Teshome H Gabriel
Biographic Data
| ID | 846831 |
|---|---|
| NAME | Teshome H Gabriel |
| GIVEN NAMES | Teshome H |
| FAMILY NAME | Gabriel |
| SIGNATURE | GABRIEL T H |
| AFFILIATIONS | University of California, Los Angeles |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 25 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 3 |
Otherness and the Media
Chandra Talpade Mohanty Under Western Eyes
Towards a Critical Theory of Third World Films
(2011). Towards a Critical Theory of Third World Films. Critical Interventions: Vol. 5, African Cinemas, Guest Editor: Victoria Pasley, pp. 187-203
Notes on Weavin' Digital
(1997). Notes on Weavin' Digital: T(h)inkers at the Loom. Social Identities: Vol. 3, No. 3, pp. 333-344
People of the Great Sandface
“The final year in the traditional life of the last free‐living !Gwikwe Bushmen of the central Kalahari Desert of Botswana, before they followed others to a government settlement, becomes a moving and sensitive celebration of their struggle for survival. Having learnt the techniques needed to make the film single‐handedly Paul Myburgh went to extraordinary lengths of physical endurance and deprivation to put on record the last group of bushmen li…
Introduction—Consuming the other
Colonialism and ‘Law and Order” Criticism
Journal Article Colonialism and ‘Law and Order” Criticism Get access Teshome H. Gabriel Teshome H. Gabriel Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 3-4, May-August 1986, Pages 140–148, https://doi.org/10.1093/screen/27.3-4.140 Published: 01 May 1986
Third Cinema in the Third World
Teaching Third World Cinema
Journal Article Teaching Third World Cinema Get access Teshome H Gabriel Teshome H Gabriel Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 2, March/April 1983, Pages 60–65, https://doi.org/10.1093/screen/24.2.60 Published: 01 March 1983
Xala
"Let Their Eyes Testify" An Interview with Nana Mahomo
No abstract
Images of Black People in Cinema [A Historical Overview]
No abstract
Towards a Critical Theory of Third World Films
(2011). Towards a Critical Theory of Third World Films. Critical Interventions: Vol. 5, African Cinemas, Guest Editor: Victoria Pasley, pp. 187-203
People of the Great Sandface
“The final year in the traditional life of the last free‐living !Gwikwe Bushmen of the central Kalahari Desert of Botswana, before they followed others to a government settlement, becomes a moving and sensitive celebration of their struggle for survival. Having learnt the techniques needed to make the film single‐handedly Paul Myburgh went to extraordinary lengths of physical endurance and deprivation to put on record the last group of bushmen li…
Introduction—Consuming the other
Colonialism and ‘Law and Order” Criticism
Journal Article Colonialism and ‘Law and Order” Criticism Get access Teshome H. Gabriel Teshome H. Gabriel Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 3-4, May-August 1986, Pages 140–148, https://doi.org/10.1093/screen/27.3-4.140 Published: 01 May 1986
Notes on Weavin' Digital
(1997). Notes on Weavin' Digital: T(h)inkers at the Loom. Social Identities: Vol. 3, No. 3, pp. 333-344
Teaching Third World Cinema
Journal Article Teaching Third World Cinema Get access Teshome H Gabriel Teshome H Gabriel Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 2, March/April 1983, Pages 60–65, https://doi.org/10.1093/screen/24.2.60 Published: 01 March 1983
"Let Their Eyes Testify" An Interview with Nana Mahomo
No abstract
Images of Black People in Cinema [A Historical Overview]
No abstract
Xala
Teaching Third World Cinema
Journal Article Teaching Third World Cinema Get access Teshome H Gabriel Teshome H Gabriel Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 2, March/April 1983, Pages 60–65, https://doi.org/10.1093/screen/24.2.60 Published: 01 March 1983
Third Cinema in the Third World
Colonialism and ‘Law and Order” Criticism
Journal Article Colonialism and ‘Law and Order” Criticism Get access Teshome H. Gabriel Teshome H. Gabriel Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 27, Issue 3-4, May-August 1986, Pages 140–148, https://doi.org/10.1093/screen/27.3-4.140 Published: 01 May 1986
Introduction—Consuming the other
People of the Great Sandface
“The final year in the traditional life of the last free‐living !Gwikwe Bushmen of the central Kalahari Desert of Botswana, before they followed others to a government settlement, becomes a moving and sensitive celebration of their struggle for survival. Having learnt the techniques needed to make the film single‐handedly Paul Myburgh went to extraordinary lengths of physical endurance and deprivation to put on record the last group of bushmen li…
Notes on Weavin' Digital
(1997). Notes on Weavin' Digital: T(h)inkers at the Loom. Social Identities: Vol. 3, No. 3, pp. 333-344
Towards a Critical Theory of Third World Films
(2011). Towards a Critical Theory of Third World Films. Critical Interventions: Vol. 5, African Cinemas, Guest Editor: Victoria Pasley, pp. 187-203
Chandra Talpade Mohanty Under Western Eyes
Otherness and the Media
Art (7 works) · History (7 works) · Visual arts (5 works) · Movie theater (4 works) · Political science (4 works) · Sociology (4 works) · African history and culture studies (3 works) · Art history (3 works) · History (3 works) · Law (3 works)