Srirupa Chatterjee
Biographic Data
| ID | 8513196 |
|---|---|
| NAME | Srirupa Chatterjee |
| GIVEN NAMES | Srirupa |
| FAMILY NAME | Chatterjee |
| SIGNATURE | CHATTERJEE S |
| AFFILIATIONS | Indian Institute of Technology Hyderabad |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Female Prophet and Religious Re-visioning in Marilynne Robinson’s Lila
A devout Calvinist, Marilynne Robinson often quotes her theological and spiritual mentor to advocate that “[w]e ought to embrace the whole human race without exception in a single feeling of love”
Relocating the Sacred
An engagement with the sacred in Don DeLillo’s Falling Man is as implicit as it is all-pervasive: it abounds as Biblical metaphors in the repeated performances of the eponymous Falling Man (David J
Fictive Kinship in Marilynne Robinson’s Gilead
Television culture and the beauty bias problem
This study aims to critically analyze the problem of the beauty bias prevalent in contemporary India with the help of popular postmillennial Hindi television serials. It begins with a review of literature on television’s social impact and then demonstrates how representations of women on Indian television have historically been deeply interwoven with hegemonic perceptions of appearance. It then examines as case studies five popular tele serials w…
The Trouble Goes Back to Your Grandfather’s Time”
This essay reads evolving cultures of white American middle-class masculinity in tandem with ekphrastic symbolisms of domestic architecture in Anne Tyler’s A Spool of Blue Thread. It interprets the text as a subversive narrative where if hegemonic gender norms oppress women and children, they also often confine men primarily to the role of a provider and alienate them from their own shelters. Accordingly, by focusing on the profound connection be…
No prominent works on this page.
The Trouble Goes Back to Your Grandfather’s Time”
This essay reads evolving cultures of white American middle-class masculinity in tandem with ekphrastic symbolisms of domestic architecture in Anne Tyler’s A Spool of Blue Thread. It interprets the text as a subversive narrative where if hegemonic gender norms oppress women and children, they also often confine men primarily to the role of a provider and alienate them from their own shelters. Accordingly, by focusing on the profound connection be…
Television culture and the beauty bias problem
This study aims to critically analyze the problem of the beauty bias prevalent in contemporary India with the help of popular postmillennial Hindi television serials. It begins with a review of literature on television’s social impact and then demonstrates how representations of women on Indian television have historically been deeply interwoven with hegemonic perceptions of appearance. It then examines as case studies five popular tele serials w…
The Female Prophet and Religious Re-visioning in Marilynne Robinson’s Lila
A devout Calvinist, Marilynne Robinson often quotes her theological and spiritual mentor to advocate that “[w]e ought to embrace the whole human race without exception in a single feeling of love”
Relocating the Sacred
An engagement with the sacred in Don DeLillo’s Falling Man is as implicit as it is all-pervasive: it abounds as Biblical metaphors in the repeated performances of the eponymous Falling Man (David J
Fictive Kinship in Marilynne Robinson’s Gilead
Sociology (4 works) · Philosophy (3 works) · Philosophy (3 works) · Psychology (3 works) · Aesthetics (2 works) · American and British Literature Analysis (2 works) · American Sports and Literature (2 works) · Art (2 works) · Epistemology (2 works) · Gender Studies (2 works)