Inna Arzumanova
Biographic Data
| ID | 844745 |
|---|---|
| NAME | Inna Arzumanova |
| GIVEN NAMES | Inna |
| FAMILY NAME | Arzumanova |
| SIGNATURE | ARZUMANOVA I |
| AFFILIATIONS | University of San Francisco |
| ORCID | 0000-0003-3519-1030 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
The culture industry and Beyoncé's proprietary blackness
‘You know you that bitch when you cause all this conversation. Always stay gracious, best revenge is your paper.’ That is Beyonce, both prescient and brilliantly cavalier, in her song ‘Formation’ (
Fashion on Television
Helen Warner's 2014 work Fashion on Television: Identity and Celebrity Culture is uniquely positioned to capture a corner of the media ecosystem that is, at the work's publication, both expanding i
Politics of Outrage
Politics of Outrage: David LaChapelle's "The Rape of Africa" Inna Arzumanova (bio) The Rape of Africa. Galerie Alex Daniels, Amsterdam, June 6-July 31, 2009; David DeSanctis Gallery, Los Angeles, September 12-October 31, 2009; Paul Kasmin Gallery, New York, July 13-September 18, 2010. Curated by Alex Daniels, Fred Torres, Paul Kasmin Gallery, and David DeSanctis Gallery. David LaChapelle's The Rape of Africaconsists primarily of one large-format …
The culture industry and Beyoncé's proprietary blackness
‘You know you that bitch when you cause all this conversation. Always stay gracious, best revenge is your paper.’ That is Beyonce, both prescient and brilliantly cavalier, in her song ‘Formation’ (
Politics of Outrage
Politics of Outrage: David LaChapelle's "The Rape of Africa" Inna Arzumanova (bio) The Rape of Africa. Galerie Alex Daniels, Amsterdam, June 6-July 31, 2009; David DeSanctis Gallery, Los Angeles, September 12-October 31, 2009; Paul Kasmin Gallery, New York, July 13-September 18, 2010. Curated by Alex Daniels, Fred Torres, Paul Kasmin Gallery, and David DeSanctis Gallery. David LaChapelle's The Rape of Africaconsists primarily of one large-format …
Fashion on Television
Helen Warner's 2014 work Fashion on Television: Identity and Celebrity Culture is uniquely positioned to capture a corner of the media ecosystem that is, at the work's publication, both expanding i
The culture industry and Beyoncé's proprietary blackness
‘You know you that bitch when you cause all this conversation. Always stay gracious, best revenge is your paper.’ That is Beyonce, both prescient and brilliantly cavalier, in her song ‘Formation’ (
Art (3 works) · Sociology (3 works) · Advertising (2 works) · Art history (2 works) · Business (2 works) · Media studies (2 works) · Aesthetics (1 work) · Art, Politics, and Modernism (1 work) · Caribbean history, culture, and politics (1 work) · Celebrity culture (1 work)