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Tomás Crowder-Taraborrelli

Biographic Data

ID825680
NAMETomás Crowder-Taraborrelli
GIVEN NAMESTomás
FAMILY NAMECrowder-Taraborrelli
SIGNATURECROWDER-TARABORRELLI T
AFFILIATIONSSoka University of America
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS3
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Introduction Covid-19 Coronavirus: Pandemic Politics in Latin America and Precarity and Health: Health as Asset, Health as Right

    Open Access•Tomás Crowder-Taraborrelli, Alexander Scott et al.•ARTICLE•Latin American Perspectives•2025•References: 4

  • Film, Media, and 50 Years of Latin American Perspectives

    Open Access•Kristi M Wilson, Alexander Scott et al.•ARTICLE•Latin American Perspectives•2024

  • La Via Campesina: A Digital Toolkit for Peasants' Rights and Global Climate Justice

    Open Access•Kristi M Wilson, Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2024

  • Interview with Daniel Feierstein

    Open Access•Tomás Crowder-Taraborrelli, Alexander Scott•ARTICLE•Latin American Perspectives•2023

  • Covid-19 Coronavirus: Pandemic Politics in Latin America

    Open Access•Tomás Crowder-Taraborrelli, Alexander Scott et al.•ARTICLE•Latin American Perspectives•2023•References: 5

  • The Return of the Repressed: Resisting Blueprints from the Past

    Open Access•Tomás Crowder-Taraborrelli, Kristi M Wilson•ARTICLE•Latin American Perspectives•2020

  • Media, Politics, and Democratization in Latin America

    Open Access•Javier Campos, Javier Campo et al.•ARTICLE•Latin American Perspectives•2018•References: 20

    This issue has a predecessor from decades ago: Culture in the Age of MassMedia (Burton and Franco, 1978). Forty years may have gone by, but someproblems and major concepts remain: resistance, ideological manipulation(though today we use the term "hegemonic cultural influence"), mass communication,and new media technologies. Latin America was then ruled bysome of history's bloodiest military dictatorships, while today the return ofright-wing gover…

  • Community Media in Latin America: Breaking the Siege

    Open Access•Javier Campos, Javier Campo et al.•ARTICLE•Latin American Perspectives•2018

  • Solutions from Below: Pedagogical Documentaries and Praxis

    Open Access•Kristi M Wilson, Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2015

  • Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur

    Open Access•Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2014

    Approaches to telling a story are, of course, abundant. Latin American filmmakers borrow from all kinds of artistic traditions—literature, pop music, the plastic arts, home movies, etc. What makes this borrowing both draining and stimulating is that the web offers an excess of examples to draw from. Further, digital production and online distribution are cultivating a new kinship among filmmakers, visual traditions, and viewers across the world. …

  • Latin American Dreaming: A Neoliberal Vision for Retirement

    Open Access•Kristi M Wilson, Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2013

  • Political Documentary Cinema in the Southern Cone

    Open Access•A Traverso, Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2013•Cited by: 3•References: 13

    Documentary cinema in Argentina, Chile, and Uruguay has shown comparable degrees of vibrancy and sophistication since the 1950s, as well as a shared desire to be a key witness to unfolding political events and a protagonist in national and regional processes of social justice. Southern Cone political documentary cinema today constitutes a substantial body of work that possesses great potential as a source for understanding social change histories…

  • Homo artis, Homo laborans, and Homo politicus: The Pursuit of Redemption in Three Recent Argentine Films

    Open Access•Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2013

  • Exhumations and double disappearance: Silvio Caiozzi'sFernando ha vueltoand¿Fernando ha vuelto a desaparecer

    Tomás Crowder-Taraborrelli•ARTICLE•Social Identities•2013•References: 3

    In the context of the documentation of forensic investigations in Chile in the aftermath of the 1973–1990 military dictatorship, this article analyzes two documentary films by Chilean filmmaker Silvio Caiozzi, Fernando ha vuelto (Fernando is Back, 1998) and ¿Fernando ha vuelto a desaparecer? (Has Fernando Disappeared Again?, 2006) in relation to the traumatic process of forensic investigations and the representation of exhumations and the macabre…

  • Political Documentary Cinema in the Southern Cone

    Open Access•A Traverso, Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2013•Cited by: 3•References: 13

    Documentary cinema in Argentina, Chile, and Uruguay has shown comparable degrees of vibrancy and sophistication since the 1950s, as well as a shared desire to be a key witness to unfolding political events and a protagonist in national and regional processes of social justice. Southern Cone political documentary cinema today constitutes a substantial body of work that possesses great potential as a source for understanding social change histories…

  • Latin American Dreaming: A Neoliberal Vision for Retirement

    Open Access•Kristi M Wilson, Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2013

  • Political Documentary Cinema in the Southern Cone

    Open Access•A Traverso, Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2013•Cited by: 3•References: 13

    Documentary cinema in Argentina, Chile, and Uruguay has shown comparable degrees of vibrancy and sophistication since the 1950s, as well as a shared desire to be a key witness to unfolding political events and a protagonist in national and regional processes of social justice. Southern Cone political documentary cinema today constitutes a substantial body of work that possesses great potential as a source for understanding social change histories…

  • Homo artis, Homo laborans, and Homo politicus: The Pursuit of Redemption in Three Recent Argentine Films

    Open Access•Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2013

  • Exhumations and double disappearance: Silvio Caiozzi'sFernando ha vueltoand¿Fernando ha vuelto a desaparecer

    Tomás Crowder-Taraborrelli•ARTICLE•Social Identities•2013•References: 3

    In the context of the documentation of forensic investigations in Chile in the aftermath of the 1973–1990 military dictatorship, this article analyzes two documentary films by Chilean filmmaker Silvio Caiozzi, Fernando ha vuelto (Fernando is Back, 1998) and ¿Fernando ha vuelto a desaparecer? (Has Fernando Disappeared Again?, 2006) in relation to the traumatic process of forensic investigations and the representation of exhumations and the macabre…

  • Migration, Regional Traditions, and the Intricacy of Documentary Representation in Cuates de Australia and La chica del sur

    Open Access•Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2014

    Approaches to telling a story are, of course, abundant. Latin American filmmakers borrow from all kinds of artistic traditions—literature, pop music, the plastic arts, home movies, etc. What makes this borrowing both draining and stimulating is that the web offers an excess of examples to draw from. Further, digital production and online distribution are cultivating a new kinship among filmmakers, visual traditions, and viewers across the world. …

  • Solutions from Below: Pedagogical Documentaries and Praxis

    Open Access•Kristi M Wilson, Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2015

  • Media, Politics, and Democratization in Latin America

    Open Access•Javier Campos, Javier Campo et al.•ARTICLE•Latin American Perspectives•2018•References: 20

    This issue has a predecessor from decades ago: Culture in the Age of MassMedia (Burton and Franco, 1978). Forty years may have gone by, but someproblems and major concepts remain: resistance, ideological manipulation(though today we use the term "hegemonic cultural influence"), mass communication,and new media technologies. Latin America was then ruled bysome of history's bloodiest military dictatorships, while today the return ofright-wing gover…

  • Community Media in Latin America: Breaking the Siege

    Open Access•Javier Campos, Javier Campo et al.•ARTICLE•Latin American Perspectives•2018

  • The Return of the Repressed: Resisting Blueprints from the Past

    Open Access•Tomás Crowder-Taraborrelli, Kristi M Wilson•ARTICLE•Latin American Perspectives•2020

  • Interview with Daniel Feierstein

    Open Access•Tomás Crowder-Taraborrelli, Alexander Scott•ARTICLE•Latin American Perspectives•2023

  • Covid-19 Coronavirus: Pandemic Politics in Latin America

    Open Access•Tomás Crowder-Taraborrelli, Alexander Scott et al.•ARTICLE•Latin American Perspectives•2023•References: 5

  • Film, Media, and 50 Years of Latin American Perspectives

    Open Access•Kristi M Wilson, Alexander Scott et al.•ARTICLE•Latin American Perspectives•2024

  • La Via Campesina: A Digital Toolkit for Peasants' Rights and Global Climate Justice

    Open Access•Kristi M Wilson, Tomás Crowder-Taraborrelli•ARTICLE•Latin American Perspectives•2024

  • Introduction Covid-19 Coronavirus: Pandemic Politics in Latin America and Precarity and Health: Health as Asset, Health as Right

    Open Access•Tomás Crowder-Taraborrelli, Alexander Scott et al.•ARTICLE•Latin American Perspectives•2025•References: 4

Political science (13 works) · Law (9 works) · Latin Americans (7 works) · Sociology (7 works) · History (6 works) · Economic history (5 works) · Art (4 works) · Economics (4 works) · Political economy (4 works) · Politics (4 works)

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