Esther Sánchez-Pardo
Biographic Data
| ID | 845365 |
|---|---|
| NAME | Esther Sánchez-Pardo |
| GIVEN NAMES | Esther |
| FAMILY NAME | Sánchez-Pardo |
| SIGNATURE | SÁNCHEZ-PARDO E |
| AFFILIATIONS | Universidad Complutense de Madrid |
| ORCID | 0000-0002-6478-7397 |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Myth and Environmentalism: Arts of Resilience for a Damaged Planet
Myth and Environmentalism: Arts of Resilience for a Damaged Planet
Photopoetics: Sisyphus Outdone, the Apostrophal Subject and the Elusive Image
In Sisyphus Outdone (2012), Nathanaël’s particular tribute to Albert Camus’ The Myth of Sisyphus (1942), the reader faces a challenging hybrid text in which the verbal and visual dimensions intermingle to produce an idiosyncratic type of narrative. Fragmentary, elliptical, a web of quotations, dictums, and meditations on the difficult condition of the individual in the current image-saturated scenario of the first decades of the 21 st century, th…
Outshining Aura: How Modernist Film Refashions the Myth of Don Quixote
This paper aims at examining the first Don Quixote sound film The Adventures of Don Quixote, directed by G.W. Pabst in 1933, as well as the songs and musical themes that two great French composers, Ravel and Ibert composed for the Russian baritone Feodor Chaliapin, the protagonist of this first feature film. It was originally planned as a multilingual project for a European and a larger world audience (English, French and German) that might under…
Adrift on the black Mediterranean diaspora: African migrant writing in Spain
Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Europe and taking at its basis recent narratives produced by African migrant writers in Spain – Cameroonians Inongo-vi-Makomé and Susan Akono, and Guinean Donato Ndongo – this paper explores the ways in which identity is reconstructed in diasporic situations, to answer questions such as what images of the self and the other are created and disseminated at…
Cultures of the Death Drive: Melanie Klein and Modernist Melancholia
Itineraries -- Kleinian metapsychology -- Femininities : melancholia, masquerade and the paternal superego -- Masculinities : anxiety, sadism and the intricacies of object-love -- Kleinian melancholia -- The death drive and aggression -- The setting (up) of Phantasy -- Modernist cultures of the death drive -- Framing the fetish: To the Lighthouse: Ceci n'est pas un roman -- Funereal rites : melancholia, masquerade and the art of biography in Lytt…
Cultures of the Death Drive: Melanie Klein and Modernist Melancholia (Post-Contemporary Interventions)
No prominent works on this page.
Cultures of the Death Drive: Melanie Klein and Modernist Melancholia
Itineraries -- Kleinian metapsychology -- Femininities : melancholia, masquerade and the paternal superego -- Masculinities : anxiety, sadism and the intricacies of object-love -- Kleinian melancholia -- The death drive and aggression -- The setting (up) of Phantasy -- Modernist cultures of the death drive -- Framing the fetish: To the Lighthouse: Ceci n'est pas un roman -- Funereal rites : melancholia, masquerade and the art of biography in Lytt…
Cultures of the Death Drive: Melanie Klein and Modernist Melancholia (Post-Contemporary Interventions)
Adrift on the black Mediterranean diaspora: African migrant writing in Spain
Focusing on the strategies employed to recreate agency in the black diaspora in postcolonial Europe and taking at its basis recent narratives produced by African migrant writers in Spain – Cameroonians Inongo-vi-Makomé and Susan Akono, and Guinean Donato Ndongo – this paper explores the ways in which identity is reconstructed in diasporic situations, to answer questions such as what images of the self and the other are created and disseminated at…
Outshining Aura: How Modernist Film Refashions the Myth of Don Quixote
This paper aims at examining the first Don Quixote sound film The Adventures of Don Quixote, directed by G.W. Pabst in 1933, as well as the songs and musical themes that two great French composers, Ravel and Ibert composed for the Russian baritone Feodor Chaliapin, the protagonist of this first feature film. It was originally planned as a multilingual project for a European and a larger world audience (English, French and German) that might under…
Photopoetics: Sisyphus Outdone, the Apostrophal Subject and the Elusive Image
In Sisyphus Outdone (2012), Nathanaël’s particular tribute to Albert Camus’ The Myth of Sisyphus (1942), the reader faces a challenging hybrid text in which the verbal and visual dimensions intermingle to produce an idiosyncratic type of narrative. Fragmentary, elliptical, a web of quotations, dictums, and meditations on the difficult condition of the individual in the current image-saturated scenario of the first decades of the 21 st century, th…
Myth and Environmentalism: Arts of Resilience for a Damaged Planet
Myth and Environmentalism: Arts of Resilience for a Damaged Planet
Literature (4 works) · Art (3 works) · History (3 works) · Philosophy (3 works) · Psychology (3 works) · Aesthetics (2 works) · Cultural studies (2 works) · Death (2 works) · Death instinct (2 works) · Gender Studies/Feminist Theory (2 works)