Habib A Moghimi
Biographic Data
| ID | 826525 |
|---|---|
| NAME | Habib A Moghimi |
| GIVEN NAMES | Habib A |
| FAMILY NAME | Moghimi |
| SIGNATURE | MOGHIMI H A |
| AFFILIATIONS | The University of Sydney |
| ORCID | 0000-0003-1103-2027 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Sociological film
This paper examines how sociology can think cinematically through the creation of sociological film, achieved by blending sociological and filmic imaginations. While traditional visual sociology often treats film as a tool for data collection, this study argues that cinema functions as a medium of thought that constructs and communicates social knowledge through image, rhythm and affect. Drawing on Just Black? (1992), Talking Heads (1980), Anythi…
From terrorist to victim
Public Sociological Film
This paper defines and analyses the concept of public sociological film through the lens of public sociology, arguing that such films engage publics in narrating their stories and fostering a participatory filmmaking process. It begins by defining public sociological film and highlights three distinct modes of engagement with publics through the filmmaking process. These modes reflect the unique roles and objectives of researchers in different co…
Politics of Othering and Censorship in Iranian Cinema
Two recognized red lines exist in Iranian cinema: a moral one and a political one. The moral line protects the sanctity of modesty and the family, while the political protects the principles of the Islamic Republic of Iran. This article examines modes of censorship in Iran by looking at written regulations, unwritten norms and the ways of cinematic representation. It delves into censorship as a continuum in its visible and invisible forms. The vi…
Sociological Film
The people are not an image
Sociological Film
Public Sociological Film
This paper defines and analyses the concept of public sociological film through the lens of public sociology, arguing that such films engage publics in narrating their stories and fostering a participatory filmmaking process. It begins by defining public sociological film and highlights three distinct modes of engagement with publics through the filmmaking process. These modes reflect the unique roles and objectives of researchers in different co…
The people are not an image
Sociological Film
From terrorist to victim
Public Sociological Film
This paper defines and analyses the concept of public sociological film through the lens of public sociology, arguing that such films engage publics in narrating their stories and fostering a participatory filmmaking process. It begins by defining public sociological film and highlights three distinct modes of engagement with publics through the filmmaking process. These modes reflect the unique roles and objectives of researchers in different co…
Politics of Othering and Censorship in Iranian Cinema
Two recognized red lines exist in Iranian cinema: a moral one and a political one. The moral line protects the sanctity of modesty and the family, while the political protects the principles of the Islamic Republic of Iran. This article examines modes of censorship in Iran by looking at written regulations, unwritten norms and the ways of cinematic representation. It delves into censorship as a continuum in its visible and invisible forms. The vi…
Sociological film
This paper examines how sociology can think cinematically through the creation of sociological film, achieved by blending sociological and filmic imaginations. While traditional visual sociology often treats film as a tool for data collection, this study argues that cinema functions as a medium of thought that constructs and communicates social knowledge through image, rhythm and affect. Drawing on Just Black? (1992), Talking Heads (1980), Anythi…
Sociology (5 works) · Law (3 works) · Law (3 works) · Media studies (3 works) · Political science (3 works) · Politics (3 works) · Art (2 works) · Cinema and Media Studies (2 works) · Contemporary Sociological Theory and Practice (2 works) · Gender Studies (2 works)