Zulkarnain Mistortoify
Biographic Data
| ID | 8241963 |
|---|---|
| NAME | Zulkarnain Mistortoify |
| GIVEN NAMES | Zulkarnain |
| FAMILY NAME | Mistortoify |
| SIGNATURE | MISTORTOIFY Z |
| AFFILIATIONS | Institut Seni Indonesia Surakarta |
| ORCID | 0000-0001-6002-0415 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Learning Banyuwangi Traditional Music at Sanggar Jiwa Etnik Blambangan
This study examines the mechanisms of traditional music transmission at Sanggar Jiwa Etnik Blambangan in Banyuwangi, a rapidly growing sanggar (studio) where most members are young learners. The research focuses on the learning process, supporting factors, and documentation strategies that can be replicated as a teaching model for curriculum development in arts institutions. Specifically, this study supports plans to establish an arts campus in B…
Strategies and techniques for crafting a scientific manuscript for artistic publication
Scientific publications in the field of art creation have sparked considerable debate within the academic community in Indonesia. Issues such as the validity of artworks, assessment criteria, publication formats, and the alignment of academic standards with artistic practice have generated discussions regarding the format of publication writing. This article aims to offer alternative guidance on techniques for writing scientific publication artic…
Influence of Spatial Context on the Technique of Crafting the Rapai Pase Musical Instrument in the Vernacular Settlements of North Aceh, Indonesia
New harmony of Javanese keroncong case study
This research aims to unveil one of the compositional works of the Sono Seni Ensemble Surakarta music group, titled 'Boogie Rahayu.' This work offers a distinct paradigm and compositional technique in comparison to the works of typical progressive keroncong orchestra groups. The study endeavors to reveal the composition of 'Boogie Rahayu' through an analysis that integrates source knowledge of karawitan music structures, keroncong playing techniq…
Langgam Makassar
The musical landscape of Makassar features a unique variant of keroncong known as "Langgam Makassar." Faced with limited references to keroncong before Indonesia's independence, musicians in Makassar encountered a dilemma that prompted inventive solutions in the development of keroncong. This led to the emergence of Langgam Makassar as a distinct variant, undergoing a process of adaptation to the local music scene. The research aims to illustrate…
Perubahan Fungsi Musik Kolintang di Desa Lembean Minahasa Utara
Penelitian ini bertujuan untuk mengetahui perubahan fungsi musik kolintang yang ada di desa Lembean, Minahasa Utara. Penelitian ini berada di ranah penelitian kualitatif dengan menggunakan metode partisipan observer, di mana peneliti turun langsung ke lapangan dan melakukan observasi, serta melakukan wawancara mendalam dengan para narasumber. Masyarakat di desa Lembean melakukan upacara ritual menggunakan tiga bilah kayu sebagai alat untuk ritual…
Tradisi Tinilo Pa’ita dalam Kehidupan Masyarakat Gorontalo
This paper aims to find out the form of the tradition of tinilo pa’ita present at the ceremony commemoratingthe 40th day of someone’s death because currently the tradition of tinilo pa’ita is fairly difficult to find inits community. This study uses qualitative research methods using an ethnographic approach by Spradleyto understand a culture from the point of view of their owners of culture. Tinilo pa’ita is a tradition inthe form of chants. Tin…
Prospel
ABSTRAKTulisan dalam jurnal ini merupakan salah satu bagian dari pembahasan penelitian tesis dengan judul “Prospel: Wujud, Eksistensi dan Peranannyadalam musik keroncong” oleh penulis dan sebagai bagian dari ujian akhir magister.Fokus kajian tulisan ini adalah kemunculan prospel pada lagu keroncong. Prospel merupakan salah satu fenomena musikal sebagai pembuka lagu keroncong yang diduga muncul karena adaptasi dari repertoar komposisi musik Barat.…
Kualitas personal dalam mencapai estetika “Ngroncongi”
Kualitas personal merupakan salah satu komponen pembentuk karakteristik kualitas dalam musik keroncong. Kualitas personal tersebut terbentuk oleh beberapa aspek yang telah meng-embody dalam diri seniman keroncong. Tulisan ini bertujuan untuk mengungkap aspek-aspek beserta operasionalnya dalam membentuk kualitas personal di musik keroncong. Metode penelitian yang digunakan adalah metode kualitatif. Proyeksi tulisan ini akan membahas karakteristik …
Pola Kellèghãn dan Teknik Vokal Kèjhungan Representasi Ekspresi Budaya Madura dan Pengalaman Estetiknya
Kèjhungan adalah gaya nyanyian Madura yang memiliki ciri-ciri kontur melodi dengandidominasi nada-nada tinggi, penuh dengan ketegangan suara (nyaring), ekspresif, dan terpola.Kèjhungan seringkali dianalogikan sebagai sebuah bentuk ekspresi “keluh-kesah” semata. Kelantangansuara, ketinggian nada, dan pengolahan melodi yang penuh melismatis mengesankan nyanyian iniseperti orang yang sedang berteriak, membentak, dan merintih-rintih. Penelitian ini d…
Kèjhungan
Kèjhungan in Rèmoh Tradition on West Madura. Kèjhungan or singing style comes from the activity of peoplesinging about their everyday lives in Madura’s society. When the kèjhungan has become an “established” singing style,therefore the meaning of the kèjhungan includes the ownership meaning that is inherited through oral traditions andlegitimized in the culture of the people of Madura. The research’s assumption explains that the existence of the …
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Kèjhungan
Kèjhungan in Rèmoh Tradition on West Madura. Kèjhungan or singing style comes from the activity of peoplesinging about their everyday lives in Madura’s society. When the kèjhungan has become an “established” singing style,therefore the meaning of the kèjhungan includes the ownership meaning that is inherited through oral traditions andlegitimized in the culture of the people of Madura. The research’s assumption explains that the existence of the …
Pola Kellèghãn dan Teknik Vokal Kèjhungan Representasi Ekspresi Budaya Madura dan Pengalaman Estetiknya
Kèjhungan adalah gaya nyanyian Madura yang memiliki ciri-ciri kontur melodi dengandidominasi nada-nada tinggi, penuh dengan ketegangan suara (nyaring), ekspresif, dan terpola.Kèjhungan seringkali dianalogikan sebagai sebuah bentuk ekspresi “keluh-kesah” semata. Kelantangansuara, ketinggian nada, dan pengolahan melodi yang penuh melismatis mengesankan nyanyian iniseperti orang yang sedang berteriak, membentak, dan merintih-rintih. Penelitian ini d…
Prospel
ABSTRAKTulisan dalam jurnal ini merupakan salah satu bagian dari pembahasan penelitian tesis dengan judul “Prospel: Wujud, Eksistensi dan Peranannyadalam musik keroncong” oleh penulis dan sebagai bagian dari ujian akhir magister.Fokus kajian tulisan ini adalah kemunculan prospel pada lagu keroncong. Prospel merupakan salah satu fenomena musikal sebagai pembuka lagu keroncong yang diduga muncul karena adaptasi dari repertoar komposisi musik Barat.…
Kualitas personal dalam mencapai estetika “Ngroncongi”
Kualitas personal merupakan salah satu komponen pembentuk karakteristik kualitas dalam musik keroncong. Kualitas personal tersebut terbentuk oleh beberapa aspek yang telah meng-embody dalam diri seniman keroncong. Tulisan ini bertujuan untuk mengungkap aspek-aspek beserta operasionalnya dalam membentuk kualitas personal di musik keroncong. Metode penelitian yang digunakan adalah metode kualitatif. Proyeksi tulisan ini akan membahas karakteristik …
Tradisi Tinilo Pa’ita dalam Kehidupan Masyarakat Gorontalo
This paper aims to find out the form of the tradition of tinilo pa’ita present at the ceremony commemoratingthe 40th day of someone’s death because currently the tradition of tinilo pa’ita is fairly difficult to find inits community. This study uses qualitative research methods using an ethnographic approach by Spradleyto understand a culture from the point of view of their owners of culture. Tinilo pa’ita is a tradition inthe form of chants. Tin…
Perubahan Fungsi Musik Kolintang di Desa Lembean Minahasa Utara
Penelitian ini bertujuan untuk mengetahui perubahan fungsi musik kolintang yang ada di desa Lembean, Minahasa Utara. Penelitian ini berada di ranah penelitian kualitatif dengan menggunakan metode partisipan observer, di mana peneliti turun langsung ke lapangan dan melakukan observasi, serta melakukan wawancara mendalam dengan para narasumber. Masyarakat di desa Lembean melakukan upacara ritual menggunakan tiga bilah kayu sebagai alat untuk ritual…
New harmony of Javanese keroncong case study
This research aims to unveil one of the compositional works of the Sono Seni Ensemble Surakarta music group, titled 'Boogie Rahayu.' This work offers a distinct paradigm and compositional technique in comparison to the works of typical progressive keroncong orchestra groups. The study endeavors to reveal the composition of 'Boogie Rahayu' through an analysis that integrates source knowledge of karawitan music structures, keroncong playing techniq…
Langgam Makassar
The musical landscape of Makassar features a unique variant of keroncong known as "Langgam Makassar." Faced with limited references to keroncong before Indonesia's independence, musicians in Makassar encountered a dilemma that prompted inventive solutions in the development of keroncong. This led to the emergence of Langgam Makassar as a distinct variant, undergoing a process of adaptation to the local music scene. The research aims to illustrate…
Strategies and techniques for crafting a scientific manuscript for artistic publication
Scientific publications in the field of art creation have sparked considerable debate within the academic community in Indonesia. Issues such as the validity of artworks, assessment criteria, publication formats, and the alignment of academic standards with artistic practice have generated discussions regarding the format of publication writing. This article aims to offer alternative guidance on techniques for writing scientific publication artic…
Influence of Spatial Context on the Technique of Crafting the Rapai Pase Musical Instrument in the Vernacular Settlements of North Aceh, Indonesia
Learning Banyuwangi Traditional Music at Sanggar Jiwa Etnik Blambangan
This study examines the mechanisms of traditional music transmission at Sanggar Jiwa Etnik Blambangan in Banyuwangi, a rapidly growing sanggar (studio) where most members are young learners. The research focuses on the learning process, supporting factors, and documentation strategies that can be replicated as a teaching model for curriculum development in arts institutions. Specifically, this study supports plans to establish an arts campus in B…
Art (10 works) · Cultural and Artistic Studies (10 works) · Humanities (5 works) · Sociology (5 works) · Visual arts (5 works) · Cultural and Religious Practices in Indonesia (4 works) · Musical (4 works) · Acoustics (2 works) · Aesthetics (2 works) · Anthropology (2 works)