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Catherine Zuromskis

Biographic Data

ID843252
NAMECatherine Zuromskis
GIVEN NAMESCatherine
FAMILY NAMEZuromskis
SIGNATUREZUROMSKIS C
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS4
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2024
H-INDEX1
  • History in the First Person

    Catherine Zuromskis•ARTICLE•American Art•2024

    During the postwar economic boom, the American market was flooded with amateur cameras. While designed primarily to record domestic life, these cameras have become so ubiquitous that today we expect almost any event, from a family vacation to an act of police brutality, to have been captured on film or video. These moments where everyday citizen becomes accidental journalist highlight the democratic possibility of vernacular cameras to capture un…

  • All One Life”

    Catherine Zuromskis•ARTICLE•Photography and Culture•2017•References: 4

    Few photographers are as well known or as representative of American celebrity culture in the contemporary media age as Annie Leibovitz. This essay analyzes Leibovitz’s influential style by situating it within the complexities of both celebrity and snapshot photography. Taking as its jumping off point Leibovitz’s 2006 Leibovitz, Annie. 2006. Anne Leibovitz: A Photographer’s Life, 1990–2005. New York: Random House. [Google Scholar] retrospective, …

  • Snapshot Photography, Now and Then

    Catherine Zuromskis•ARTICLE•Afterimage•2016

    Research Article| July 01 2016 Snapshot Photography, Now and Then: Making, Sharing, and Liking Photographs at the Digital Frontier Catherine Zuromskis Catherine Zuromskis CATHERINE ZUROMSKIS, PhD, is the author of Snapshot Photography: The Lives of Images (2013) and author and editor of The Factory (2012), the catalog for the exhibition From the Factory to the World: Photography and the Warhol Community, which she curated for PhotoEspaña 2012. Zu…

  • Thinking Feeling Contemporary Art

    Open Access•Catherine Zuromskis•ARTICLE•Postmodern Culture•2013

    Thinking Feeling Contemporary Art Catherine Zuromskis (bio) Review of Jennifer Doyle, Hold It Against Me: Difficulty and Emotion in Contemporary Art. Durham: Duke UP, 2013. In the summer of 2004, toward the tail end of my graduate studies, I spent six weeks at Cornell University, attending the School of Criticism and Theory. There I witnessed a memorable and dramatic public lecture and presentation by Richard Schechner, one of the key figures in …

  • Why Photography Matters as Art as Never Before

    Catherine Zuromskis•ARTICLE•Photography and Culture•2010

    (2010). Why Photography Matters as Art as Never Before: Michael Fried. Photography and Culture: Vol. 3, No. 1, pp. 91-94

  • Outside Art

    Open Access•Catherine Zuromskis•ARTICLE•American Quarterly•2008•Cited by: 4

    Outside Art:Exhibiting Snapshot Photography Catherine Zuromskis (bio) "The Art of the American Snapshot, 1888–1978: From the Collection of Robert E. Jackson." Organized by the National Gallery of Art, Washington, October 7–December 31, 2007. Exhibition curated by Sarah Greenough and Diane Waggoner. "Accidental Mysteries: Extraordinary Vernacular Photographs from the Collection of John and Teenuh Foster." Organized by the Sheldon Art Galleries, St…

  • Outside Art

    Open Access•Catherine Zuromskis•ARTICLE•American Quarterly•2008•Cited by: 4

    Outside Art:Exhibiting Snapshot Photography Catherine Zuromskis (bio) "The Art of the American Snapshot, 1888–1978: From the Collection of Robert E. Jackson." Organized by the National Gallery of Art, Washington, October 7–December 31, 2007. Exhibition curated by Sarah Greenough and Diane Waggoner. "Accidental Mysteries: Extraordinary Vernacular Photographs from the Collection of John and Teenuh Foster." Organized by the Sheldon Art Galleries, St…

  • Outside Art

    Open Access•Catherine Zuromskis•ARTICLE•American Quarterly•2008•Cited by: 4

    Outside Art:Exhibiting Snapshot Photography Catherine Zuromskis (bio) "The Art of the American Snapshot, 1888–1978: From the Collection of Robert E. Jackson." Organized by the National Gallery of Art, Washington, October 7–December 31, 2007. Exhibition curated by Sarah Greenough and Diane Waggoner. "Accidental Mysteries: Extraordinary Vernacular Photographs from the Collection of John and Teenuh Foster." Organized by the Sheldon Art Galleries, St…

  • Why Photography Matters as Art as Never Before

    Catherine Zuromskis•ARTICLE•Photography and Culture•2010

    (2010). Why Photography Matters as Art as Never Before: Michael Fried. Photography and Culture: Vol. 3, No. 1, pp. 91-94

  • Thinking Feeling Contemporary Art

    Open Access•Catherine Zuromskis•ARTICLE•Postmodern Culture•2013

    Thinking Feeling Contemporary Art Catherine Zuromskis (bio) Review of Jennifer Doyle, Hold It Against Me: Difficulty and Emotion in Contemporary Art. Durham: Duke UP, 2013. In the summer of 2004, toward the tail end of my graduate studies, I spent six weeks at Cornell University, attending the School of Criticism and Theory. There I witnessed a memorable and dramatic public lecture and presentation by Richard Schechner, one of the key figures in …

  • Snapshot Photography, Now and Then

    Catherine Zuromskis•ARTICLE•Afterimage•2016

    Research Article| July 01 2016 Snapshot Photography, Now and Then: Making, Sharing, and Liking Photographs at the Digital Frontier Catherine Zuromskis Catherine Zuromskis CATHERINE ZUROMSKIS, PhD, is the author of Snapshot Photography: The Lives of Images (2013) and author and editor of The Factory (2012), the catalog for the exhibition From the Factory to the World: Photography and the Warhol Community, which she curated for PhotoEspaña 2012. Zu…

  • All One Life”

    Catherine Zuromskis•ARTICLE•Photography and Culture•2017•References: 4

    Few photographers are as well known or as representative of American celebrity culture in the contemporary media age as Annie Leibovitz. This essay analyzes Leibovitz’s influential style by situating it within the complexities of both celebrity and snapshot photography. Taking as its jumping off point Leibovitz’s 2006 Leibovitz, Annie. 2006. Anne Leibovitz: A Photographer’s Life, 1990–2005. New York: Random House. [Google Scholar] retrospective, …

  • History in the First Person

    Catherine Zuromskis•ARTICLE•American Art•2024

    During the postwar economic boom, the American market was flooded with amateur cameras. While designed primarily to record domestic life, these cameras have become so ubiquitous that today we expect almost any event, from a family vacation to an act of police brutality, to have been captured on film or video. These moments where everyday citizen becomes accidental journalist highlight the democratic possibility of vernacular cameras to capture un…

Art (6 works) · Art history (4 works) · Photography and Visual Culture (4 works) · Visual arts (4 works) · Computer Science (3 works) · Photography (3 works) · Visual Culture and Art Theory (3 works) · Aesthetics (2 works) · Cinema and Media Studies (2 works) · Exhibition (2 works)

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