Nicole De Brabandere
Biographic Data
| ID | 835185 |
|---|---|
| NAME | Nicole De Brabandere |
| GIVEN NAMES | Nicole |
| FAMILY NAME | De Brabandere |
| SIGNATURE | DE BRABANDERE N |
| AFFILIATIONS | Zurich University of the Arts |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Messy Subjectivities
This article investigates how Staffordshire figurines and dinnerware, which were popular in early nineteenth-century England and its colonies, were complicit in forging emergent social, aesthetic and subjective consciousness. Staffordshire ware was influenced by diverse technical, economic and aesthetic factors, including the circulation of print media, private property, colonialism and Romanticism. At the same time, the wares both engendered Rom…
Experimenting with Affect across Drawing and Choreography
In this article, I analyse line-rendering techniques in drawing and choreography, based on a Deleuzian framework. This pragmatic approach for understanding affect emerges in three distinct formulations. The first engages the coincidence of drawing and choreography at the limit of reach; the second investigates how trace and movement generate different yet mutually resonant versions of semblance. The third framework considers the potential for imp…
Performing Surfaces
In this discussion I first outline material intersections of bodies and everyday objects that script habitual choreographies as affective extensions of the body. I then consider the dynamism of the shifts between habitual consciousness and non-consciousness as a site of agentive, embodied transformation within contexts of movement, multiples and sensory experience. I engage willfulness, stickiness, clumsiness and apparatuses of sensory notation a…
Experimenting with Affect across Drawing and Choreography
In this article, I analyse line-rendering techniques in drawing and choreography, based on a Deleuzian framework. This pragmatic approach for understanding affect emerges in three distinct formulations. The first engages the coincidence of drawing and choreography at the limit of reach; the second investigates how trace and movement generate different yet mutually resonant versions of semblance. The third framework considers the potential for imp…
Performing Surfaces
In this discussion I first outline material intersections of bodies and everyday objects that script habitual choreographies as affective extensions of the body. I then consider the dynamism of the shifts between habitual consciousness and non-consciousness as a site of agentive, embodied transformation within contexts of movement, multiples and sensory experience. I engage willfulness, stickiness, clumsiness and apparatuses of sensory notation a…
Performing Surfaces
In this discussion I first outline material intersections of bodies and everyday objects that script habitual choreographies as affective extensions of the body. I then consider the dynamism of the shifts between habitual consciousness and non-consciousness as a site of agentive, embodied transformation within contexts of movement, multiples and sensory experience. I engage willfulness, stickiness, clumsiness and apparatuses of sensory notation a…
Experimenting with Affect across Drawing and Choreography
In this article, I analyse line-rendering techniques in drawing and choreography, based on a Deleuzian framework. This pragmatic approach for understanding affect emerges in three distinct formulations. The first engages the coincidence of drawing and choreography at the limit of reach; the second investigates how trace and movement generate different yet mutually resonant versions of semblance. The third framework considers the potential for imp…
Messy Subjectivities
This article investigates how Staffordshire figurines and dinnerware, which were popular in early nineteenth-century England and its colonies, were complicit in forging emergent social, aesthetic and subjective consciousness. Staffordshire ware was influenced by diverse technical, economic and aesthetic factors, including the circulation of print media, private property, colonialism and Romanticism. At the same time, the wares both engendered Rom…
Aesthetics (3 works) · Art (3 works) · Cognitive psychology (2 works) · Communication (2 works) · Communication (2 works) · Consciousness (2 works) · Epistemology (2 works) · Philosophy (2 works) · Philosophy (2 works) · Psychology (2 works)