Asma Naeem
Biographic Data
| ID | 846522 |
|---|---|
| NAME | Asma Naeem |
| GIVEN NAMES | Asma |
| FAMILY NAME | Naeem |
| SIGNATURE | NAEEM A |
| AFFILIATIONS | Baltimore Museum of Art |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Two Museums and the Simpson Portrait of Yarrow Mamout
Please note: The publisher is not responsible for the content or functionality of any supporting information supplied by the authors. Any queries (other than missing content) should be directed to the corresponding author for the article
Zarina Hashmi
Asma Naeem
Partition and the Mobilities of Margaret Bourke-White and Zarina
She Who Tells a Story
In the heart of Washington, DC, in 2016, amid one of the most tumultuous presidential election campaigns in history, the National Museum of Women in the Arts displayed the work of twelve photographers—all women, all born or raised in the Middle East. The exhibit’s title, She Who Tells a Story, is the translation from the Arabic, Rawiya, also the name of the collective of Middle East women photographers founded in 2009. Comprising more than eighty…
Splitting Sight and Sound
With the invention of the phonograph in 1877, listening became detached from its visual referent; no longer was the listening subject required to look at the source or transmitter of sound. Amidst this reconfiguration of the senses, certain artists began to represent the act of listening and its relationship to vision in profound ways. This essay examines one such work, Thomas Dewing's A Reading (1897), in light of these historical events, partic…
The Aural Imagination
Splitting Sight and Sound
With the invention of the phonograph in 1877, listening became detached from its visual referent; no longer was the listening subject required to look at the source or transmitter of sound. Amidst this reconfiguration of the senses, certain artists began to represent the act of listening and its relationship to vision in profound ways. This essay examines one such work, Thomas Dewing's A Reading (1897), in light of these historical events, partic…
The Aural Imagination
Splitting Sight and Sound
With the invention of the phonograph in 1877, listening became detached from its visual referent; no longer was the listening subject required to look at the source or transmitter of sound. Amidst this reconfiguration of the senses, certain artists began to represent the act of listening and its relationship to vision in profound ways. This essay examines one such work, Thomas Dewing's A Reading (1897), in light of these historical events, partic…
Zarina Hashmi
Asma Naeem
Partition and the Mobilities of Margaret Bourke-White and Zarina
She Who Tells a Story
In the heart of Washington, DC, in 2016, amid one of the most tumultuous presidential election campaigns in history, the National Museum of Women in the Arts displayed the work of twelve photographers—all women, all born or raised in the Middle East. The exhibit’s title, She Who Tells a Story, is the translation from the Arabic, Rawiya, also the name of the collective of Middle East women photographers founded in 2009. Comprising more than eighty…
Two Museums and the Simpson Portrait of Yarrow Mamout
Please note: The publisher is not responsible for the content or functionality of any supporting information supplied by the authors. Any queries (other than missing content) should be directed to the corresponding author for the article
Art (5 works) · Art history (4 works) · Law (3 works) · Political science (3 works) · Visual arts (3 works) · Computer Science (2 works) · History (2 works) · Law (2 works) · Acoustics (1 work) · Content (measure theory (1 work)