Victor Hugo Viesca
Biographic Data
| ID | 844746 |
|---|---|
| NAME | Victor Hugo Viesca |
| GIVEN NAMES | Victor Hugo |
| FAMILY NAME | Viesca |
| SIGNATURE | VIESCA V H |
| AFFILIATIONS | California State University Los Angeles |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Native Guns and Stray Bullets: Cultural Activism and Filipino American Rap Music in Post-Riot Los Angeles
This article is part of the following collections: Reflections on the L.A. Civil Unrest: Thirty Years after 4/29/1992
Making Music in Los Angeles: Transforming the Popular
Journal Article Making Music in Los Angeles: Transforming the Popular Get access Making Music in Los Angeles: Transforming the Popular. By Smith Catherine Parsons. (Berkeley: University of California Press, 2007. xiv + 376 pp. Illustrations, notes, bibliography, index. $34.95.) Victor Viesca Victor Viesca California State University, Los Angeles Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly,…
The Battle of Los Angeles: The Cultural Politics of Chicana/o Music in the Greater Eastside
East Los Angeles is the center of a flourishing musical cultural scene with a renewed "Chicana/o" sensibility. This scene is being led by a collective of socially conscious and politically active Latin-fusion bands that emerged in the 1990s, including Aztlán Underground, Blues Experiment, Lysa Flores, Ozomatli, Ollin, Quetzal, Quinto Sol, Slowrider, and Yeska. Along with visual artists, activists, and audiences, the musicians of the Eastside scen…
The Battle of Los Angeles: The Cultural Politics of Chicana/o Music in the Greater Eastside
East Los Angeles is the center of a flourishing musical cultural scene with a renewed "Chicana/o" sensibility. This scene is being led by a collective of socially conscious and politically active Latin-fusion bands that emerged in the 1990s, including Aztlán Underground, Blues Experiment, Lysa Flores, Ozomatli, Ollin, Quetzal, Quinto Sol, Slowrider, and Yeska. Along with visual artists, activists, and audiences, the musicians of the Eastside scen…
Native Guns and Stray Bullets: Cultural Activism and Filipino American Rap Music in Post-Riot Los Angeles
This article is part of the following collections: Reflections on the L.A. Civil Unrest: Thirty Years after 4/29/1992
The Battle of Los Angeles: The Cultural Politics of Chicana/o Music in the Greater Eastside
East Los Angeles is the center of a flourishing musical cultural scene with a renewed "Chicana/o" sensibility. This scene is being led by a collective of socially conscious and politically active Latin-fusion bands that emerged in the 1990s, including Aztlán Underground, Blues Experiment, Lysa Flores, Ozomatli, Ollin, Quetzal, Quinto Sol, Slowrider, and Yeska. Along with visual artists, activists, and audiences, the musicians of the Eastside scen…
Making Music in Los Angeles: Transforming the Popular
Journal Article Making Music in Los Angeles: Transforming the Popular Get access Making Music in Los Angeles: Transforming the Popular. By Smith Catherine Parsons. (Berkeley: University of California Press, 2007. xiv + 376 pp. Illustrations, notes, bibliography, index. $34.95.) Victor Viesca Victor Viesca California State University, Los Angeles Search for other works by this author on: Oxford Academic Google Scholar Western Historical Quarterly,…
Native Guns and Stray Bullets: Cultural Activism and Filipino American Rap Music in Post-Riot Los Angeles
This article is part of the following collections: Reflections on the L.A. Civil Unrest: Thirty Years after 4/29/1992
History (3 works) · Latin American and Latino Studies (3 works) · Media studies (3 works) · Sociology (3 works) · Art (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Music History and Culture (2 works) · Political science (2 works)