Panivong Norindr
Biographic Data
| ID | 85055 |
|---|---|
| NAME | Panivong Norindr |
| GIVEN NAMES | Panivong |
| FAMILY NAME | Norindr |
| SIGNATURE | NORINDR P |
| AFFILIATIONS | Department of French and Italian, P.O. Box 413, The University of Wisconsin, Milwaukee, WI 53201, USA |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
The Future of Lao Cinema: The New Wave
The debut work of Mattie Do and Anysay Keola attests to the manner in which Lao cinema is being shaped by a new wave of young filmmakers determined to build a viable movie industry in the Lao PDR. With Chantaly, the first Lao horror movie, Mattie Do conjures up a world that cannot be fully explained rationally. She relies on the phi figure, and the belief of Lao people in supernatural beings, to raise serious questions about the traditional posit…
The Cinematic Practice of a “cinéaste ordinaire”: Abdellatif Kechiche and French Political Cinema
This essay analyzes Kechiche's film, La Graine et le mulet, in terms of auteur theory and French political cinema. It argues that the problematic category of “Beur cinema” too readily essentializes the cinematic practice of an auteur like Abdellatif Kechiche. It provides compelling arguments as to why Kechiche should be regarded as an important French auteur who reflects on contemporary issues that affect the working people of France, those of Ma…
On Photography, History, and Affect: Re-Narrating the Political Life of a Laotian Subject
This essay considers the role of personal, affective history in shaping historiography, and more precisely, a post-colonial history of Laos. Relying on a variety of sources, official and family photographs, US diplomatic documents, telegrams and personal notes, and against the backdrop of multiple losses, this article problematizes the questions of biography and the complex links between the personal and the "historical" by narrating my father's …
Phantasmatic Indochina. French Colonial Ideology in Architecture, Film, and Literature
This reflection on colonial culture argues for an examination of “Indochina” as a fictive and mythic construct, a phantasmatic legacy of French colonialism in Southeast Asia. Panivong Norindr uses postcolonial theory to demonstrate how French imperialism manifests itself not only through physical domination of geographic entities, but also through the colonization of the imaginary. In this careful reading of architecture, film, and literature, No…
Phantasmatic Indochina: French Colonial Ideology in Architecture, Film, and Literature
This reflection on colonial culture argues for an examination of "Indochina" as a fictive and mythic construct, a phantasmatic legacy of French colonialism in Southeast Asia. Panivong Norindr uses postcolonial theory to demonstrate how French imperialism manifests itself not only through physical domination of geographic entities, but also through the colonization of the imaginary. In this careful reading of architecture, film, and literature, No…
Representing Indochina: The French colonial fantasmatic and the Exposition Coloniale de Paris
Exotic Memories: Literature, Colonialism and the Fin de Siecle
"Errances" and Memories in Marguerite Duras's Colonial Cities
Research Article| November 01 1993 “Errances” and Memories in Marguerite Duras's Colonial Cities Panivong Norindr Panivong Norindr Panivong Norindr is an assistant professor at the University of Wisconsin, Milwaukee. He has published essays on French architecture, cinema, and literature, and has just completed a book on the cultural topography of “Indochina.” Search for other works by this author on: This Site Google differences (1993) 5 (3): 52–…
Exotic Memories: Literature, Colonialism and the Fin de Siecle
"Errances" and Memories in Marguerite Duras's Colonial Cities
Research Article| November 01 1993 “Errances” and Memories in Marguerite Duras's Colonial Cities Panivong Norindr Panivong Norindr Panivong Norindr is an assistant professor at the University of Wisconsin, Milwaukee. He has published essays on French architecture, cinema, and literature, and has just completed a book on the cultural topography of “Indochina.” Search for other works by this author on: This Site Google differences (1993) 5 (3): 52–…
Representing Indochina: The French colonial fantasmatic and the Exposition Coloniale de Paris
Phantasmatic Indochina: French Colonial Ideology in Architecture, Film, and Literature
This reflection on colonial culture argues for an examination of "Indochina" as a fictive and mythic construct, a phantasmatic legacy of French colonialism in Southeast Asia. Panivong Norindr uses postcolonial theory to demonstrate how French imperialism manifests itself not only through physical domination of geographic entities, but also through the colonization of the imaginary. In this careful reading of architecture, film, and literature, No…
Phantasmatic Indochina. French Colonial Ideology in Architecture, Film, and Literature
This reflection on colonial culture argues for an examination of “Indochina” as a fictive and mythic construct, a phantasmatic legacy of French colonialism in Southeast Asia. Panivong Norindr uses postcolonial theory to demonstrate how French imperialism manifests itself not only through physical domination of geographic entities, but also through the colonization of the imaginary. In this careful reading of architecture, film, and literature, No…
On Photography, History, and Affect: Re-Narrating the Political Life of a Laotian Subject
This essay considers the role of personal, affective history in shaping historiography, and more precisely, a post-colonial history of Laos. Relying on a variety of sources, official and family photographs, US diplomatic documents, telegrams and personal notes, and against the backdrop of multiple losses, this article problematizes the questions of biography and the complex links between the personal and the "historical" by narrating my father's …
The Cinematic Practice of a “cinéaste ordinaire”: Abdellatif Kechiche and French Political Cinema
This essay analyzes Kechiche's film, La Graine et le mulet, in terms of auteur theory and French political cinema. It argues that the problematic category of “Beur cinema” too readily essentializes the cinematic practice of an auteur like Abdellatif Kechiche. It provides compelling arguments as to why Kechiche should be regarded as an important French auteur who reflects on contemporary issues that affect the working people of France, those of Ma…
The Future of Lao Cinema: The New Wave
The debut work of Mattie Do and Anysay Keola attests to the manner in which Lao cinema is being shaped by a new wave of young filmmakers determined to build a viable movie industry in the Lao PDR. With Chantaly, the first Lao horror movie, Mattie Do conjures up a world that cannot be fully explained rationally. She relies on the phi figure, and the belief of Lao people in supernatural beings, to raise serious questions about the traditional posit…
History (7 works) · Art (6 works) · Archaeology (5 works) · Art history (5 works) · Colonialism (5 works) · History (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Vietnamese History and Culture Studies (4 works)