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Emir Rodriguez Monegal

Biographic Data

ID846446
NAMEEmir Rodriguez Monegal
GIVEN NAMESEmir Rodriguez
FAMILY NAMEMonegal
SIGNATUREMONEGAL E R
AFFILIATIONSYale University US
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS1
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Le Fantôme de Lautréamont

    Emir Rodriguez Monegal, Suzanne Jill Levine•ARTICLE•Review Literature and Arts of the…•2020

  • The Tradition of Laughter

    Emir Rodriguez Monegal, Alfred Mac Adam•ARTICLE•Review Literature and Arts of the…•2020

  • Pablo Neruda

    Carolyn B Schlak, Emir Rodriguez Monegal et al.•ARTICLE•Hispania•1982

  • Jorge Luis Borges

    Donald A Yates, Emir Rodriguez Monegal et al.•ARTICLE•Hispania•1980

  • Maestros hispanicos del siglo veinte

    Margaret E Beeson, Emir Rodriguez Monegal et al.•ARTICLE•Hispania•1980

  • Jorge Luis Borges

    Open Access•Thorpe Running, Emir Rodriguez Monegal•ARTICLE•Chasqui•1979

  • Borges

    Open Access•Martin S Stabb, María Vázquez-Fariñas et al.•ARTICLE•Chasqui•1979

  • The Borzoi Anthology of Latin American Literature. Volume I

    Roberto González Echevarría, Emir Rodriguez Monegal et al.•ARTICLE•Modern Language Notes•1979

  • The Borzoi Anthology of Latin American Literature

    Maureen Ahern, Emir Rodriguez Monegal et al.•ARTICLE•Hispanic American Historical Review•1978

  • Borges and Politics

    Emir Rodriguez Monegal, Enrico Mario Santí et al.•ARTICLE•diacritics•1978

  • The Borzoi Anthology of Latin American Literature

    Open Access•David William Foster, Emir Rodriguez Monegal et al.•ARTICLE•Chasqui•1977

  • The Metamorphoses of Caliban

    Emir Rodriguez Monegal•ARTICLE•diacritics•1977

    After nearly three hundred and fifty years of abuse, Caliban is beginning to be recognized as the true hero of The Tempest. In his play, Shakespeare introduced a monster, half-fish, half-human, whose coarse appetites and even coarser language brutally contrasted with the ethereal presence of Ariel, the noble features of Prospero, and Miranda's virginal charms. The prototypes created by Shakespeare around 1611 caught the European imagination. For …

  • Borges, the Reader

    Emir Rodriguez Monegal•ARTICLE•diacritics•1974

  • On 2 Desnoes Gutierrez Alea

    Henry Fernandez, David I Grossvogel et al.•ARTICLE•diacritics•1974

  • Interview

    Roberto González Echevarría, Emir Rodriguez Monegal et al.•ARTICLE•diacritics•1974

  • Interview

    Octavio Paz, Roberto González Echevarría et al.•ARTICLE•diacritics•1972

  • Borges and La Nouvelle Critique

    Emir Rodriguez Monegal, Roberto González Echevarría•ARTICLE•diacritics•1972

  • Una Escritura Revolucionaria

    Open Access•Emir Rodriguez Monegal•ARTICLE•Revista Iberoamericana•1971•Cited by: 1

  • Sobre una Guia Critica de la Literatura Latinoamericana Actual

    Emir Rodriguez Monegal•ARTICLE•Hispania•1969

  • Una Escritura Revolucionaria

    Open Access•Emir Rodriguez Monegal•ARTICLE•Revista Iberoamericana•1971•Cited by: 1

  • Sobre una Guia Critica de la Literatura Latinoamericana Actual

    Emir Rodriguez Monegal•ARTICLE•Hispania•1969

  • Una Escritura Revolucionaria

    Open Access•Emir Rodriguez Monegal•ARTICLE•Revista Iberoamericana•1971•Cited by: 1

  • Interview

    Octavio Paz, Roberto González Echevarría et al.•ARTICLE•diacritics•1972

  • Borges and La Nouvelle Critique

    Emir Rodriguez Monegal, Roberto González Echevarría•ARTICLE•diacritics•1972

  • Borges, the Reader

    Emir Rodriguez Monegal•ARTICLE•diacritics•1974

  • On 2 Desnoes Gutierrez Alea

    Henry Fernandez, David I Grossvogel et al.•ARTICLE•diacritics•1974

  • Interview

    Roberto González Echevarría, Emir Rodriguez Monegal et al.•ARTICLE•diacritics•1974

  • The Borzoi Anthology of Latin American Literature

    Open Access•David William Foster, Emir Rodriguez Monegal et al.•ARTICLE•Chasqui•1977

  • The Metamorphoses of Caliban

    Emir Rodriguez Monegal•ARTICLE•diacritics•1977

    After nearly three hundred and fifty years of abuse, Caliban is beginning to be recognized as the true hero of The Tempest. In his play, Shakespeare introduced a monster, half-fish, half-human, whose coarse appetites and even coarser language brutally contrasted with the ethereal presence of Ariel, the noble features of Prospero, and Miranda's virginal charms. The prototypes created by Shakespeare around 1611 caught the European imagination. For …

  • The Borzoi Anthology of Latin American Literature

    Maureen Ahern, Emir Rodriguez Monegal et al.•ARTICLE•Hispanic American Historical Review•1978

  • Borges and Politics

    Emir Rodriguez Monegal, Enrico Mario Santí et al.•ARTICLE•diacritics•1978

  • Jorge Luis Borges

    Open Access•Thorpe Running, Emir Rodriguez Monegal•ARTICLE•Chasqui•1979

  • Borges

    Open Access•Martin S Stabb, María Vázquez-Fariñas et al.•ARTICLE•Chasqui•1979

  • The Borzoi Anthology of Latin American Literature. Volume I

    Roberto González Echevarría, Emir Rodriguez Monegal et al.•ARTICLE•Modern Language Notes•1979

  • Jorge Luis Borges

    Donald A Yates, Emir Rodriguez Monegal et al.•ARTICLE•Hispania•1980

  • Maestros hispanicos del siglo veinte

    Margaret E Beeson, Emir Rodriguez Monegal et al.•ARTICLE•Hispania•1980

  • Pablo Neruda

    Carolyn B Schlak, Emir Rodriguez Monegal et al.•ARTICLE•Hispania•1982

  • Le Fantôme de Lautréamont

    Emir Rodriguez Monegal, Suzanne Jill Levine•ARTICLE•Review Literature and Arts of the…•2020

  • The Tradition of Laughter

    Emir Rodriguez Monegal, Alfred Mac Adam•ARTICLE•Review Literature and Arts of the…•2020

Art (13 works) · Borges, Kipling, and Jewish Identity (7 works) · History (6 works) · Latin American Literature Studies (5 works) · Humanities (4 works) · Literary and Philosophical Studies (4 works) · Literature (4 works) · Literature, Magical Realism, García Márquez (4 works) · Political science (4 works) · Law (3 works)

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