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Jonathan D Culler

Biographic Data

ID835690
NAMEJonathan D Culler
GIVEN NAMESJonathan D
FAMILY NAMECuller
SIGNATURECULLER J D
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS57
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Critical Rhythm: The Poetics of a Literary Life Form

    Open Access•Jonathan D Culler, Ben Glaser et al.•BOOK•Critical Rhythm•2019

  • Literary Theory: A Very Short Introduction

    Jonathan Culler, Jonathan D Culler•BOOK•Literary theory•2011•Cited by: 56

    Culler offers insights into theories about the nature of language and meaning, looks at whether literature is a form of self-expression or a method of appeal to an audience, and outlines the ideas behind deconstruction and semiotics.

  • The Realism of Madame Bovary

    Jonathan D Culler•ARTICLE•Modern Language Notes•2007

    Flaubert's realism is a topic that has been somewhat neglected of late-for a variety of reasons that at least deserve some reflection. First, though Madame Bovary remains the most widely read and studied of his novels, it would be fair to say, I think, that for critics of the last thirty years Bouvard et Pecuchet has become paradigmatic for Flaubert-as of course it is-and that stripped-down model of writerly activity, which centers the novel on t…

  • Commentary: What Is Literature Now

    Jonathan D Culler•ARTICLE•New Literary History•2007•Cited by: 1

    Commentary:What Is Literature Now? Jonathan Culler (bio) The question "What is literature?" is not, like "What is hematite?" asked out of ignorance. It is a question of interest only to those who already have a sense of the extension of the concept and who want, for whatever reason, to think about the defining or differential qualities of the phenomena to which, as they know perfectly well, the term is generally applied. In attempting to respond,…

  • The literary in theory

    Jonathan D Culler•BOOK•The literary in theory•2007

    Explores the place of the literary in theory. This account of the fortunes of the literary in theory, of the resistance to theory, and of key theoretical concepts - text, sign, interpretation, performative, and omniscience - provides insight into various theoretical debates

  • In Need of a Name? A Response to Geoffrey Harpham

    Jonathan D Culler•ARTICLE•New Literary History•2005

    Geoffrey Harpham critiques humanists' complacency or defeatism about the crisis of the humanities but displays one of the most powerful resources of the humanities in his own conversion of the crisis into a defining strength of humanistic disciplines. Where his defense goes wrong is in linking the humanities to an ideology of the human. How can humanists celebrate and expound the most exciting developments in the humanities in recent years if the…

  • The Hertzian Sublime

    Jonathan D Culler•ARTICLE•Modern Language Notes•2005

    For anyone who knows Neil Hertz, a great raconteur with an ironic sense of humor, a man of the people, able to talk to anyone, he seems a most unlikely theorist of the sublime, in the line of Longinus, Burke, and Kant. Longinus and Burke display an unbounded admiration for moments of elevation, in expression and nature—not so Hertz. Neither they nor Kant is notable for a sense of humor, and they are all quite snooty about the low or the trivial. …

  • Barthes: A Very Short Introduction

    Jonathan Culler, Jonathan D Culler•BOOK•Barthes•2002

    Roland Barthes (1915-80) was an 'incomparable enlivener of the literary mind' whose lifelong fascination was with 'the way people make their world intelligible'. He has a multifaceted claim to fame: to some he is the structuralist who outlined a 'science of literature', and the most prominent promoter of semiology; to others he stands not for science but pleasure, espousing literature which gives the reader a creative role." "He called for 'the d…

  • Barthes, Theorist

    Jonathan D Culler•ARTICLE•Yale journal of criticism/ The…•2001

    It is an honor to inaugurate this discussion of Roland Barthes. In beginning the movement "Back to Barthes" which our title heralds, I want to say what I take to be the importance of Barthes the theorist and semiologist today. Thereafter, I will briefly take up Barthes's championing of the concept of textuality, both because I think that the development of this concept is a crucial in the advance of the humanities and social sciences, or sciences…

  • Literary Theory: A Very Short Introduction (Very Short Introductions)

    Jonathan Culler, Jonathan D Culler•BOOK•Literary theory•2000

  • Framing the Sign: Criticism and Its Institutions

    Jonathan Culler, Jonathan D Culler•BOOK•Framing the sign•1988

  • Structuralist Poetics: Structuralism, Linguistics and the Study of Literature

    Jonathan Culler, Jonathan D Culler•BOOK•Structuralist Poetics•1975

  • Literary Theory: A Very Short Introduction

    Jonathan Culler, Jonathan D Culler•BOOK•Literary theory•2011•Cited by: 56

    Culler offers insights into theories about the nature of language and meaning, looks at whether literature is a form of self-expression or a method of appeal to an audience, and outlines the ideas behind deconstruction and semiotics.

  • Commentary: What Is Literature Now

    Jonathan D Culler•ARTICLE•New Literary History•2007•Cited by: 1

    Commentary:What Is Literature Now? Jonathan Culler (bio) The question "What is literature?" is not, like "What is hematite?" asked out of ignorance. It is a question of interest only to those who already have a sense of the extension of the concept and who want, for whatever reason, to think about the defining or differential qualities of the phenomena to which, as they know perfectly well, the term is generally applied. In attempting to respond,…

  • Structuralist Poetics: Structuralism, Linguistics and the Study of Literature

    Jonathan Culler, Jonathan D Culler•BOOK•Structuralist Poetics•1975

  • Framing the Sign: Criticism and Its Institutions

    Jonathan Culler, Jonathan D Culler•BOOK•Framing the sign•1988

  • Literary Theory: A Very Short Introduction (Very Short Introductions)

    Jonathan Culler, Jonathan D Culler•BOOK•Literary theory•2000

  • Barthes, Theorist

    Jonathan D Culler•ARTICLE•Yale journal of criticism/ The…•2001

    It is an honor to inaugurate this discussion of Roland Barthes. In beginning the movement "Back to Barthes" which our title heralds, I want to say what I take to be the importance of Barthes the theorist and semiologist today. Thereafter, I will briefly take up Barthes's championing of the concept of textuality, both because I think that the development of this concept is a crucial in the advance of the humanities and social sciences, or sciences…

  • Barthes: A Very Short Introduction

    Jonathan Culler, Jonathan D Culler•BOOK•Barthes•2002

    Roland Barthes (1915-80) was an 'incomparable enlivener of the literary mind' whose lifelong fascination was with 'the way people make their world intelligible'. He has a multifaceted claim to fame: to some he is the structuralist who outlined a 'science of literature', and the most prominent promoter of semiology; to others he stands not for science but pleasure, espousing literature which gives the reader a creative role." "He called for 'the d…

  • In Need of a Name? A Response to Geoffrey Harpham

    Jonathan D Culler•ARTICLE•New Literary History•2005

    Geoffrey Harpham critiques humanists' complacency or defeatism about the crisis of the humanities but displays one of the most powerful resources of the humanities in his own conversion of the crisis into a defining strength of humanistic disciplines. Where his defense goes wrong is in linking the humanities to an ideology of the human. How can humanists celebrate and expound the most exciting developments in the humanities in recent years if the…

  • The Hertzian Sublime

    Jonathan D Culler•ARTICLE•Modern Language Notes•2005

    For anyone who knows Neil Hertz, a great raconteur with an ironic sense of humor, a man of the people, able to talk to anyone, he seems a most unlikely theorist of the sublime, in the line of Longinus, Burke, and Kant. Longinus and Burke display an unbounded admiration for moments of elevation, in expression and nature—not so Hertz. Neither they nor Kant is notable for a sense of humor, and they are all quite snooty about the low or the trivial. …

  • The Realism of Madame Bovary

    Jonathan D Culler•ARTICLE•Modern Language Notes•2007

    Flaubert's realism is a topic that has been somewhat neglected of late-for a variety of reasons that at least deserve some reflection. First, though Madame Bovary remains the most widely read and studied of his novels, it would be fair to say, I think, that for critics of the last thirty years Bouvard et Pecuchet has become paradigmatic for Flaubert-as of course it is-and that stripped-down model of writerly activity, which centers the novel on t…

  • Commentary: What Is Literature Now

    Jonathan D Culler•ARTICLE•New Literary History•2007•Cited by: 1

    Commentary:What Is Literature Now? Jonathan Culler (bio) The question "What is literature?" is not, like "What is hematite?" asked out of ignorance. It is a question of interest only to those who already have a sense of the extension of the concept and who want, for whatever reason, to think about the defining or differential qualities of the phenomena to which, as they know perfectly well, the term is generally applied. In attempting to respond,…

  • The literary in theory

    Jonathan D Culler•BOOK•The literary in theory•2007

    Explores the place of the literary in theory. This account of the fortunes of the literary in theory, of the resistance to theory, and of key theoretical concepts - text, sign, interpretation, performative, and omniscience - provides insight into various theoretical debates

  • Literary Theory: A Very Short Introduction

    Jonathan Culler, Jonathan D Culler•BOOK•Literary theory•2011•Cited by: 56

    Culler offers insights into theories about the nature of language and meaning, looks at whether literature is a form of self-expression or a method of appeal to an audience, and outlines the ideas behind deconstruction and semiotics.

  • Critical Rhythm: The Poetics of a Literary Life Form

    Open Access•Jonathan D Culler, Ben Glaser et al.•BOOK•Critical Rhythm•2019

Philosophy (8 works) · Literature (7 works) · Art (6 works) · Criticism (6 works) · History and criticism (5 works) · History (4 works) · Art history (3 works) · French Literature and Criticism (3 works) · Literature (3 works) · Political science (3 works)

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