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Tony Fisher

Biographic Data

ID84008
NAMETony Fisher
GIVEN NAMESTony
FAMILY NAMEFisher
SIGNATUREFISHER T
AFFILIATIONSUniversity of California, Davis
ORCID0000-0003-4249-5841
VERIFIEDYes
TOTAL WORKS15
TOTAL CITATIONS8
AUTHOR COUNT13
EDITOR COUNT2
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2023
H-INDEX2
  • The aesthetic exception

    Tony Fisher•BOOK•Aesthetic Exception•2023

    The question of whether art produces politically transformative effects has been intensely debated within critical discourses concerned with art, literature, and performance practices. The Aesthetic Exception reopens the fundamental questions that underpin these debates and examines the entrenchments they produce within critical circles. It does so for the purposes of developing a new approach that circumvents longstanding theoretical impasses, w…

  • Arte Político después del Giro Comunicativo

    Open Access•Tony Fisher•ARTICLE•Escritura e Imagen•2020

    Escribiendo en respuesta al ensayo de Sartre sobre literatura comprometida, Adorno proclamó: “No es el momento para obras de arte políticas; más bien, la política ha migrado a la obra de arte autónoma, y ha penetrado más profundamente en obras que se presentan a sí mismas como políticamente muertas”. Hoy, los teóricos del “giro social” en el arte han rechazado completamente a Adorno, adoptando en cambio un nuevo tipo de compromiso en el arte. En …

  • Theatre Institutions in Crisis

    Gigi Argyropoulou, Christopher Balme et al.•BOOK•Theatre Institutions in Crisis•2020

  • Foucault’s theatres

    Tony Fisher, Kélina Gotman•BOOK•Foucault's Theatres•2019

    The volume contributes to a new articulation of theatre and performance studies via Foucault's critical thought. With cutting edge studies by established and emerging writers in areas such as dramaturgy, film, music, cultural history and journalism, the volume aims to be accessible for both experienced researchers and advanced students encountering Foucault's work for the first time. The introduction sets out a thorough and informative assessment…

  • Foucault's Theatres

    Kélina Gotman, Tony Fisher•BOOK•Foucault's Theatres•2019

  • Theatre and Governance in Britain, 1500–1900

    Open Access•Tony Fisher•BOOK•Theatre and Governance in…•2017

    This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony…

  • Counterlegal dependence and causation’s arrows

    Open Access•Tony Fisher•ARTICLE•Synthese•2017•Cited by: 3•References: 16

  • Causal counterfactuals are not interventionist counterfactuals

    Open Access•Tony Fisher•ARTICLE•Synthese•2017•Cited by: 3•References: 21

  • Castellucci's Theatre of the ‘Abject/Sublime’

    Open Access•Tony Fisher•ARTICLE•Somatechnics•2013•References: 2

    In this paper I look at Castellucci's On the Concept of the Face, Regarding the Son of God as a means to sketch out what I would like to call a theatre of the ‘abject/sublime’. By this I mean the subject fails to achieve the kind of ethical autonomy that Kant's radical sublime demands. Instead, I propose to interpret Castellucci's work in two ‘heteronymous’ ways: firstly, in light of Kristeva's dictum that the ‘abject is edged with the sublime’, …

  • Aesthetics and the Political

    Tony Fisher•ARTICLE•Cultural Critique•2011

  • Heidegger and the narrativity debate

    Open Access•Tony Fisher•ARTICLE•Man and World•2010

  • The Deadliest Enemies

    Open Access•Tony Fisher, Thomas Biolsi•ARTICLE•Anthropologica•2002

    Thomas Biolsi, Berkeley: University of California Press, 2001.Reviewer: Tony FisherUniversity of AlbertaDeadliest Enemies is an excellent book. It's not perfect, but then, no really good anthropology book is. Deadliest Enemies begins well. The Introduction introduces us to things we should know but probably don't. Chapter 1 is a good, brief review of Reservation's history and how its present legal status or conundrum came to be. The book carries …

  • The Commericalized Crafts of Thailand

    Open Access•Tony Fisher, Erik Cohen et al.•ARTICLE•Anthropologica•2002

  • Victims of Benevolence

    Open Access•Tony Fisher, Elizabeth Furni et al.•ARTICLE•Anthropologica•1996

  • Isaac Julien

    Tony Fisher•ARTICLE•Third Text•1990•Cited by: 2

  • Counterlegal dependence and causation’s arrows

    Open Access•Tony Fisher•ARTICLE•Synthese•2017•Cited by: 3•References: 16

  • Causal counterfactuals are not interventionist counterfactuals

    Open Access•Tony Fisher•ARTICLE•Synthese•2017•Cited by: 3•References: 21

  • Isaac Julien

    Tony Fisher•ARTICLE•Third Text•1990•Cited by: 2

  • Isaac Julien

    Tony Fisher•ARTICLE•Third Text•1990•Cited by: 2

  • Victims of Benevolence

    Open Access•Tony Fisher, Elizabeth Furni et al.•ARTICLE•Anthropologica•1996

  • The Deadliest Enemies

    Open Access•Tony Fisher, Thomas Biolsi•ARTICLE•Anthropologica•2002

    Thomas Biolsi, Berkeley: University of California Press, 2001.Reviewer: Tony FisherUniversity of AlbertaDeadliest Enemies is an excellent book. It's not perfect, but then, no really good anthropology book is. Deadliest Enemies begins well. The Introduction introduces us to things we should know but probably don't. Chapter 1 is a good, brief review of Reservation's history and how its present legal status or conundrum came to be. The book carries …

  • The Commericalized Crafts of Thailand

    Open Access•Tony Fisher, Erik Cohen et al.•ARTICLE•Anthropologica•2002

  • Heidegger and the narrativity debate

    Open Access•Tony Fisher•ARTICLE•Man and World•2010

  • Aesthetics and the Political

    Tony Fisher•ARTICLE•Cultural Critique•2011

  • Castellucci's Theatre of the ‘Abject/Sublime’

    Open Access•Tony Fisher•ARTICLE•Somatechnics•2013•References: 2

    In this paper I look at Castellucci's On the Concept of the Face, Regarding the Son of God as a means to sketch out what I would like to call a theatre of the ‘abject/sublime’. By this I mean the subject fails to achieve the kind of ethical autonomy that Kant's radical sublime demands. Instead, I propose to interpret Castellucci's work in two ‘heteronymous’ ways: firstly, in light of Kristeva's dictum that the ‘abject is edged with the sublime’, …

  • Theatre and Governance in Britain, 1500–1900

    Open Access•Tony Fisher•BOOK•Theatre and Governance in…•2017

    This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony…

  • Counterlegal dependence and causation’s arrows

    Open Access•Tony Fisher•ARTICLE•Synthese•2017•Cited by: 3•References: 16

  • Causal counterfactuals are not interventionist counterfactuals

    Open Access•Tony Fisher•ARTICLE•Synthese•2017•Cited by: 3•References: 21

  • Foucault’s theatres

    Tony Fisher, Kélina Gotman•BOOK•Foucault's Theatres•2019

    The volume contributes to a new articulation of theatre and performance studies via Foucault's critical thought. With cutting edge studies by established and emerging writers in areas such as dramaturgy, film, music, cultural history and journalism, the volume aims to be accessible for both experienced researchers and advanced students encountering Foucault's work for the first time. The introduction sets out a thorough and informative assessment…

  • Foucault's Theatres

    Kélina Gotman, Tony Fisher•BOOK•Foucault's Theatres•2019

  • Arte Político después del Giro Comunicativo

    Open Access•Tony Fisher•ARTICLE•Escritura e Imagen•2020

    Escribiendo en respuesta al ensayo de Sartre sobre literatura comprometida, Adorno proclamó: “No es el momento para obras de arte políticas; más bien, la política ha migrado a la obra de arte autónoma, y ha penetrado más profundamente en obras que se presentan a sí mismas como políticamente muertas”. Hoy, los teóricos del “giro social” en el arte han rechazado completamente a Adorno, adoptando en cambio un nuevo tipo de compromiso en el arte. En …

  • Theatre Institutions in Crisis

    Gigi Argyropoulou, Christopher Balme et al.•BOOK•Theatre Institutions in Crisis•2020

  • The aesthetic exception

    Tony Fisher•BOOK•Aesthetic Exception•2023

    The question of whether art produces politically transformative effects has been intensely debated within critical discourses concerned with art, literature, and performance practices. The Aesthetic Exception reopens the fundamental questions that underpin these debates and examines the entrenchments they produce within critical circles. It does so for the purposes of developing a new approach that circumvents longstanding theoretical impasses, w…

Philosophy (8 works) · Law (7 works) · Political science (7 works) · Art (6 works) · Epistemology (6 works) · Sociology (6 works) · Aesthetics (5 works) · Computer Science (4 works) · Politics (4 works) · Archaeology (3 works)

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