Evgeniya E Anisimova
Biographic Data
| ID | 824024 |
|---|---|
| NAME | Evgeniya E Anisimova |
| GIVEN NAMES | Evgeniya E |
| FAMILY NAME | Anisimova |
| SIGNATURE | ANISIMOVA E E |
| AFFILIATIONS | Siberian Federal University |
| ORCID | 0000-0002-7324-9355 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Local text as narrative
This paper explores the contribution of Maximilian Voloshin to the development of the Krasnoyarsk “local text” and the “mapping” of Yenisei Siberia onto the broader cultural landscape of Russia. The focus is on Voloshin’s biography of the painter, Surikov (1916), examined within its historical and cultural context. The research demonstrates that, by turning to the Krasnoyarsk chapters of V. Surikov’s life, Voloshin adopted a narrative strategy un…
The Story on Pugachev as a Part of Tolstoy’s First Russian Book for Reading
Purpose . The work examines the cycle-creating poetics of Tolstoy’s The First Russian Book for Reading and in particular – the story “How auntie told her grandmother about how the bandit Yemelka Pugachev gave her a dime” (1875) which occupies an essential place and, as demonstrated in the article, may be regarded as one of the key poles in the artistic structure of this collection of prose works. Results . The article compares three editions of t…
A History for the Common People in Leo Tolstoy’s “Ermak”
The article attempts to contextualize Leo Tolstoy’s short story “Ermak,” to study the range of sources that were in the author’s field of view, and, finally, to correlate the story with the long-standing debate on the role of the Stroganov merchant family in the acquisition of Siberia. The article shows how this short story, adapted for the common people, inherits the historiosophical program formulated by the writer in the novel “War and Peace.”…
Creating the historical memory of Siberia in Russian literature of the 1820s
The paper focuses on the genre aspect of literary works, in which the historical memory of the conquest of Siberia was generated. The ballad “Ermak” written by A. N. Muravyov, considered in terms of historiography and fiction of its time, served as the primary source. The study has revealed that the ballad genre model developed in the 1810s was implemented in the material not common for ballads, i.e. the history of Siberia. Such an approach allow…
From Imperial to Soviet Power
This article examines the role of Zhukovsky, a nineteenth-century ballad author, in Zabolotsky’s creative consciousness. Among the biographical facts and writings of the twentieth-century poet that reveal his constant interest in the canonic figure of his predecessor, the author pays special attention to Zhukovsky’s Ballad (1927) that has a metaliterary title. Zabolotsky included this work which looks like a riddle in the composition of Ararat, h…
The Siberian Journey of Vasily Zhukovsky and Tsesarevich Alexander Nikolaevich in 1837
The article investigates regularities of psychological perception and image constructing of Siberia \nby V.A. Zhukovsky and tsesarevich (crown prince) Alexander Nikolaevich during their travel across \nRussia in 1837. On the materials of the travelers’ letters, diaries and the 19th century periodicals, the \nauthor of the article shows the formation of two versions of Siberia’s image. Alexander Nikolayevich’s \nperception leant in many respects o…
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The Siberian Journey of Vasily Zhukovsky and Tsesarevich Alexander Nikolaevich in 1837
The article investigates regularities of psychological perception and image constructing of Siberia \nby V.A. Zhukovsky and tsesarevich (crown prince) Alexander Nikolaevich during their travel across \nRussia in 1837. On the materials of the travelers’ letters, diaries and the 19th century periodicals, the \nauthor of the article shows the formation of two versions of Siberia’s image. Alexander Nikolayevich’s \nperception leant in many respects o…
Creating the historical memory of Siberia in Russian literature of the 1820s
The paper focuses on the genre aspect of literary works, in which the historical memory of the conquest of Siberia was generated. The ballad “Ermak” written by A. N. Muravyov, considered in terms of historiography and fiction of its time, served as the primary source. The study has revealed that the ballad genre model developed in the 1810s was implemented in the material not common for ballads, i.e. the history of Siberia. Such an approach allow…
From Imperial to Soviet Power
This article examines the role of Zhukovsky, a nineteenth-century ballad author, in Zabolotsky’s creative consciousness. Among the biographical facts and writings of the twentieth-century poet that reveal his constant interest in the canonic figure of his predecessor, the author pays special attention to Zhukovsky’s Ballad (1927) that has a metaliterary title. Zabolotsky included this work which looks like a riddle in the composition of Ararat, h…
A History for the Common People in Leo Tolstoy’s “Ermak”
The article attempts to contextualize Leo Tolstoy’s short story “Ermak,” to study the range of sources that were in the author’s field of view, and, finally, to correlate the story with the long-standing debate on the role of the Stroganov merchant family in the acquisition of Siberia. The article shows how this short story, adapted for the common people, inherits the historiosophical program formulated by the writer in the novel “War and Peace.”…
The Story on Pugachev as a Part of Tolstoy’s First Russian Book for Reading
Purpose . The work examines the cycle-creating poetics of Tolstoy’s The First Russian Book for Reading and in particular – the story “How auntie told her grandmother about how the bandit Yemelka Pugachev gave her a dime” (1875) which occupies an essential place and, as demonstrated in the article, may be regarded as one of the key poles in the artistic structure of this collection of prose works. Results . The article compares three editions of t…
Local text as narrative
This paper explores the contribution of Maximilian Voloshin to the development of the Krasnoyarsk “local text” and the “mapping” of Yenisei Siberia onto the broader cultural landscape of Russia. The focus is on Voloshin’s biography of the painter, Surikov (1916), examined within its historical and cultural context. The research demonstrates that, by turning to the Krasnoyarsk chapters of V. Surikov’s life, Voloshin adopted a narrative strategy un…
Art (5 works) · Literature (5 works) · History (4 works) · Linguistics (3 works) · Philosophy (3 works) · Russian Literature and Bakhtin Studies (3 works) · Archaeology (2 works) · Ballad (2 works) · Poetry (2 works) · Russian literature (2 works)