S Selina Jamil
Biographic Data
| ID | 8513219 |
|---|---|
| NAME | S Selina Jamil |
| GIVEN NAMES | S Selina |
| FAMILY NAME | Jamil |
| SIGNATURE | JAMIL S S |
| AFFILIATIONS | Prince George's Community College |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Hamlet’s Task of Re-Membering
Armand Aubigny’s Quest for Legitimacy
Storytellers in “The Legend of Sleepy Hollow”
Washington Irving’s “The Legend of Sleepy Hollow,” a part of The Sketchbook of Geoffrey Crayon, Gent., is a story about the Dutch-settled “sequestered glen” of Sleepy Hollow that “abounds with loca
Machines and Masculinity in “The Bride Comes to Yellow Sky”
Stephen Crane begins “The Bride Comes to Yellow Sky” (1898) with a dominant image of “[t]he great Pullman” that shows such “dignity of motion” that the horizon “sweep[s] into the east” as it speeds
The “Sacred Hadleyburg Tradition”
Fragments in “Life in the Iron-Mills”
Making Dynamic Connections in “The Figure in the Carpet”
The Fearful Hunter in “The Beast in the Jungle”
In “The Beast in the Jungle” (1903) Henry James’s John Marcher is continually in the grip of “suspense” (75, 77, 81, 95) because, as he has confided in May Bartram almost ten years ago and now agai
Two Restless Grotesques in Winesburg, Ohio
Sherwood Anderson begins Winesburg, Ohio with his sense of the contradictions and flux of life through an old writer, who is mindful of “[h]undreds and hundreds” of “truths” and of their “vague[nes
No prominent works on this page.
Two Restless Grotesques in Winesburg, Ohio
Sherwood Anderson begins Winesburg, Ohio with his sense of the contradictions and flux of life through an old writer, who is mindful of “[h]undreds and hundreds” of “truths” and of their “vague[nes
The Fearful Hunter in “The Beast in the Jungle”
In “The Beast in the Jungle” (1903) Henry James’s John Marcher is continually in the grip of “suspense” (75, 77, 81, 95) because, as he has confided in May Bartram almost ten years ago and now agai
Making Dynamic Connections in “The Figure in the Carpet”
The “Sacred Hadleyburg Tradition”
Fragments in “Life in the Iron-Mills”
Machines and Masculinity in “The Bride Comes to Yellow Sky”
Stephen Crane begins “The Bride Comes to Yellow Sky” (1898) with a dominant image of “[t]he great Pullman” that shows such “dignity of motion” that the horizon “sweep[s] into the east” as it speeds
Storytellers in “The Legend of Sleepy Hollow”
Washington Irving’s “The Legend of Sleepy Hollow,” a part of The Sketchbook of Geoffrey Crayon, Gent., is a story about the Dutch-settled “sequestered glen” of Sleepy Hollow that “abounds with loca
Armand Aubigny’s Quest for Legitimacy
Hamlet’s Task of Re-Membering
Art (5 works) · Sociology (3 works) · American and British Literature Analysis (2 works) · Art history (2 works) · Crime and Detective Fiction Studies (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Political science (2 works)