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Sophie Sunderland

Biographic Data

ID837419
NAMESophie Sunderland
GIVEN NAMESSophie
FAMILY NAMESunderland
SIGNATURESUNDERLAND S
AFFILIATIONSThe University of Western Australia
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2012
H-INDEX1
  • Grieving secularism: Jane Campion's secular daughters in spiritual spaces

    Sophie Sunderland•ARTICLE•Studies In Australasian Cinema•2012

    New Zealand-born director Jane Campion's two feature films set in Australia, Holy Smoke (1999) and Sweetie (1989), each construct the desert or outback as a site of spiritual renewal. Set in contemporary contexts, both films reproduce the cultural myth of the Australian desert as the nation's ‘spiritual’ centre. For Holy Smoke, it is an imposed site of recovery and renewal following the enticements of the protagonist's decision to join an ashram …

  • Introducing Discomforts

    Open Access•Sophie Sunderland, Holly Randell-Moon•ARTICLE•Cultural Studies Review•2012

    An introduction to the themes of the section 'Secular Discomforts: Religion and Cultural Studies' and an overview of the contributions

  • Neutralizing Secularisms: Representations of the Secular in John Safran Versus God and God on My Side

    Sophie Sunderland•ARTICLE•The Review of Education Pedagogy…•2009•Cited by: 1•References: 3

  • Neutralizing Secularisms: Representations of the Secular in John Safran Versus God and God on My Side

    Sophie Sunderland•ARTICLE•The Review of Education Pedagogy…•2009•Cited by: 1•References: 3

  • Neutralizing Secularisms: Representations of the Secular in John Safran Versus God and God on My Side

    Sophie Sunderland•ARTICLE•The Review of Education Pedagogy…•2009•Cited by: 1•References: 3

  • Grieving secularism: Jane Campion's secular daughters in spiritual spaces

    Sophie Sunderland•ARTICLE•Studies In Australasian Cinema•2012

    New Zealand-born director Jane Campion's two feature films set in Australia, Holy Smoke (1999) and Sweetie (1989), each construct the desert or outback as a site of spiritual renewal. Set in contemporary contexts, both films reproduce the cultural myth of the Australian desert as the nation's ‘spiritual’ centre. For Holy Smoke, it is an imposed site of recovery and renewal following the enticements of the protagonist's decision to join an ashram …

  • Introducing Discomforts

    Open Access•Sophie Sunderland, Holly Randell-Moon•ARTICLE•Cultural Studies Review•2012

    An introduction to the themes of the section 'Secular Discomforts: Religion and Cultural Studies' and an overview of the contributions

Sociology (3 works) · Philosophy (2 works) · Religious studies (2 works) · Aesthetics (1 works) · Anthropological Studies and Insights (1 works) · Archaeology (1 works) · Art (1 works) · Asian Studies and History (1 works) · Gender Studies (1 works) · German Colonialism and Identity Studies (1 works)

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