Aida Yuen Wong
Biographic Data
| ID | 8457276 |
|---|---|
| NAME | Aida Yuen Wong |
| GIVEN NAMES | Aida Yuen |
| FAMILY NAME | Wong |
| SIGNATURE | WONG A Y |
| AFFILIATIONS | Brandeis University Waltham, Massachusetts USA |
| ORCID | 0000-0002-3052-752X |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
"Aida Yuen Wong. Review of "Korean Art from 1953
Ikebukuro Montparnasse
This article examines cross-national, geographical analogizing through the under-theorized example of an artist colony in Japan nicknamed the “Ikebukuro Montparnasse” (a title coined by the poet Hideo Oguma, 1901–40). Located in the Toshima Ward of Ikebukuro district, Tokyo, this community flourished in the 1930s and housed mostly young, impoverished painters and sculptors, evoking the Montparnasse area of Paris. The analogy with Montparnasse is …
A Fashionable Century
Fashion, Identity, and Power in Modern Asia
Parting the Mists
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan's integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatis…
Entries
Kang Youwei
A New Life for Literati Painting in the Early Twentieth Century
L'A traite, ici, d'un certain genre de peinture : celle destinee a une elite. Il narre l'histoire de cet art accessible aux seuls lettres et qui connut son âge d'or au XVIIe siecle de notre ere avant d'etre delaisse au cours de l'ere Meiji. Ce genre de peinture semble ensuite renaitre avec la periode Taisho, au debut du XXe s. L'A nous explique alors les differents facteurs qui ont contribue a ce regain d'interet. Puis il tente d'expliquer commen…
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A New Life for Literati Painting in the Early Twentieth Century
L'A traite, ici, d'un certain genre de peinture : celle destinee a une elite. Il narre l'histoire de cet art accessible aux seuls lettres et qui connut son âge d'or au XVIIe siecle de notre ere avant d'etre delaisse au cours de l'ere Meiji. Ce genre de peinture semble ensuite renaitre avec la periode Taisho, au debut du XXe s. L'A nous explique alors les differents facteurs qui ont contribue a ce regain d'interet. Puis il tente d'expliquer commen…
Kang Youwei
Entries
Parting the Mists
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan's integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatis…
Fashion, Identity, and Power in Modern Asia
A Fashionable Century
Ikebukuro Montparnasse
This article examines cross-national, geographical analogizing through the under-theorized example of an artist colony in Japan nicknamed the “Ikebukuro Montparnasse” (a title coined by the poet Hideo Oguma, 1901–40). Located in the Toshima Ward of Ikebukuro district, Tokyo, this community flourished in the 1930s and housed mostly young, impoverished painters and sculptors, evoking the Montparnasse area of Paris. The analogy with Montparnasse is …
"Aida Yuen Wong. Review of "Korean Art from 1953
Japanese History and Culture (6 works) · History (5 works) · Art (4 works) · Archaeology (2 works) · Art history (2 works) · Chinese history and philosophy (2 works) · Law (2 works) · Modernity (2 works) · Painting (2 works) · Political science (2 works)