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Brian Durrans

Biographic Data

ID83269
NAMEBrian Durrans
GIVEN NAMESBrian
FAMILY NAMEDurrans
SIGNATUREDURRANS B
AFFILIATIONSBritish Museum
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS186
AUTHOR COUNT17
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2010
H-INDEX2
  • The future of the other: Changing Cultures on Display in Ethnographic Museums

    Brian Durrans•CHAPTER•Museum Time Machine•2010

  • Pilgrimage: The sacred journey Ashmolean Museum/spectacular miracles: images of supernatural power from northwest italy Ashmolean Museum

    Brian Durrans•ARTICLE•Material Religion•2006

    "Pilgrimage: the sacred journey Ashmolean Museum/spectacular miracles: images of supernatural power from northwest italy Ashmolean Museum." Material Religion, 2(2), pp. 253–254

  • BM Department of Ethnography

    Open Access•M Strathern, Peter Gathercole et al.•ARTICLE•Anthropology Today•2004

  • Anthropology and the British Museum: On the planned abolition of the Department of Ethnography

    Open Access•Peter Gathercole, Brian Durrans•ARTICLE•Anthropology Today•2004

  • Indian subcontinent: Popular and folk art

    Brian Durrans, Ann Wood Norton•CHAPTER•2003

  • Exhibitions: Braque's Batman: The Art Of The Ordinary

    Open Access•Brian Durrans•ARTICLE•Anthropology Today•2000•Cited by: 1

  • Exhibiting Cultures: The Poetics and Politics of Museum Display

    Brian Durrans, Steven D Lavine•REVIEW•Man•1992

    Throwing open to debate the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how cultural differences and art objects are displayed. This innovative volume brings together museum directors and curators, art historians, anthropologists, folklorists, and historians to examine how diverse settings have appealed to au…

  • Behind the Scenes: Museums and Selective Criticism

    Brian Durrans•ARTICLE•Anthropology Today•1992•Cited by: 2

    A recent upsurge of interest in representational politics has led to criticism of exhibitions and museums in the ethnographic/anthropological field. It is argued that this development has been positive to the extent that it recognizes museological practice to be part of a system of power and authority. But some criticism has been unhelpful in so far as it has underestimated the complexity of what museums do and of wider social implications of evi…

  • The Raj: India and the British, 1600-1947 and Arts of India, 1550-1900

    Open Access•Brian Durrans•ARTICLE•Museum Anthropology•1992•References: 4

    The Raj: India and the British, 1600-1947, National Portrait Gallery, London (October 1990 through March 1991); ARTS OF INDIA, 1550-1900, Victoria and Albert Museum, Nehru Gallery (permanent installation, opened November 1990

  • Competitive pragmatism: Organising the 1982 festival of India in Britain

    Brian Durrans•ARTICLE•History and Anthropology•1992•Cited by: 1•References: 8

  • The Penis Inserts of Southeast Asia: An Annotated Bibliography with an Overview and Comparative Perspectives

    Brian Durrans, Donald E Brown•ARTICLE•Man•1990

  • Toward a Critical Archaeology [and Comments and Reply]

    Mark P Leone, Parker B Potter et al.•ARTICLE•Current Anthropology•1987•Cited by: 176

  • Objects and Others: Essays on Museums and Material Culture

    Brian Durrans, George W Stocking•ARTICLE•Man•1987

    This special issue of _Man_ presents a collection of essays exploring the multifaceted relationships between objects, museums, and material culture. The essays examine how objects are imbued with meaning and value within different cultural contexts, considering the role of museums in shaping these interpretations. Topics addressed include the history of collecting, the politics of representation, and the impact of colonialism on museum collection…

  • Commodity Culture and Anthropology in Museums

    Open Access•Brian Durrans•ARTICLE•Council for Museum Anthropology…•1985•References: 42

  • Dance and Music in South Asian Drama: Chhau, Mahakali pyakhan and Yakshagana

    Brian Durrans, Japan Foundation•ARTICLE•Man•1985

  • Handicrafts, Ideology and the Festival of India

    Open Access•Brian Durrans•ARTICLE•South Asia Research•1982•Cited by: 6

  • Indonesian collections in the Museum of mankind

    Brian Durrans•ARTICLE•Indonesia and the Malay World•1977

  • Toward a Critical Archaeology [and Comments and Reply]

    Mark P Leone, Parker B Potter et al.•ARTICLE•Current Anthropology•1987•Cited by: 176

  • Handicrafts, Ideology and the Festival of India

    Open Access•Brian Durrans•ARTICLE•South Asia Research•1982•Cited by: 6

  • Behind the Scenes: Museums and Selective Criticism

    Brian Durrans•ARTICLE•Anthropology Today•1992•Cited by: 2

    A recent upsurge of interest in representational politics has led to criticism of exhibitions and museums in the ethnographic/anthropological field. It is argued that this development has been positive to the extent that it recognizes museological practice to be part of a system of power and authority. But some criticism has been unhelpful in so far as it has underestimated the complexity of what museums do and of wider social implications of evi…

  • Exhibitions: Braque's Batman: The Art Of The Ordinary

    Open Access•Brian Durrans•ARTICLE•Anthropology Today•2000•Cited by: 1

  • Competitive pragmatism: Organising the 1982 festival of India in Britain

    Brian Durrans•ARTICLE•History and Anthropology•1992•Cited by: 1•References: 8

  • Indonesian collections in the Museum of mankind

    Brian Durrans•ARTICLE•Indonesia and the Malay World•1977

  • Handicrafts, Ideology and the Festival of India

    Open Access•Brian Durrans•ARTICLE•South Asia Research•1982•Cited by: 6

  • Commodity Culture and Anthropology in Museums

    Open Access•Brian Durrans•ARTICLE•Council for Museum Anthropology…•1985•References: 42

  • Dance and Music in South Asian Drama: Chhau, Mahakali pyakhan and Yakshagana

    Brian Durrans, Japan Foundation•ARTICLE•Man•1985

  • Toward a Critical Archaeology [and Comments and Reply]

    Mark P Leone, Parker B Potter et al.•ARTICLE•Current Anthropology•1987•Cited by: 176

  • Objects and Others: Essays on Museums and Material Culture

    Brian Durrans, George W Stocking•ARTICLE•Man•1987

    This special issue of _Man_ presents a collection of essays exploring the multifaceted relationships between objects, museums, and material culture. The essays examine how objects are imbued with meaning and value within different cultural contexts, considering the role of museums in shaping these interpretations. Topics addressed include the history of collecting, the politics of representation, and the impact of colonialism on museum collection…

  • The Penis Inserts of Southeast Asia: An Annotated Bibliography with an Overview and Comparative Perspectives

    Brian Durrans, Donald E Brown•ARTICLE•Man•1990

  • Exhibiting Cultures: The Poetics and Politics of Museum Display

    Brian Durrans, Steven D Lavine•REVIEW•Man•1992

    Throwing open to debate the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how cultural differences and art objects are displayed. This innovative volume brings together museum directors and curators, art historians, anthropologists, folklorists, and historians to examine how diverse settings have appealed to au…

  • Behind the Scenes: Museums and Selective Criticism

    Brian Durrans•ARTICLE•Anthropology Today•1992•Cited by: 2

    A recent upsurge of interest in representational politics has led to criticism of exhibitions and museums in the ethnographic/anthropological field. It is argued that this development has been positive to the extent that it recognizes museological practice to be part of a system of power and authority. But some criticism has been unhelpful in so far as it has underestimated the complexity of what museums do and of wider social implications of evi…

  • The Raj: India and the British, 1600-1947 and Arts of India, 1550-1900

    Open Access•Brian Durrans•ARTICLE•Museum Anthropology•1992•References: 4

    The Raj: India and the British, 1600-1947, National Portrait Gallery, London (October 1990 through March 1991); ARTS OF INDIA, 1550-1900, Victoria and Albert Museum, Nehru Gallery (permanent installation, opened November 1990

  • Competitive pragmatism: Organising the 1982 festival of India in Britain

    Brian Durrans•ARTICLE•History and Anthropology•1992•Cited by: 1•References: 8

  • Exhibitions: Braque's Batman: The Art Of The Ordinary

    Open Access•Brian Durrans•ARTICLE•Anthropology Today•2000•Cited by: 1

  • Indian subcontinent: Popular and folk art

    Brian Durrans, Ann Wood Norton•CHAPTER•2003

  • BM Department of Ethnography

    Open Access•M Strathern, Peter Gathercole et al.•ARTICLE•Anthropology Today•2004

  • Anthropology and the British Museum: On the planned abolition of the Department of Ethnography

    Open Access•Peter Gathercole, Brian Durrans•ARTICLE•Anthropology Today•2004

  • Pilgrimage: The sacred journey Ashmolean Museum/spectacular miracles: images of supernatural power from northwest italy Ashmolean Museum

    Brian Durrans•ARTICLE•Material Religion•2006

    "Pilgrimage: the sacred journey Ashmolean Museum/spectacular miracles: images of supernatural power from northwest italy Ashmolean Museum." Material Religion, 2(2), pp. 253–254

  • The future of the other: Changing Cultures on Display in Ethnographic Museums

    Brian Durrans•CHAPTER•Museum Time Machine•2010

History (11 works) · Art (8 works) · Museums and Cultural Heritage (7 works) · Sociology (7 works) · History (6 works) · Anthropology (5 works) · Art history (5 works) · Computer Science (5 works) · Ancient history (4 works) · Ethnography (4 works)

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