Inga Burrows
Biographic Data
| ID | 8418300 |
|---|---|
| NAME | Inga Burrows |
| GIVEN NAMES | Inga |
| FAMILY NAME | Burrows |
| SIGNATURE | BURROWS I |
| AFFILIATIONS | University of Glamorgan |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Affect and Dialogue in Collaborative Cross- Disciplinary Research
Where Cartesian philosophy distinguishes the perceiving and perceptual mind from the body, phenomenology constitutes the experiential/experiencing body as the subject, giving rise to the affective potential of art. An immersive world of digital connections, smart cities and the Internet of Everything dramatises the centrality of relationship, the intertwining of Self and Other, in the lived environments of human experience. This article addresses…
Orientating voices in memories and spaces — Well I never
This paper is a dialogue between the artist and the analyst in the examination of a digital video art work as a piece of practice as research. The paper identifies and addresses the significant research questions that have arisen out of precisely such a dialogue about work in progress. Rather than focusing on the completed installation as a piece of research, this paper emphasises the artistic practice as experience and offers a concurrent academ…
The Experience and the Object
This essay is about the process of making an installation for an exhibition about ritual commissioned by the Whitworth Gallery in Manchester. The video piece was to work alongside an exhibition of objects from around the world associated with rites of passage, birth, marriage, and death. The commission was a new initiative for the Gallery as they had never before commissioned a film-maker to make a work. The aims of the project were firstly, to a…
No prominent works on this page.
The Experience and the Object
This essay is about the process of making an installation for an exhibition about ritual commissioned by the Whitworth Gallery in Manchester. The video piece was to work alongside an exhibition of objects from around the world associated with rites of passage, birth, marriage, and death. The commission was a new initiative for the Gallery as they had never before commissioned a film-maker to make a work. The aims of the project were firstly, to a…
Orientating voices in memories and spaces — Well I never
This paper is a dialogue between the artist and the analyst in the examination of a digital video art work as a piece of practice as research. The paper identifies and addresses the significant research questions that have arisen out of precisely such a dialogue about work in progress. Rather than focusing on the completed installation as a piece of research, this paper emphasises the artistic practice as experience and offers a concurrent academ…
Affect and Dialogue in Collaborative Cross- Disciplinary Research
Where Cartesian philosophy distinguishes the perceiving and perceptual mind from the body, phenomenology constitutes the experiential/experiencing body as the subject, giving rise to the affective potential of art. An immersive world of digital connections, smart cities and the Internet of Everything dramatises the centrality of relationship, the intertwining of Self and Other, in the lived environments of human experience. This article addresses…
Computer Science (3 works) · Sociology (3 works) · Art (2 works) · Epistemology (2 works) · Political science (2 works) · Visual arts (2 works) · Abstraction (1 work) · Advertising (1 work) · Aesthetics (1 work) · Affect (linguistics (1 work)