Priyanka Pathak
Biographic Data
| ID | 8207731 |
|---|---|
| NAME | Priyanka Pathak |
| GIVEN NAMES | Priyanka |
| FAMILY NAME | Pathak |
| SIGNATURE | PATHAK P |
| AFFILIATIONS | Jawaharlal Nehru University |
| ORCID | 0000-0002-0703-5033 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Walking as performing in the city
This article explores Yamuna Walk (2007) by Atul Bhalla, an event where artists walked alone at waste and garbage sites in New Delhi. Unlike conventional theatre or performance making, there were no stage props, and the performance was not rehearsed or predetermined. The walk was an embodied and immersive experience, contrasting with leisurely or touristic walks at historical sites. Walking at such marginalized sites is an ethnographic encounter …
Walk as performative cartography
Walking allows a moving gaze that engages with a city that changes constantly. I use walking and pausing as a method of enquiry to register the embodied journeys that inform art practices and shape aesthetic experiences at marginal sites, focusing on two representative sites of the working class in Delhi, through the work of a street theatre group, Jana Natya Manch (Janam). This article explores the relationship between macro urban planning and m…
No prominent works on this page.
Walking as performing in the city
This article explores Yamuna Walk (2007) by Atul Bhalla, an event where artists walked alone at waste and garbage sites in New Delhi. Unlike conventional theatre or performance making, there were no stage props, and the performance was not rehearsed or predetermined. The walk was an embodied and immersive experience, contrasting with leisurely or touristic walks at historical sites. Walking at such marginalized sites is an ethnographic encounter …
Walk as performative cartography
Walking allows a moving gaze that engages with a city that changes constantly. I use walking and pausing as a method of enquiry to register the embodied journeys that inform art practices and shape aesthetic experiences at marginal sites, focusing on two representative sites of the working class in Delhi, through the work of a street theatre group, Jana Natya Manch (Janam). This article explores the relationship between macro urban planning and m…
Ethnography (2 works) · Theatre and Performance Studies (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Art (1 work) · Art Therapy and Mental Health (1 work) · Diversity and Impact of Dance (1 work) · Drama (1 work) · Narrative (1 work) · Performative utterance (1 work)