Angelo Maria Monaco
Biographic Data
| ID | 8493044 |
|---|---|
| NAME | Angelo Maria Monaco |
| GIVEN NAMES | Angelo Maria |
| FAMILY NAME | Monaco |
| SIGNATURE | MONACO A M |
| AFFILIATIONS | Accademia di Belle Arti di Lecce |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Stanze dipinte. L’ Inamoramento de Orlando come allegoria dell’Amicizia nella Sala del bacio nel Palazzo del Giardino a Parma
The essay analyses the iconography of the sixteenth-century frescoes by the Mannerist painter Bertoja in the ‘Sala del bacio’ of the ‘Palazzo del Giardino’, Parma. The series is interpreted as an allegory on the humanist theme of ‘Friendship’, seen as a Boiardan, epic, and aristocratic topic by members of the so-called ‘Republic of Letters’, of which Ottavio Farnese, patron of the frescoes, was a prominent member. The frescoes provide evidence of…
The New Art of the Fifteenth Century
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The New Art of the Fifteenth Century
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Stanze dipinte. L’ Inamoramento de Orlando come allegoria dell’Amicizia nella Sala del bacio nel Palazzo del Giardino a Parma
The essay analyses the iconography of the sixteenth-century frescoes by the Mannerist painter Bertoja in the ‘Sala del bacio’ of the ‘Palazzo del Giardino’, Parma. The series is interpreted as an allegory on the humanist theme of ‘Friendship’, seen as a Boiardan, epic, and aristocratic topic by members of the so-called ‘Republic of Letters’, of which Ottavio Farnese, patron of the frescoes, was a prominent member. The frescoes provide evidence of…
Art (2 works) · Art history (2 works) · Philosophy (2 works) · Philosophy (2 works) · Theology (2 works) · Allegory (1 work) · Classics (1 work) · Classics (1 work) · Content (measure theory (1 work) · EPIC (1 work)