Fiamma Montezemolo
Biographic Data
| ID | 833278 |
|---|---|
| NAME | Fiamma Montezemolo |
| GIVEN NAMES | Fiamma |
| FAMILY NAME | Montezemolo |
| SIGNATURE | MONTEZEMOLO F |
| AFFILIATIONS | University of California, Davis |
| ORCID | 0009-0006-9045-1906 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Neon Afterwords
Neon Afterwords (2016) is an immersive installation in which seven sentences, written in fluorescent LED light tubes, float at different heights in the dark space of a room. The sentences were chosen by the artist from «The Ethnographer», the short story by Jorge Luis Borges written in 1969. The viewer, surrounded by the luminous words on display in the dark space with no su- ggested hierarchy of reading, can grasp their interaction and overlap b…
Traces
In her experimental twenty-minute video-essay, the artist and anthropologist Fiamma Montezemolo combines fieldwork-based research and art to create a meditation on border life between the United States and Mexico. Based on years of ethnographic work in Tijuana and an ascetic shooting schedule of twenty-four hours, Traces records Montezemolo's experiences in the region in a textured living portrait, a sort of biography, of the wall that separates …
Presentación del Dossier. Los trabajos de campo, lo experimental y el quehacer etnográfico
Presentación del Dossier "Etnografía experimentales: repensar el trabajo de campo
Tijuana Dreaming: Life and Art at the Global Border
Tijuana Dreaming is an unprecedented introduction to the arts, culture, politics, and economics of contemporary Tijuana, Mexico. With many pieces translated from Spanish for the first time, the anthology features contributions by prominent scholars, journalists, bloggers, novelists, poets, curators, and photographers from Tijuana and greater Mexico. They explore urban planning in light of Tijuana's unique infrastructural, demographic, and environ…
Tijuana: Hybridity and Beyond: A Conversation with Néstor García Canclini
In this dialogue anthropologist and artist Fiamma Montezemolo invites public intellectual and anthropologist Néstor García Canclini to reflect on the conceptual work that emerged during the 1980s out of his encounter with the border city of Tijuana, a city which he famously labelled the 'laboratory of post‐modernity' in his classic book Hybrid Cultures: Strategies for Entering and Leaving Modernity (1995). Canclini's past and ongoing theoretical …
Talking with Renato Rosaldo
Essay| September 01 2008 Talking with Renato Rosaldo Fiamma Montezemolo Fiamma Montezemolo Fiamma Montezemolo is an associate professor of cultural anthropology in the Department of Cultural Studies at the Colegio de la Frontera Norte, Tijuana. She is the author of Senza Volto: L’identita’ e il genere nel movimento Zapatista (Liguori, 1999), La Mia Storia non la tua: La costruzione dell’ identita’ Chicana tra etero e autorapresentazioni (Guerini …
Tijuana: Hybridity and Beyond: A Conversation with Néstor García Canclini
In this dialogue anthropologist and artist Fiamma Montezemolo invites public intellectual and anthropologist Néstor García Canclini to reflect on the conceptual work that emerged during the 1980s out of his encounter with the border city of Tijuana, a city which he famously labelled the 'laboratory of post‐modernity' in his classic book Hybrid Cultures: Strategies for Entering and Leaving Modernity (1995). Canclini's past and ongoing theoretical …
Talking with Renato Rosaldo
Essay| September 01 2008 Talking with Renato Rosaldo Fiamma Montezemolo Fiamma Montezemolo Fiamma Montezemolo is an associate professor of cultural anthropology in the Department of Cultural Studies at the Colegio de la Frontera Norte, Tijuana. She is the author of Senza Volto: L’identita’ e il genere nel movimento Zapatista (Liguori, 1999), La Mia Storia non la tua: La costruzione dell’ identita’ Chicana tra etero e autorapresentazioni (Guerini …
Tijuana: Hybridity and Beyond: A Conversation with Néstor García Canclini
In this dialogue anthropologist and artist Fiamma Montezemolo invites public intellectual and anthropologist Néstor García Canclini to reflect on the conceptual work that emerged during the 1980s out of his encounter with the border city of Tijuana, a city which he famously labelled the 'laboratory of post‐modernity' in his classic book Hybrid Cultures: Strategies for Entering and Leaving Modernity (1995). Canclini's past and ongoing theoretical …
Tijuana Dreaming: Life and Art at the Global Border
Tijuana Dreaming is an unprecedented introduction to the arts, culture, politics, and economics of contemporary Tijuana, Mexico. With many pieces translated from Spanish for the first time, the anthology features contributions by prominent scholars, journalists, bloggers, novelists, poets, curators, and photographers from Tijuana and greater Mexico. They explore urban planning in light of Tijuana's unique infrastructural, demographic, and environ…
Presentación del Dossier. Los trabajos de campo, lo experimental y el quehacer etnográfico
Presentación del Dossier "Etnografía experimentales: repensar el trabajo de campo
Traces
In her experimental twenty-minute video-essay, the artist and anthropologist Fiamma Montezemolo combines fieldwork-based research and art to create a meditation on border life between the United States and Mexico. Based on years of ethnographic work in Tijuana and an ascetic shooting schedule of twenty-four hours, Traces records Montezemolo's experiences in the region in a textured living portrait, a sort of biography, of the wall that separates …
Neon Afterwords
Neon Afterwords (2016) is an immersive installation in which seven sentences, written in fluorescent LED light tubes, float at different heights in the dark space of a room. The sentences were chosen by the artist from «The Ethnographer», the short story by Jorge Luis Borges written in 1969. The viewer, surrounded by the luminous words on display in the dark space with no su- ggested hierarchy of reading, can grasp their interaction and overlap b…
Art (6 works) · Humanities (5 works) · Art history (3 works) · Ethnography (2 works) · Garcia (2 works) · Latin American and Latino Studies (2 works) · Portrait (2 works) · Sociology (2 works) · Youth Culture and Social Dynamics (2 works) · Aesthetics (1 works)