Matilde Nardelli
Biographic Data
| ID | 837738 |
|---|---|
| NAME | Matilde Nardelli |
| GIVEN NAMES | Matilde |
| FAMILY NAME | Nardelli |
| SIGNATURE | NARDELLI M |
| AFFILIATIONS | University College London |
| ORCID | 0000-0003-4582-1024 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Outside television
Journal Article Outside television: Federico Fellini on exposure and attention in the age of abundance Get access Matilde Nardelli Matilde Nardelli Email: [email protected] https://orcid.org/0000-0003-4582-1024 Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 65, Issue 1, Spring 2024, Pages 25–46, https://doi.org/10.1093/screen/hjae005 Published: 21 March 2024
Like a Mass Image
This article considers Federico Fellini’s Le tentazioni del Dottor Antonio (1962), a fifty-minute episode in the omnibus Boccaccio ’70. While sometimes praised for its aesthetic and stylistic significance, the film remains largely overlooked and is considered a ‘bagatelle’ or ‘break’ in Fellini’s career. This article explores its valence as a promotional break between La dolce vita (1960) and 8 1⁄2 (1963) and its overt thematisation of the mass i…
Antonioni and the Aesthetics of Impurity
Michalangelo Antonioni’s 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema’s ‘modern’ incarnation. Reconnecting Antonioni’s aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works’ crucial, yet overlooked, affinity with the new ‘impure’ art practices that emerged in the period. At the same time, the book also …
Antonioni and the Aesthetics of Impurity
Discusses Antonioni’s cinema in relation to art and other media Critically and comprehensively explores the relation between Antonioni’s cinema and art in the 1960s and 1970s, at a time of profound transformation in, and dialogue between, both cinema and art Moves away from traditional readings of Antonioni’s cinema in terms of ‘purity’ by addressing its engagement with mixed and mass media Approaches Antonioni’s work through a comparative – tras…
Timothy Barker (2018) Against Transmission
Book review of Against Transmission by Timothy Barker (Bloomsbury, 2018)
Between the black box and the white cube
Between the black box and the white cube: expanded cinema and postwar art by Andrew V. Uroskie." Visual Studies, 31(2), pp. 177–178
End(ur)ing Photography
As recent studies tend to note, the convergence of photography and cinema onto a shared digital platform has caused these media to shed some, if not all, of their specificity. Little thought has been given, in this context, to the way in which photography may be turning cinematic because of a shift toward the durational in the conditions of its experience. For, as a consequence of being most often consumed off a screen, the photograph is increasi…
Moving Pictures
Increasingly, whirring film projectors, diaphanous filmstrips and cinema’s apparently obsolete materials more generally have become prominent features of contemporary art. This article explores the widespread pursuit of cinematic obsolescence in contemporary gallery installations, and considers its relation to our current phase of media and technological change. Seen in the context of the much-vaunted transition to the digital age, this artistic …
Hollis Frampton
No prominent works on this page.
Hollis Frampton
Moving Pictures
Increasingly, whirring film projectors, diaphanous filmstrips and cinema’s apparently obsolete materials more generally have become prominent features of contemporary art. This article explores the widespread pursuit of cinematic obsolescence in contemporary gallery installations, and considers its relation to our current phase of media and technological change. Seen in the context of the much-vaunted transition to the digital age, this artistic …
End(ur)ing Photography
As recent studies tend to note, the convergence of photography and cinema onto a shared digital platform has caused these media to shed some, if not all, of their specificity. Little thought has been given, in this context, to the way in which photography may be turning cinematic because of a shift toward the durational in the conditions of its experience. For, as a consequence of being most often consumed off a screen, the photograph is increasi…
Between the black box and the white cube
Between the black box and the white cube: expanded cinema and postwar art by Andrew V. Uroskie." Visual Studies, 31(2), pp. 177–178
Antonioni and the Aesthetics of Impurity
Michalangelo Antonioni’s 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema’s ‘modern’ incarnation. Reconnecting Antonioni’s aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works’ crucial, yet overlooked, affinity with the new ‘impure’ art practices that emerged in the period. At the same time, the book also …
Antonioni and the Aesthetics of Impurity
Discusses Antonioni’s cinema in relation to art and other media Critically and comprehensively explores the relation between Antonioni’s cinema and art in the 1960s and 1970s, at a time of profound transformation in, and dialogue between, both cinema and art Moves away from traditional readings of Antonioni’s cinema in terms of ‘purity’ by addressing its engagement with mixed and mass media Approaches Antonioni’s work through a comparative – tras…
Timothy Barker (2018) Against Transmission
Book review of Against Transmission by Timothy Barker (Bloomsbury, 2018)
Like a Mass Image
This article considers Federico Fellini’s Le tentazioni del Dottor Antonio (1962), a fifty-minute episode in the omnibus Boccaccio ’70. While sometimes praised for its aesthetic and stylistic significance, the film remains largely overlooked and is considered a ‘bagatelle’ or ‘break’ in Fellini’s career. This article explores its valence as a promotional break between La dolce vita (1960) and 8 1⁄2 (1963) and its overt thematisation of the mass i…
Outside television
Journal Article Outside television: Federico Fellini on exposure and attention in the age of abundance Get access Matilde Nardelli Matilde Nardelli Email: [email protected] https://orcid.org/0000-0003-4582-1024 Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 65, Issue 1, Spring 2024, Pages 25–46, https://doi.org/10.1093/screen/hjae005 Published: 21 March 2024
Art (7 works) · Cinema and Media Studies (6 works) · Movie theater (5 works) · Aesthetics (4 works) · Italian Fascism and Post-war Society (4 works) · Literature (4 works) · Philosophy (4 works) · Visual arts (4 works) · Art history (2 works) · Art, Politics, and Modernism (2 works)