Susanna W Gold
Biographic Data
| ID | 837784 |
|---|---|
| NAME | Susanna W Gold |
| GIVEN NAMES | Susanna W |
| FAMILY NAME | Gold |
| SIGNATURE | GOLD S W |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
The Death of Cleopatra / The Birth of Freedom: Edmonia Lewis at the New World's Fair
At Philadelphia's 1876 Centennial Exhibition, sculptor Edmonia Lewis's The Death of Cleopatra responded to the ambivalent Centennial culture that celebrated one-hundred years of a nation built on founding principles of unity and liberty, but that was haunted by centuries of African slavery, the recent Civil War, and the rapidly failing efforts of Reconstruction
Recovering Identity: Nineteenth-Century African American Portraiture
Recovering Identity: Nineteenth-Century African American Portraiture Reviewed by Susanna W. Gold Portraits of a People: Picturing African Americans in the Nineteenth Century. Organized by the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. Guest curated by Gwendolyn DuBois Shaw, University of Pennsylvania. Addison Gallery of American Art, Andover, Massachusetts, January 14–March 26, 2006; Delaware Art Museum, Wilmington…
No prominent works on this page.
Recovering Identity: Nineteenth-Century African American Portraiture
Recovering Identity: Nineteenth-Century African American Portraiture Reviewed by Susanna W. Gold Portraits of a People: Picturing African Americans in the Nineteenth Century. Organized by the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. Guest curated by Gwendolyn DuBois Shaw, University of Pennsylvania. Addison Gallery of American Art, Andover, Massachusetts, January 14–March 26, 2006; Delaware Art Museum, Wilmington…
The Death of Cleopatra / The Birth of Freedom: Edmonia Lewis at the New World's Fair
At Philadelphia's 1876 Centennial Exhibition, sculptor Edmonia Lewis's The Death of Cleopatra responded to the ambivalent Centennial culture that celebrated one-hundred years of a nation built on founding principles of unity and liberty, but that was haunted by centuries of African slavery, the recent Civil War, and the rapidly failing efforts of Reconstruction
Art (2 works) · Art history (2 works) · Exhibition (2 works) · History (2 works) · History (2 works) · Aesthetics (1 works) · African american (1 works) · Ambivalence (1 works) · Archaeology (1 works) · Centennial (1 works)