WELLESZ Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 44, Issue 4, October 1963, Pages 343–349, https://doi.org/10.1093/ml/44.4.343 Published: 01 October 1963

  • Drei Skizzen für Klavier, Op 6

    Peter Dickinson, Egon WelleszARTICLEThe Musical Times1963

  • The Akathistos Hymn

    Joseph Smits Van Waesberghe, Egon WelleszARTICLEVigiliae Christianae1962

  • Bruno Walter (1876-1962)

    Egon WelleszARTICLEMusic and Letters1962Cited by: 1

    Journal Article BRUNO WALTER (1876–1962) Get access EGON WELLESZ EGON WELLESZ Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 43, Issue 3, July 1962, Pages 201–205, https://doi.org/10.1093/ml/43.3.201 Published: 01 July 1962

  • The Sacred Bridge; The Interdependence of Liturgy and Music in Synagogue and Church during the First Millenium

    Open AccessEgon Wellesz, Éric WernerARTICLENotes1959Cited by: 1

  • The New Oxford History of Music, Volume I. Ancient and Oriental Music

    Charles Seeger, Egon WelleszARTICLEEthnomusicology1959

  • Das Prooemium des Akathistos

    Open AccessEgon WelleszARTICLEDie Musikforschung1953

  • Eastern Elements in Western Chant, Studies in the Early History of Ecclesiastical Music

    J Handschin, Egon WelleszARTICLEActa Musicologica1952

  • Hofmannsthal and Strauss

    Egon WelleszARTICLEMusic and Letters1952

    HOFMANNSTHAL AND STRAUSS Get access EGON WELLESZ EGON WELLESZ Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXIII, Issue 3, July 1952, Pages 239–242, https://doi.org/10.1093/ml/XXXIII.3.239 Published: 01 July 1952

  • Arnold Schōnberg 1874–1951

    Egon WelleszARTICLEMusic and Letters1951

    Journal Article ARNOLD SCHŌNBERG 1874–1951 Get access EGON WELLESZ EGON WELLESZ Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXII, Issue 4, October 1951, Pages 322-b–323, https://doi.org/10.1093/ml/XXXII.4.322-b Published: 01 October 1951

  • The Nativity Drama of the Byzantine Church

    Open AccessEgon WelleszARTICLEThe Journal of Roman Studies1947

    The service books of the Eastern Church contain a large number of monostrophic hymns, or Troparia, which originally followed a verse (στἰχος) from a psalm or canticle, and were therefore also called Stichera. As hymnography developed, their connexion with the content of the Stichos was loosened, and their number increased. The term ‘Sticheron’ was, however, maintained for this new type of Troparion, which was inserted into the Office so freely th…

  • The Earliest Example of Christian Hymnody

    Open AccessEgon Wellesz, E J WelleszARTICLEThe Classical Quarterly1945

    From Patristic writings ample evidence can be gathered about the important part which hymn-singing held in Early Christianity. Until recently, however, Early Christian hymnography was known only from documents transmitting the text but not the music. The discovery and publication of a Christian hymn in Greek with musical notation was, therefore, bound to change the whole aspect of studies concerned with the history of Early Christian music. This …

  • An Introduction to Byzantine Music

    Open AccessEgon WelleszARTICLEBlackfriars1942

    I regard it as a great privilege to be allowed to speak to you about Byzantine music and to introduce a performance of some melodies, chosen from MSS of the flourishing period of Byzantine ecclesiastical music.Members of the Hellenic Society will be aware how much we owe to the indefatigable work of my friendi and collaborator, Professor H. J. W. Tillyard, whose contributions in the Journal of Hellenic Studies and in the Annual of the British Sch…

  • Monumenta Musicae Byzantinae

    Knud Jeppesen, Carsten Hoeg et al.ARTICLEActa Musicologica1937

  • Die Hymnen des Sticherarium fur September

    A Gastoue, Egon WelleszARTICLERevue de musicologie1937

  • Cavalli et l'Opéra Vénitien au XVIIe Siécle, avec quarante planches hors texte en héliogravure

    Egon Wellesz, Henry PrunieresARTICLEActa Musicologica1931