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Jelena Stojkovic

Biographic Data

ID821385
NAMEJelena Stojkovic
GIVEN NAMESJelena
FAMILY NAMEStojkovic
SIGNATURESTOJKOVIC J
AFFILIATIONSUniversity of Westminster
ORCID0000-0003-0169-6671
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Balsdon Fellowships

    Open Access•Jelena Stojkovic•ARTICLE•Papers of the British School at…•2022

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Performance in Print

    J Andrew Ro, Jelena Stojkovic•ARTICLE•Photography and Culture•2018•References: 1

    At 1 p.m. on 6 February 1971, eight “actors,” a reporter, and a cameraman entered a space at an undisclosed location with the intention of spending 24 hours together. They did not belong to a single artistic group and some of them had never met before. Tōmatsu Shōmei’s photographic record of this event appeared in the spring 1971 issue of the magazine Kikan shashin eizō accompanied by sections from a transcript of the tape recording. The images a…

  • Minor aesthetics

    Jelena Stojkovic•ARTICLE•Visual Studies•2016•References: 2

    KU Leuven–based scholar Mieke Bleyen succeeds in integrating several important achievements in Minor Aesthetics: The Photographic Work of Marcel Marien. Within the first study dedicated to the phot

  • Prehistoric Future

    Jelena Stojkovic•ARTICLE•Visual Studies•2016

    Prehistoric Future: Max Ernst and the Return of Painting Between the Wars by Ralph Ubl, translated by Elizabeth Tucker." Visual Studies, 31(1), pp. 80–81

  • At the Edge of Sight

    Jelena Stojkovic•ARTICLE•Visual Studies•2015

  • Found sculpture and photography from surrealism to contemporary art

    Jelena Stojkovic•ARTICLE•Visual Studies•2014

    Found Sculpture and Photography from Surrealism to Contemporary Art is a timely collection of nine essays that explores the relations between photography and sculpture through a rich prism of varie

  • The City Vanishes

    Jelena Stojkovic•ARTICLE•History of Photography•2013

    Recent practice of staged photography in China renders views of urban landscapes as active elements in performative actions directed for the camera. These cityscapes, featured in photographs produced by artists such as Li Wei, Cao Fei, Chi Peng and Xing Danwen, not only reflect the country's rapid urbanisation but also ongoing processes of globalisation. The same processes reconfigure time–space relations around the globe and offer an opportunity…

No prominent works on this page.

  • The City Vanishes

    Jelena Stojkovic•ARTICLE•History of Photography•2013

    Recent practice of staged photography in China renders views of urban landscapes as active elements in performative actions directed for the camera. These cityscapes, featured in photographs produced by artists such as Li Wei, Cao Fei, Chi Peng and Xing Danwen, not only reflect the country's rapid urbanisation but also ongoing processes of globalisation. The same processes reconfigure time–space relations around the globe and offer an opportunity…

  • Found sculpture and photography from surrealism to contemporary art

    Jelena Stojkovic•ARTICLE•Visual Studies•2014

    Found Sculpture and Photography from Surrealism to Contemporary Art is a timely collection of nine essays that explores the relations between photography and sculpture through a rich prism of varie

  • At the Edge of Sight

    Jelena Stojkovic•ARTICLE•Visual Studies•2015

  • Minor aesthetics

    Jelena Stojkovic•ARTICLE•Visual Studies•2016•References: 2

    KU Leuven–based scholar Mieke Bleyen succeeds in integrating several important achievements in Minor Aesthetics: The Photographic Work of Marcel Marien. Within the first study dedicated to the phot

  • Prehistoric Future

    Jelena Stojkovic•ARTICLE•Visual Studies•2016

    Prehistoric Future: Max Ernst and the Return of Painting Between the Wars by Ralph Ubl, translated by Elizabeth Tucker." Visual Studies, 31(1), pp. 80–81

  • Performance in Print

    J Andrew Ro, Jelena Stojkovic•ARTICLE•Photography and Culture•2018•References: 1

    At 1 p.m. on 6 February 1971, eight “actors,” a reporter, and a cameraman entered a space at an undisclosed location with the intention of spending 24 hours together. They did not belong to a single artistic group and some of them had never met before. Tōmatsu Shōmei’s photographic record of this event appeared in the spring 1971 issue of the magazine Kikan shashin eizō accompanied by sections from a transcript of the tape recording. The images a…

  • Balsdon Fellowships

    Open Access•Jelena Stojkovic•ARTICLE•Papers of the British School at…•2022

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (6 works) · Visual arts (5 works) · Art history (4 works) · Photography and Visual Culture (4 works) · Art, Politics, and Modernism (3 works) · History (3 works) · History (3 works) · Photography (3 works) · Sociology (3 works) · Archaeology (2 works)

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