Donald M Winkelman
Biographic Data
| ID | 83368 |
|---|---|
| NAME | Donald M Winkelman |
| GIVEN NAMES | Donald M |
| FAMILY NAME | Winkelman |
| SIGNATURE | WINKELMAN D M |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1962 |
| LATEST PUBLICATION YEAR | 1971 |
| H-INDEX | 1 |
The Ballad as Song
New Voices in American Studies
Living with Ballads
Two Penny Ballads and Four Dollar Whiskey
Abstracts of Folklore Studies
A Good Tale and a Bonnie Tune
Who Fears the Devil
Three American Authors as Semi-Folk Artists
THE MATERIAL the folk artist uses is completely assimilated in his mind and culture. His is not the casual memory of forbidden anecdotes at a party, but a drawing from a fund of knowledge integrated with his community life. This is Kenneth S. Goldstein's Scottish painter whose horses bear the simplicity of their artist's simple life, but show the unmistakable mark of their creator; this is Abraham Oregon Smith, teller of tales and hero in many ot…
Old Love Songs and Ballads from the Big Laurel, North Carolina
The Traditional Tunes of the Child Ballads
Ethnomusicology: A Curricular Survey - Supplement I
Ethnomusicology at American Universities: A Curricular Survey
Ih the December 1954 Ethno-Musicology Newsletter, Bruno Nettl published a survey of ethnomusicology courses taught in American colleges and universities. At that time, relatively few institutions offered any courses at all, and only one school taught more than two. As this survey demonstrates, offerings in ethnomusicology have been expanded greatly, and the resultsalthough all schools are not yet represented--indicate the vitality of the discipli…
The Butcher Boy
New Voices in American Studies
Three American Authors as Semi-Folk Artists
THE MATERIAL the folk artist uses is completely assimilated in his mind and culture. His is not the casual memory of forbidden anecdotes at a party, but a drawing from a fund of knowledge integrated with his community life. This is Kenneth S. Goldstein's Scottish painter whose horses bear the simplicity of their artist's simple life, but show the unmistakable mark of their creator; this is Abraham Oregon Smith, teller of tales and hero in many ot…
The Butcher Boy
Ethnomusicology at American Universities: A Curricular Survey
Ih the December 1954 Ethno-Musicology Newsletter, Bruno Nettl published a survey of ethnomusicology courses taught in American colleges and universities. At that time, relatively few institutions offered any courses at all, and only one school taught more than two. As this survey demonstrates, offerings in ethnomusicology have been expanded greatly, and the resultsalthough all schools are not yet represented--indicate the vitality of the discipli…
The Traditional Tunes of the Child Ballads
Ethnomusicology: A Curricular Survey - Supplement I
Who Fears the Devil
Three American Authors as Semi-Folk Artists
THE MATERIAL the folk artist uses is completely assimilated in his mind and culture. His is not the casual memory of forbidden anecdotes at a party, but a drawing from a fund of knowledge integrated with his community life. This is Kenneth S. Goldstein's Scottish painter whose horses bear the simplicity of their artist's simple life, but show the unmistakable mark of their creator; this is Abraham Oregon Smith, teller of tales and hero in many ot…
Old Love Songs and Ballads from the Big Laurel, North Carolina
Abstracts of Folklore Studies
A Good Tale and a Bonnie Tune
Two Penny Ballads and Four Dollar Whiskey
New Voices in American Studies
Living with Ballads
The Ballad as Song
Art (11 works) · History (9 works) · Ballad (5 works) · Literature (5 works) · Poetry (5 works) · American Sports and Literature (3 works) · Archaeology (3 works) · Folklore, Mythology, and Literature Studies (3 works) · Music History and Culture (3 works) · Visual arts (3 works)