D Medina Lasansky
Biographic Data
| ID | 831645 |
|---|---|
| NAME | D Medina Lasansky |
| GIVEN NAMES | D Medina |
| FAMILY NAME | Lasansky |
| SIGNATURE | LASANSKY D M |
| AFFILIATIONS | Cornell University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Termini. Cornerstone of modern Rome
This desirable volume is a publication of the Royal Netherlands Institute in Rome – one of the many important contributions of the foreign institutes in the city.The physicality of the book is appe
The "Catholic Grotesque" at the Sacro Monte of Varallo: The Protestant aversion to a graphic space during the late 19th and early 20th centuries
The hyper-sensual Early Modern Italian Sacro Monte of Varallo was dismissed by nineteenth- and early twentieth-century Protestant scholars and tourists as nothing more than the "Catholic Grotesque." This derision has had serious repercussions. By examining the acoustically shaped spaces, use of architectural chiaroscuro, hapticity, architectural effects of weather, and the importance of touch and smell, one realizes the extent to which the Sacro …
Sensationalizing OMA'S Milstein Hall at Cornell University
Milstein Hall is a new building designed by Rem Koolhaas on the Cornell University campus. The intensely ocularcentric way in which the building has been mediated, in contrast with the haptic way in which the building has been used by skateboarders among others, raises a series of fascinating questions for the sensory studies scholar.KEYWORDS: optic overloadCornellskateboardingMilstein Hall
Architecture and Tourism: Perception, Performance and Place
The past two centuries have witnessed an increase in the commodification of tourist sites across the world. Everything from historical monuments to exotic holiday destinations has been redesigned and packaged for mass consumption. As a result, the histories of specific sites have been re-conceptualized. Some have been preserved and celebrated, while others have been left to decay. In this process, buildings, cities and entire countries have been …
Tableau and memory: The fascist revival of the medieval/renaissance festival in Italy
(1999). Tableau and memory: The fascist revival of the medieval/renaissance festival in Italy. The European Legacy: Vol. 4, Postmodern Fascism, pp. 26-53
Tableau and memory: The fascist revival of the medieval/renaissance festival in Italy
(1999). Tableau and memory: The fascist revival of the medieval/renaissance festival in Italy. The European Legacy: Vol. 4, Postmodern Fascism, pp. 26-53
Tableau and memory: The fascist revival of the medieval/renaissance festival in Italy
(1999). Tableau and memory: The fascist revival of the medieval/renaissance festival in Italy. The European Legacy: Vol. 4, Postmodern Fascism, pp. 26-53
Architecture and Tourism: Perception, Performance and Place
The past two centuries have witnessed an increase in the commodification of tourist sites across the world. Everything from historical monuments to exotic holiday destinations has been redesigned and packaged for mass consumption. As a result, the histories of specific sites have been re-conceptualized. Some have been preserved and celebrated, while others have been left to decay. In this process, buildings, cities and entire countries have been …
Sensationalizing OMA'S Milstein Hall at Cornell University
Milstein Hall is a new building designed by Rem Koolhaas on the Cornell University campus. The intensely ocularcentric way in which the building has been mediated, in contrast with the haptic way in which the building has been used by skateboarders among others, raises a series of fascinating questions for the sensory studies scholar.KEYWORDS: optic overloadCornellskateboardingMilstein Hall
The "Catholic Grotesque" at the Sacro Monte of Varallo: The Protestant aversion to a graphic space during the late 19th and early 20th centuries
The hyper-sensual Early Modern Italian Sacro Monte of Varallo was dismissed by nineteenth- and early twentieth-century Protestant scholars and tourists as nothing more than the "Catholic Grotesque." This derision has had serious repercussions. By examining the acoustically shaped spaces, use of architectural chiaroscuro, hapticity, architectural effects of weather, and the importance of touch and smell, one realizes the extent to which the Sacro …
Termini. Cornerstone of modern Rome
This desirable volume is a publication of the Royal Netherlands Institute in Rome – one of the many important contributions of the foreign institutes in the city.The physicality of the book is appe
Computer Science (4 works) · Art (3 works) · Art history (3 works) · History (3 works) · Archaeology (2 works) · Geography (2 works) · History (2 works) · Acoustics (1 works) · Adventure Sports and Sensation Seeking (1 works) · Aesthetics (1 works)