William H Tallmadge
Biographic Data
| ID | 83366 |
|---|---|
| NAME | William H Tallmadge |
| GIVEN NAMES | William H |
| FAMILY NAME | Tallmadge |
| SIGNATURE | TALLMADGE W H |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1961 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 1 |
Watters, Lu(cius Carl) (jazz)
Ben Harney: The Middlesborough Years, 1890-93
Benjamin Robertson Harney was born March 6, 1871, in or near Louisville, Kentucky. He died of heart disease in Philadelphia on March 1, 1938, after long illness.' Harney's significance to development of American music, specifically ragtime, is indicated by those who have praised him. Rudi Blesh and Harriet Janis gave Ben Harney place of honor, for example, in their extensive and pioneering book They All Played Ragtime. They wrote that a young Ken…
Kentucky Country: Folk and Country Music of Kentucky
Memphis Blues Today
Folk Organum: A Study of Origins
If reader can agree, as Gustave Reese and other comparative musicologists have agreed, with statement that the so-called art-polyphony of Europe was evolved from traditional folk-polyphony and with Reese's statement that the development of polyphony seems spontaneously to have followed very similar paths all parts of world,2 it is possible to describe and document manner which polyphony developed from monophony. Polyphony (organum) had already be…
The Literature of Jazz: A Critical Guide
Powerhouse of God
Jazz Reference and Research Materials: A Bibliography
Elvis Presley: Reference Guide and Discography
Blue Notes and Blue Tonality
The Rolling Stone Record Guide: Reviews and Ratings of Almost 10,000 Currently Available Rock, Pop, Soul, Country, Blues, Jazz, and Gospel Albums
Jubilee to Gospel: A Selection of Commercially Recorded Black Religious Music, 1921-1953
The Black in Jackson's White Spirituals
Brighten the Corner Where You Are: Black and White Urban Hymnody
The Responsorial and Antiphonal Practice in Gospel Song
he gospel song and its stylistic peculiarities found its origin and development in the United States. Though a certain sentimentality and subjectivism in text, together with certain musical characteristics common to gospel songs, appeared in the tune books of Lowell Mason, Thomas Hastings, William Batchelder Bradbury, and others during the first half of the nineteenth century (Ellinwood 1953:105), the great upsurge of gospel songs did not begin u…
Dr. Watts and Mahalia Jackson - The Development, Decline, and Survival of a Folk Style in America
T he singing style to be treated here has had several appellations. Lining-out is perhaps the most familiar term. The term deaconing may be better known in England. The style, as practiced by American Negroes, is called long-meter or Dr. Watts. The descriptive terms surge-singing or surging were used by George Pullen Jackson to describe the Negro practice. The literature indicates somewhat misleadingly that the style has disappeared. We read (Tho…
Dr. Watts and Mahalia Jackson - The Development, Decline, and Survival of a Folk Style in America
T he singing style to be treated here has had several appellations. Lining-out is perhaps the most familiar term. The term deaconing may be better known in England. The style, as practiced by American Negroes, is called long-meter or Dr. Watts. The descriptive terms surge-singing or surging were used by George Pullen Jackson to describe the Negro practice. The literature indicates somewhat misleadingly that the style has disappeared. We read (Tho…
The Responsorial and Antiphonal Practice in Gospel Song
he gospel song and its stylistic peculiarities found its origin and development in the United States. Though a certain sentimentality and subjectivism in text, together with certain musical characteristics common to gospel songs, appeared in the tune books of Lowell Mason, Thomas Hastings, William Batchelder Bradbury, and others during the first half of the nineteenth century (Ellinwood 1953:105), the great upsurge of gospel songs did not begin u…
Brighten the Corner Where You Are: Black and White Urban Hymnody
The Black in Jackson's White Spirituals
The Rolling Stone Record Guide: Reviews and Ratings of Almost 10,000 Currently Available Rock, Pop, Soul, Country, Blues, Jazz, and Gospel Albums
Jubilee to Gospel: A Selection of Commercially Recorded Black Religious Music, 1921-1953
Folk Organum: A Study of Origins
If reader can agree, as Gustave Reese and other comparative musicologists have agreed, with statement that the so-called art-polyphony of Europe was evolved from traditional folk-polyphony and with Reese's statement that the development of polyphony seems spontaneously to have followed very similar paths all parts of world,2 it is possible to describe and document manner which polyphony developed from monophony. Polyphony (organum) had already be…
The Literature of Jazz: A Critical Guide
Powerhouse of God
Jazz Reference and Research Materials: A Bibliography
Elvis Presley: Reference Guide and Discography
Blue Notes and Blue Tonality
Kentucky Country: Folk and Country Music of Kentucky
Memphis Blues Today
Ben Harney: The Middlesborough Years, 1890-93
Benjamin Robertson Harney was born March 6, 1871, in or near Louisville, Kentucky. He died of heart disease in Philadelphia on March 1, 1938, after long illness.' Harney's significance to development of American music, specifically ragtime, is indicated by those who have praised him. Rudi Blesh and Harriet Janis gave Ben Harney place of honor, for example, in their extensive and pioneering book They All Played Ragtime. They wrote that a young Ken…
Watters, Lu(cius Carl) (jazz)
Art (16 works) · Music History and Culture (11 works) · History (10 works) · Visual arts (7 works) · Art history (6 works) · Race, History, and American Society (5 works) · Theater, Performance, and Music History (5 works) · Literature (4 works) · Musicology and Musical Analysis (4 works) · Computer Science (3 works)