Soetarno Soetarno

Biographic Data

ID8241968
NAMESoetarno Soetarno
GIVEN NAMESSoetarno
FAMILY NAMESoetarno
SIGNATURESOETARNO S
AFFILIATIONSInstitut Seni Indonesia Surakarta
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2020
H-INDEX0

  • Jagad Ageng and Jagad Alit In Traditional Kayons

    Open AccessPandu Pramudita, Sarwanto Sarwanto et al.ARTICLEDewa Ruci Jurnal Pengkajian dan…2020

    Kayon is a shadow puppet character who symbolizes the world. In the Java world, there are two types of world concepts, namely the jagad ageng and the jagad alit. This study aims to examine the concepts of jagad ageng and jagad alit which are symbolized by the traditional kayons in purwa shadow puppets. The focus of this research study is to reveal the existence of Kayon Blumbangan and Kayon Gapuran as traditional kayons that have world essence, n…

  • Laras concept and its triggers

    Open AccessWidodo Widodo, Victor Ganap et al.ARTICLEHarmonia Journal of Arts Research…2017

    Laras is one unresolved aesthetic concept and gendhing garap models as the triggers have not been identified yet either. This paper is a case study which discusses a case of jineman garap Uler Kambang pélog lima, the first winner of Sindhèn Idol contest 2012, which is considered to have the most qualified performance to meet laras criteria. The purpose of this research is to figure out the laras concept construction and identify the gendhing gara…

  • Makna Pertunjukan Wayang Dan Fungsinya Dalam Kehidupan Masyarakat Pendukung Wayang

    Open AccessSoetarno Soetarno, SoetarnoARTICLEDewa Ruci Jurnal Pengkajian dan…2016

    Pertunjukan wayang kulit purwa Jawa semenjak kemunculannya sejak zaman Airlangga abad XI hingga sekarang selalu mengalami perkembangan baik dari wujud figur tokohnya maupun teknis pertunjukan. Hal itu dilakukan karena disesuaikan dengan masyarakat pendukung wayang yang selalu mengalami perubahan sosial budaya. Bagi masyarakat pendukung wayang menghayati pertunjukan wayang, bukan sekedar tontonan tetapi menjadi pemberi makna dalam kehidupan. Pertu…

  • Tatahan dan Sunggingan Wayang Golek Menak Yogyakarta

    Open AccessDewanto Sukistono, Timbul Haryono et al.ARTICLERESITAL JURNAL SENI PERTUNJUKAN2013

    The Sculpture and Painting of Yogyakarta Wooden Puppet. The wayang golek Menak is one of the threedimensionalpuppet performance in Indonesia. The ‘Menak’ word indicate that the story was taken from the ‘SeratMenak’, that’s different version with wayang golek Purwa wich taken from ‘Mahabarata’ or ‘Ramayana’ story, thatwas popular in West Jawa. In Yogyakarta, wayang golek Menak was popularized by Ki Widiprayitna about 1950.Based on differences in t…

  • Gaya Pedalangan Sunda

    Open AccessCahya Cahya, Timbul Haryono et al.ARTICLERESITAL JURNAL SENI PERTUNJUKAN2013

    Memahami gaya pedalangan Sunda pada dasarnya adalah sebuah upaya penjelajahan dan pemetaan jagatpedalangan Sunda yang kaya dengan nilai-nilai tradisi dan permasalahan-permasalahan uniknya. Salah satunyaadalah permasalahan gaya pedalangan yang identik dengan keberadaan paguron-paguron dalang dengan tokohtokohdalang yang mencirikan warna paguronnya masing-masing. Berkaitan dengan gaya pedalangan itulah, maka pada akhirnya mucul bentuk gaya mendalan…

  • Pathêt

    Open AccessWisma Nugraha Christianto, Timbul Haryono et al.ARTICLERESITAL JURNAL SENI PERTUNJUKAN2013

    Pathêt: on the Paper and on the Stage of Shadow Puppet Theater in Practice Theory Perspectif. Researchesabout karawitan focusing on pathêt has given conceptual result which repairs and clarifi es the result of previousresearches, with different paradigms. Some are even repetitive. On the other hand, in the practical level and socialdevelopment, some changes and dynamic art performing paradigm have changed. If the researches and the researchparadi…

  • Pertunjukan Wayang Dalam Era Global

    Open AccessSoetarno SoetarnoARTICLERESITAL JURNAL SENI PERTUNJUKAN2013

    Shadow Puppet Performances in Global Era. This article discusses the changes of shadow puppetry inrelation to the changes of society in global era. Some relevant changes are in the fi elds of: (a) communicationtechnology; (b) social systems; and (c) value systems. To anticipate these changes, puppet masters have also madesome changes in their performances. The shadow puppet performances and society cannot stand alone but theyhave mutual interacti…

  • Konsep “Nyari” dalam Ranah Estetika Pertunjukan Wayang Golek

    Open AccessCahya Cahya, Timbul Haryono et al.ARTICLEPanggung2012

    This paper is a part (portion) of one topic of dissertation research by the author as a preparation for the final exams of doctoral program. The focus of the study in this paper is directed to study aspects of the aesthetic values of the elements contained in the puppet show as a puppeteer working area in performing his style. The aesthetic analytical theory which is used in this study is the concept of "Nyari" that may indicate the value or aest…

  • Gaya Pedalangan Wayang Kulit Purwa Jawa Serta Perubahannya

    Open AccessSoetarno SoetarnoARTICLEMudra Jurnal Seni Budaya2011

    Jagad pedalangan dikenal adanya berbagai gaya, atau gagrag, seperti gaya Surakarta, gaya Yogyakarta, gaya Jawa Timuran, gaya Bali, gaya Banyumasan dan sebagainya. Munculnya gaya pedalangan dalam pakeliran wayang kulit purwa Jawa, tidak lepas dari kehidupan keraton Jawa, yaitu Kerajaan Mataram yang terbagai ke dalam dua kerajaan yaitu Keraton Surakarta Hadiningrat, dan Keraton Ngayogyakarta Hadiningrat membawa akibat terjadinya gaya pedalangan Sur…