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John Wenke

Biographic Data

ID8513302
NAMEJohn Wenke
GIVEN NAMESJohn
FAMILY NAMEWenke
SIGNATUREWENKE J
AFFILIATIONSSalisbury University
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2019
H-INDEX0
  • Meeting Melville in the Compositional Present

    John Wenke•ARTICLE•ANQ A Quarterly Journal of Short…•2019

    In “Unnecessary Duplicates: A Key to the Writing of Moby-Dick,” Harrison Hayford attends to what he calls “compositional detail” (497) and builds a compelling case regarding the novel’s genesis. Mo

  • Exiled Royalties

    Open Access•John Wenke•ARTICLE•Leviathan•2007

  • Edgar A. DRYDEN Monumental Melville

    Open Access•John Wenke•ARTICLE•Leviathan•2006

    Herman Melville's career as a publishing fiction writer lasted for eleven years, from 1846 to 1857. It was a period of great public success and greater public failure—failure, at least, from the perspective of certain professional critics and guardians of public morality who found such narratives as Pierre; or, The Ambiguities (1852) to be a hodgepodge of sometimes blasphemous, nearly maniacal but mostly incomprehensible cross-purposes. After Mel…

  • Complicating Vere

    Open Access•John Wenke•ARTICLE•Leviathan•1999

  • Melville's Muse

    Elizabeth Renker, John Paul Wenke et al.•ARTICLE•American Literature•1997

  • After the Whale

    Kenneth Dauber, Clark Davis et al.•ARTICLE•South Atlantic Review•1996

No prominent works on this page.

  • After the Whale

    Kenneth Dauber, Clark Davis et al.•ARTICLE•South Atlantic Review•1996

  • Melville's Muse

    Elizabeth Renker, John Paul Wenke et al.•ARTICLE•American Literature•1997

  • Complicating Vere

    Open Access•John Wenke•ARTICLE•Leviathan•1999

  • Edgar A. DRYDEN Monumental Melville

    Open Access•John Wenke•ARTICLE•Leviathan•2006

    Herman Melville's career as a publishing fiction writer lasted for eleven years, from 1846 to 1857. It was a period of great public success and greater public failure—failure, at least, from the perspective of certain professional critics and guardians of public morality who found such narratives as Pierre; or, The Ambiguities (1852) to be a hodgepodge of sometimes blasphemous, nearly maniacal but mostly incomprehensible cross-purposes. After Mel…

  • Exiled Royalties

    Open Access•John Wenke•ARTICLE•Leviathan•2007

  • Meeting Melville in the Compositional Present

    John Wenke•ARTICLE•ANQ A Quarterly Journal of Short…•2019

    In “Unnecessary Duplicates: A Key to the Writing of Moby-Dick,” Harrison Hayford attends to what he calls “compositional detail” (497) and builds a compelling case regarding the novel’s genesis. Mo

Art (5 works) · American and British Literature Analysis (3 works) · Computer Science (3 works) · Literature (3 works) · Citation (2 works) · Library science (2 works) · Literature: history, themes, analysis (2 works) · Philosophy (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · American Literature and Humor Studies (1 work)

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