Cecilia Penati
Biographic Data
| ID | 8250262 |
|---|---|
| NAME | Cecilia Penati |
| GIVEN NAMES | Cecilia |
| FAMILY NAME | Penati |
| SIGNATURE | PENATI C |
| AFFILIATIONS | Università Cattolica del Sacro Cuore |
| ORCID | 0000-0002-2565-4268 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
A European Television Fiction Renaissance
This chapter presents the results of a research study (September 2017–April 2018) on the production of premium scripted television series over the last ten years (2008–2017) in several Western European countries (France, Germany, Italy, Spain, and the UK). The chapter maps out this scenario, drawing on both qualitative and quantitative data. It provides first an overview of certain dimensions in each national context: volume (number of titles, nu…
Transforming 'Female' Programmes
Contemporary Italian digital channels explicitly targeting women (suchas Real Time, Lei, Fox Life, La5, and La7d) represent a privilegedobservatory for some general trends in the international circulation ofcontent and incorporation of foreign formats into national television (TV).In fact, their schedules rely heavily on the genre of factual entertainment,which was first devised and used in international contexts, such as the UKand the US, and on…
Remembering Our First TV Set’
Personal memories represent a crucial source in outlining a history of television audience. However, they are undoubtedly special historical tools, and their interpretation requires particular cares and concerns. Relying on interviews leaded on direct witnesses, the paper describes the advent of television in the private space of the home in the mid fifties in Italy, comparing personal memories with the interpretative repertoires filtered down by…
No prominent works on this page.
Remembering Our First TV Set’
Personal memories represent a crucial source in outlining a history of television audience. However, they are undoubtedly special historical tools, and their interpretation requires particular cares and concerns. Relying on interviews leaded on direct witnesses, the paper describes the advent of television in the private space of the home in the mid fifties in Italy, comparing personal memories with the interpretative repertoires filtered down by…
Transforming 'Female' Programmes
Contemporary Italian digital channels explicitly targeting women (suchas Real Time, Lei, Fox Life, La5, and La7d) represent a privilegedobservatory for some general trends in the international circulation ofcontent and incorporation of foreign formats into national television (TV).In fact, their schedules rely heavily on the genre of factual entertainment,which was first devised and used in international contexts, such as the UKand the US, and on…
A European Television Fiction Renaissance
This chapter presents the results of a research study (September 2017–April 2018) on the production of premium scripted television series over the last ten years (2008–2017) in several Western European countries (France, Germany, Italy, Spain, and the UK). The chapter maps out this scenario, drawing on both qualitative and quantitative data. It provides first an overview of certain dimensions in each national context: volume (number of titles, nu…
History (3 works) · Art (2 works) · History (2 works) · Italian Fascism and Post-war Society (2 works) · Literature (2 works) · Media studies (2 works) · Sociology (2 works) · Advertising (1 works) · Archaeology (1 works) · Art history (1 works)