Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Phyllis Taoua

Biographic Data

ID82234
NAMEPhyllis Taoua
GIVEN NAMESPhyllis
FAMILY NAMETaoua
SIGNATURETAOUA P
AFFILIATIONSUniversity of Arizona
ORCID0000-0001-6912-2418
VERIFIEDYes
TOTAL WORKS17
TOTAL CITATIONS7
AUTHOR COUNT17
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Of freedom and literature in Africa and the diaspora

    Phyllis Taoua, Grace A Musila•ARTICLE•Journal of the African Literature…•2023•References: 4

    This introduction to a special issue on freedom presents a set of original essays that reflect critically on the idea of freedom in relation to specific literary texts from Africa and the African diaspora. Read together, the essays presented in this introduction make up a rich tapestry, offering a set of reflections that map out the complex geo-histories of freedoms in Africa and an array of creative representations of this generative idea across…

  • Of writing and freedom in Sony Labou Tansi’s novel Life and a Half

    Phyllis Taoua•ARTICLE•Journal of the African Literature…•2023•References: 8

    This essay offers a critical re-reading of Sony Labou Tansi’s début novel Life and a Half that was both formally innovative and conceptually challenging. As a point of departure, I consider Tansi’s statements about his vocation as a writer and the interpretive questions they raise. One such question is why the novel’s critical reception has tended to focus on its representation of dictatorship, while not engaging as productively with its existent…

  • In praise of cultural comparisons: Abiola Irele’s contributions as a cosmopolitan, multi-lingual Africanist

    Phyllis Taoua•ARTICLE•Journal of the African Literature…•2019•Cited by: 1•References: 3

    This essay examines Abiola Irele's career as a multi-lingual cosmopolitan intellectual. This eminent Nigerian literary critic is shown to have bridged some cultural gaps between francophone and anglophone language spheres. The span of his work as a critic is considered from his early work written in West Africa to his later essays written in the United States

  • African Freedom: How Africa Responded to Independence

    Phyllis Taoua•BOOK•African Freedom•2019•References: 46

    The push for independence in African nations was ultimately an incomplete process, with the people often left to wrestle with a partial, imperfect legacy. Rather than settle for liberation in name alone, the people engaged in an ongoing struggle for meaningful freedom. Phyllis Taoua shows how the idea of freedom in Africa today evolved from this complex history. With a pan-African, interdisciplinary approach, she synthesizes the most significant …

  • Timbuktu —The Controversy - Abderrahmane Sissako, Director. Timbuktu. Original Title: Timbuktu, le chagrin des oiseaux . 2014. 97 minutes. In French, Bambara, Songhay, Tamashek, Arabic, and English. F…

    Open Access•A Conversation among, Odile Cazenave et al.•ARTICLE•African Studies Review•2016

    TIMBUKTU—THE CONTROVERSY - Abderrahmane Sissako, director. Timbuktu. Original title: Timbuktu, le chagrin des oiseaux. 2014. 97 minutes. In French, Bambara, Songhay, Tamashek, Arabic, and English. France/Mauritania. Worso Films. - Volume 59 Issue 3

  • Jean-Pierre Bekolo, director. Mudimbe’s Things and Words. Original title: Les Choses et les Mots de Mudimbe . 2013. In French (with English subtitles). U.S/France/Cameroon. Jean-Pierre Bekolo Sarl. €1…

    Open Access•Phyllis Taoua•ARTICLE•African Studies Review•2015

    Jean-Pierre Bekolo, director. Mudimbe’s Things and Words. Original title: Les Choses et les Mots de Mudimbe. 2013. In French (with English subtitles). U.S/France/Cameroon. Jean-Pierre Bekolo Sarl. €19.99. - Volume 58 Issue 1

  • Jean-Marie Teno, director. Leaf in the Wind. Original title: Une feuille dans le vent . 2013. 55 minutes. In English and French (with subtitles in French, English, Spanish and German). Cameroon/France…

    Open Access•Phyllis Taoua•ARTICLE•African Studies Review•2015

    Jean-Marie Teno, director. Leaf in the Wind. Original title: Une feuille dans le vent. 2013. 55 minutes. In English and French (with subtitles in French, English, Spanish and German). Cameroon/France. Raphia Films. €25.00. - Volume 58 Issue 1

  • Abderrahmane Sissako’s Timbuktu and Its Controversial Reception - Abderrahmane Sissako, Director. Timbuktu. Original Title: Timbuktu, le chagrin des oiseaux.2014. 97 minutes. In French, Tamashek, Bamb…

    Open Access•Phyllis Taoua•ARTICLE•African Studies Review•2015

    ABDERRAHMANE SISSAKO’S TIMBUKTU AND ITS CONTROVERSIAL RECEPTION - Abderrahmane Sissako, director. Timbuktu. Original title: Timbuktu, le chagrin des oiseaux.2014. 97 minutes. In French, Tamashek, Bambara, Songhay, and Arabic (with subtitles in English and French). France/Mauritania. Worso Films. - Volume 58 Issue 2

  • Of Prisons and Freedom: Liberation in the Work of Assia Djebar

    Phyllis Taoua•ARTICLE•World Literature Today•2012

    The Arab Spring may have destroyed the perception that Arab cultures are inherently incompatible with democracy and the values of freedom, but writers of Muslim extraction who are politically and culturally progressive have been wrestling with the thorny question of freedom for many decades

  • Forms of Protest: Anti-Colonialism and Avant-Gardes in Africa, the Caribbean, and France

    Odile Cazenave, Phyllis Taoua•ARTICLE•The International Journal of…•2004•Cited by: 2

    Forms of Protest: Anti-Colonialism and Avant-Gardes in Africa, the Caribbean, and France. By Phyllis Taoua. Portsmouth, N.H.: Heinemann, 2002. Pp. xxv, 268. $24.95 paper. In a rich, well-researched essay, Phyllis Taoua examines discourses of liberation by writers from France and the former colonies throughout the twentieth century. Critics tend to tie African and Caribbean writers' political commitment and use of realism during colonialism and ea…

  • Of Natives and Rebels: Locating the Surrealist Revolution in French Culture

    Open Access•Phyllis Taoua•ARTICLE•South Central Review•2003

    As the Surrealist group began to articulate a position of dissidence in opposition to bourgeois metropolitan culture, laying claim to a realm of primitive otherness proved to be integral to the process. In 1925, the Surrealists contributed to a political tract entitled La Rdvolution d'abord et toujours! which expressed support for the anti-colonial rebellion under way in Morocco since 1921.1 The authors describe themselves as des Barbares in a ge…

  • Nation-Building, Propaganda, and Literature in Francophone Africa

    Phyllis Taoua, Dominic Thomas•ARTICLE•The International Journal of…•2003•Cited by: 1

  • The Anti-Colonial Archive: France and Africa's Unfinished Business

    Phyllis Taoua•ARTICLE•SubStance•2003

    A few years ago, Ania Loomba explored a number of critical approaches to the vigorously debated relationship between the local and the global in her book Colonialism/Postcolonialism (1998). Since then, her work on the interface between colonial and postcolonial discourses has become a new reference point in what remains an ongoing exchange on this local/global question in postcolonial theory. 1 Loomba, in her conclusion to the chapter "Challengin…

  • As the Crow Flies

    Phyllis Taoua, Véronique Tadjo et al.•ARTICLE•The International Journal of…•2002

  • In Search of New Skin: Michel Leiris's L'Afrique fantôme

    Open Access•Phyllis Taoua, Phyllis Clarck-Taoua•ARTICLE•Cahiers d études africaines•2002•Cited by: 2•References: 1

    À la recherche d’une nouvelle personnalité : L’Afrique fantôme de Michel Leiris. – Michel Leiris s’embarqua pour l’Afrique en surréaliste déçu, à la recherche d’une nouvelle personnalité. Il fuyait ses ennuis métropolitains, emportant avec lui un primitivisme d’avant-garde qui obscurcissait sa perception de l’Afrique, de ses peuples et de ses cultures. Incapable de se débarrasser de son obsession pour Breton et éprouvant le manque de femmes bien …

  • Sony Labou Tansi a Lome en 1988

    Phyllis Taoua, Sony Labou Tansi et al.•ARTICLE•The International Journal of…•2001

  • Performing identity: Nations, cultures and African experimental novels

    Phyllis Taoua•ARTICLE•Journal of African Cultural Studies•2001•Cited by: 1•References: 6

    General trends in post-colonial African literature and criticism are explored with a particular focus on the Congolese writer and activist, Sony Labou Tansi. The compromizes entailed in his publication of novels in Paris are discussed in terms of institutional constraints and the surreptitious nature of multi-layered texts, both symptoms and acts of resistance, which are produced in response. The aesthetic innovation of Sony's experimental novels…

  • Forms of Protest: Anti-Colonialism and Avant-Gardes in Africa, the Caribbean, and France

    Odile Cazenave, Phyllis Taoua•ARTICLE•The International Journal of…•2004•Cited by: 2

    Forms of Protest: Anti-Colonialism and Avant-Gardes in Africa, the Caribbean, and France. By Phyllis Taoua. Portsmouth, N.H.: Heinemann, 2002. Pp. xxv, 268. $24.95 paper. In a rich, well-researched essay, Phyllis Taoua examines discourses of liberation by writers from France and the former colonies throughout the twentieth century. Critics tend to tie African and Caribbean writers' political commitment and use of realism during colonialism and ea…

  • In Search of New Skin: Michel Leiris's L'Afrique fantôme

    Open Access•Phyllis Taoua, Phyllis Clarck-Taoua•ARTICLE•Cahiers d études africaines•2002•Cited by: 2•References: 1

    À la recherche d’une nouvelle personnalité : L’Afrique fantôme de Michel Leiris. – Michel Leiris s’embarqua pour l’Afrique en surréaliste déçu, à la recherche d’une nouvelle personnalité. Il fuyait ses ennuis métropolitains, emportant avec lui un primitivisme d’avant-garde qui obscurcissait sa perception de l’Afrique, de ses peuples et de ses cultures. Incapable de se débarrasser de son obsession pour Breton et éprouvant le manque de femmes bien …

  • In praise of cultural comparisons: Abiola Irele’s contributions as a cosmopolitan, multi-lingual Africanist

    Phyllis Taoua•ARTICLE•Journal of the African Literature…•2019•Cited by: 1•References: 3

    This essay examines Abiola Irele's career as a multi-lingual cosmopolitan intellectual. This eminent Nigerian literary critic is shown to have bridged some cultural gaps between francophone and anglophone language spheres. The span of his work as a critic is considered from his early work written in West Africa to his later essays written in the United States

  • Nation-Building, Propaganda, and Literature in Francophone Africa

    Phyllis Taoua, Dominic Thomas•ARTICLE•The International Journal of…•2003•Cited by: 1

  • Performing identity: Nations, cultures and African experimental novels

    Phyllis Taoua•ARTICLE•Journal of African Cultural Studies•2001•Cited by: 1•References: 6

    General trends in post-colonial African literature and criticism are explored with a particular focus on the Congolese writer and activist, Sony Labou Tansi. The compromizes entailed in his publication of novels in Paris are discussed in terms of institutional constraints and the surreptitious nature of multi-layered texts, both symptoms and acts of resistance, which are produced in response. The aesthetic innovation of Sony's experimental novels…

  • Sony Labou Tansi a Lome en 1988

    Phyllis Taoua, Sony Labou Tansi et al.•ARTICLE•The International Journal of…•2001

  • Performing identity: Nations, cultures and African experimental novels

    Phyllis Taoua•ARTICLE•Journal of African Cultural Studies•2001•Cited by: 1•References: 6

    General trends in post-colonial African literature and criticism are explored with a particular focus on the Congolese writer and activist, Sony Labou Tansi. The compromizes entailed in his publication of novels in Paris are discussed in terms of institutional constraints and the surreptitious nature of multi-layered texts, both symptoms and acts of resistance, which are produced in response. The aesthetic innovation of Sony's experimental novels…

  • As the Crow Flies

    Phyllis Taoua, Véronique Tadjo et al.•ARTICLE•The International Journal of…•2002

  • In Search of New Skin: Michel Leiris's L'Afrique fantôme

    Open Access•Phyllis Taoua, Phyllis Clarck-Taoua•ARTICLE•Cahiers d études africaines•2002•Cited by: 2•References: 1

    À la recherche d’une nouvelle personnalité : L’Afrique fantôme de Michel Leiris. – Michel Leiris s’embarqua pour l’Afrique en surréaliste déçu, à la recherche d’une nouvelle personnalité. Il fuyait ses ennuis métropolitains, emportant avec lui un primitivisme d’avant-garde qui obscurcissait sa perception de l’Afrique, de ses peuples et de ses cultures. Incapable de se débarrasser de son obsession pour Breton et éprouvant le manque de femmes bien …

  • Of Natives and Rebels: Locating the Surrealist Revolution in French Culture

    Open Access•Phyllis Taoua•ARTICLE•South Central Review•2003

    As the Surrealist group began to articulate a position of dissidence in opposition to bourgeois metropolitan culture, laying claim to a realm of primitive otherness proved to be integral to the process. In 1925, the Surrealists contributed to a political tract entitled La Rdvolution d'abord et toujours! which expressed support for the anti-colonial rebellion under way in Morocco since 1921.1 The authors describe themselves as des Barbares in a ge…

  • Nation-Building, Propaganda, and Literature in Francophone Africa

    Phyllis Taoua, Dominic Thomas•ARTICLE•The International Journal of…•2003•Cited by: 1

  • The Anti-Colonial Archive: France and Africa's Unfinished Business

    Phyllis Taoua•ARTICLE•SubStance•2003

    A few years ago, Ania Loomba explored a number of critical approaches to the vigorously debated relationship between the local and the global in her book Colonialism/Postcolonialism (1998). Since then, her work on the interface between colonial and postcolonial discourses has become a new reference point in what remains an ongoing exchange on this local/global question in postcolonial theory. 1 Loomba, in her conclusion to the chapter "Challengin…

  • Forms of Protest: Anti-Colonialism and Avant-Gardes in Africa, the Caribbean, and France

    Odile Cazenave, Phyllis Taoua•ARTICLE•The International Journal of…•2004•Cited by: 2

    Forms of Protest: Anti-Colonialism and Avant-Gardes in Africa, the Caribbean, and France. By Phyllis Taoua. Portsmouth, N.H.: Heinemann, 2002. Pp. xxv, 268. $24.95 paper. In a rich, well-researched essay, Phyllis Taoua examines discourses of liberation by writers from France and the former colonies throughout the twentieth century. Critics tend to tie African and Caribbean writers' political commitment and use of realism during colonialism and ea…

  • Of Prisons and Freedom: Liberation in the Work of Assia Djebar

    Phyllis Taoua•ARTICLE•World Literature Today•2012

    The Arab Spring may have destroyed the perception that Arab cultures are inherently incompatible with democracy and the values of freedom, but writers of Muslim extraction who are politically and culturally progressive have been wrestling with the thorny question of freedom for many decades

  • Jean-Pierre Bekolo, director. Mudimbe’s Things and Words. Original title: Les Choses et les Mots de Mudimbe . 2013. In French (with English subtitles). U.S/France/Cameroon. Jean-Pierre Bekolo Sarl. €1…

    Open Access•Phyllis Taoua•ARTICLE•African Studies Review•2015

    Jean-Pierre Bekolo, director. Mudimbe’s Things and Words. Original title: Les Choses et les Mots de Mudimbe. 2013. In French (with English subtitles). U.S/France/Cameroon. Jean-Pierre Bekolo Sarl. €19.99. - Volume 58 Issue 1

  • Jean-Marie Teno, director. Leaf in the Wind. Original title: Une feuille dans le vent . 2013. 55 minutes. In English and French (with subtitles in French, English, Spanish and German). Cameroon/France…

    Open Access•Phyllis Taoua•ARTICLE•African Studies Review•2015

    Jean-Marie Teno, director. Leaf in the Wind. Original title: Une feuille dans le vent. 2013. 55 minutes. In English and French (with subtitles in French, English, Spanish and German). Cameroon/France. Raphia Films. €25.00. - Volume 58 Issue 1

  • Abderrahmane Sissako’s Timbuktu and Its Controversial Reception - Abderrahmane Sissako, Director. Timbuktu. Original Title: Timbuktu, le chagrin des oiseaux.2014. 97 minutes. In French, Tamashek, Bamb…

    Open Access•Phyllis Taoua•ARTICLE•African Studies Review•2015

    ABDERRAHMANE SISSAKO’S TIMBUKTU AND ITS CONTROVERSIAL RECEPTION - Abderrahmane Sissako, director. Timbuktu. Original title: Timbuktu, le chagrin des oiseaux.2014. 97 minutes. In French, Tamashek, Bambara, Songhay, and Arabic (with subtitles in English and French). France/Mauritania. Worso Films. - Volume 58 Issue 2

  • Timbuktu —The Controversy - Abderrahmane Sissako, Director. Timbuktu. Original Title: Timbuktu, le chagrin des oiseaux . 2014. 97 minutes. In French, Bambara, Songhay, Tamashek, Arabic, and English. F…

    Open Access•A Conversation among, Odile Cazenave et al.•ARTICLE•African Studies Review•2016

    TIMBUKTU—THE CONTROVERSY - Abderrahmane Sissako, director. Timbuktu. Original title: Timbuktu, le chagrin des oiseaux. 2014. 97 minutes. In French, Bambara, Songhay, Tamashek, Arabic, and English. France/Mauritania. Worso Films. - Volume 59 Issue 3

  • In praise of cultural comparisons: Abiola Irele’s contributions as a cosmopolitan, multi-lingual Africanist

    Phyllis Taoua•ARTICLE•Journal of the African Literature…•2019•Cited by: 1•References: 3

    This essay examines Abiola Irele's career as a multi-lingual cosmopolitan intellectual. This eminent Nigerian literary critic is shown to have bridged some cultural gaps between francophone and anglophone language spheres. The span of his work as a critic is considered from his early work written in West Africa to his later essays written in the United States

  • African Freedom: How Africa Responded to Independence

    Phyllis Taoua•BOOK•African Freedom•2019•References: 46

    The push for independence in African nations was ultimately an incomplete process, with the people often left to wrestle with a partial, imperfect legacy. Rather than settle for liberation in name alone, the people engaged in an ongoing struggle for meaningful freedom. Phyllis Taoua shows how the idea of freedom in Africa today evolved from this complex history. With a pan-African, interdisciplinary approach, she synthesizes the most significant …

  • Of freedom and literature in Africa and the diaspora

    Phyllis Taoua, Grace A Musila•ARTICLE•Journal of the African Literature…•2023•References: 4

    This introduction to a special issue on freedom presents a set of original essays that reflect critically on the idea of freedom in relation to specific literary texts from Africa and the African diaspora. Read together, the essays presented in this introduction make up a rich tapestry, offering a set of reflections that map out the complex geo-histories of freedoms in Africa and an array of creative representations of this generative idea across…

  • Of writing and freedom in Sony Labou Tansi’s novel Life and a Half

    Phyllis Taoua•ARTICLE•Journal of the African Literature…•2023•References: 8

    This essay offers a critical re-reading of Sony Labou Tansi’s début novel Life and a Half that was both formally innovative and conceptually challenging. As a point of departure, I consider Tansi’s statements about his vocation as a writer and the interpretive questions they raise. One such question is why the novel’s critical reception has tended to focus on its representation of dictatorship, while not engaging as productively with its existent…

Art (13 works) · African history and culture studies (11 works) · Political science (9 works) · Sociology (9 works) · History (8 works) · Aesthetics (5 works) · History (5 works) · Law (5 works) · Law (5 works) · Literature (5 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae