Nabeel Zuberi
Biographic Data
| ID | 81988 |
|---|---|
| NAME | Nabeel Zuberi |
| GIVEN NAMES | Nabeel |
| FAMILY NAME | Zuberi |
| SIGNATURE | ZUBERI N |
| AFFILIATIONS | University of Auckland |
| ORCID | 0000-0003-4386-4354 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Mapping the Rockumentary: Images of Sound and Fury. Edited by Gunnar Iversen and Scott MacKenzie
Editors' reflections
Copy Music
A review of Margie Borschke's 'This is Not a Remix: Piracy, Authenticity and Popular Music' (Bloomsbury Academic, 2017
Listening While Muslim
You are what you hear, not what you say. This personal reflection explores how listening to music in the post 9/11 context enabled me to negotiate ideas of diasporic Muslim identity when speaking as Muslim proved much more difficult. Islamophobia and Islamophilia both apply pressures on the kind of Muslim one can be in public. Listening to electronic music genres, hip hop and punk from the US and UK opened up spaces to engage with war and terror,…
Music and discovery
Today, more recorded music is released each year than there is time in that same year to listen to it. Music is ubiquitous and ambient in everyday life and seems to have taken on a more fluid and l
Sounds Like Us: Popular Music and Cultural Nationalism in Aotearoa/New Zealand
In the opening paper, Zuberi explores the intervention of New Zealand's cultural policy on popular music in influencing cultural nationalism
War Dubs
Vocalizing: MC Culture in the UK
Mp3: The Meaning of a Format by Jonathan Sterne
James Joseph Brown (1933–2006)
James Brown died on Christmas Day due to congestive heart failure, but media space soon filled up with his presence. “Mr. Dynamite,” “Soul Brother Number One,” and “The Godfather of Soul” multiplie
Is This The Future? Black Music and Technology Discourse
As a dispersed assemblage of ideas and aesthetics, sonic Afrofuturism operates across the porous borders between and among music, sf, the academy, journalism, and the blogosphere. In this article I am interested in the value of these rhetorics for media studies. In particular, how can writing that focuses on the materiality of music inform our understanding of the technological changes associated with digitization? I will argue that music forms, …
Nina Simone (Eunice Waymon), 1933–2003
(2004). Nina Simone (Eunice Waymon), 1933–2003. Popular Music and Society: Vol. 27, No. 2, pp. 243-244
Listening While Muslim
You are what you hear, not what you say. This personal reflection explores how listening to music in the post 9/11 context enabled me to negotiate ideas of diasporic Muslim identity when speaking as Muslim proved much more difficult. Islamophobia and Islamophilia both apply pressures on the kind of Muslim one can be in public. Listening to electronic music genres, hip hop and punk from the US and UK opened up spaces to engage with war and terror,…
Music and discovery
Today, more recorded music is released each year than there is time in that same year to listen to it. Music is ubiquitous and ambient in everyday life and seems to have taken on a more fluid and l
Is This The Future? Black Music and Technology Discourse
As a dispersed assemblage of ideas and aesthetics, sonic Afrofuturism operates across the porous borders between and among music, sf, the academy, journalism, and the blogosphere. In this article I am interested in the value of these rhetorics for media studies. In particular, how can writing that focuses on the materiality of music inform our understanding of the technological changes associated with digitization? I will argue that music forms, …
Nina Simone (Eunice Waymon), 1933–2003
(2004). Nina Simone (Eunice Waymon), 1933–2003. Popular Music and Society: Vol. 27, No. 2, pp. 243-244
Nina Simone (Eunice Waymon), 1933–2003
(2004). Nina Simone (Eunice Waymon), 1933–2003. Popular Music and Society: Vol. 27, No. 2, pp. 243-244
James Joseph Brown (1933–2006)
James Brown died on Christmas Day due to congestive heart failure, but media space soon filled up with his presence. “Mr. Dynamite,” “Soul Brother Number One,” and “The Godfather of Soul” multiplie
Is This The Future? Black Music and Technology Discourse
As a dispersed assemblage of ideas and aesthetics, sonic Afrofuturism operates across the porous borders between and among music, sf, the academy, journalism, and the blogosphere. In this article I am interested in the value of these rhetorics for media studies. In particular, how can writing that focuses on the materiality of music inform our understanding of the technological changes associated with digitization? I will argue that music forms, …
Vocalizing: MC Culture in the UK
Mp3: The Meaning of a Format by Jonathan Sterne
Sounds Like Us: Popular Music and Cultural Nationalism in Aotearoa/New Zealand
In the opening paper, Zuberi explores the intervention of New Zealand's cultural policy on popular music in influencing cultural nationalism
War Dubs
Music and discovery
Today, more recorded music is released each year than there is time in that same year to listen to it. Music is ubiquitous and ambient in everyday life and seems to have taken on a more fluid and l
Listening While Muslim
You are what you hear, not what you say. This personal reflection explores how listening to music in the post 9/11 context enabled me to negotiate ideas of diasporic Muslim identity when speaking as Muslim proved much more difficult. Islamophobia and Islamophilia both apply pressures on the kind of Muslim one can be in public. Listening to electronic music genres, hip hop and punk from the US and UK opened up spaces to engage with war and terror,…
Copy Music
A review of Margie Borschke's 'This is Not a Remix: Piracy, Authenticity and Popular Music' (Bloomsbury Academic, 2017
Mapping the Rockumentary: Images of Sound and Fury. Edited by Gunnar Iversen and Scott MacKenzie
Editors' reflections
Art (9 works) · Sociology (6 works) · Music History and Culture (5 works) · Aesthetics (4 works) · Media studies (4 works) · Art history (3 works) · History (3 works) · Political science (3 works) · Visual arts (3 works) · Asian Culture and Media Studies (2 works)