David C Banash
Biographic Data
| ID | 8516223 |
|---|---|
| NAME | David C Banash |
| GIVEN NAMES | David C |
| FAMILY NAME | Banash |
| SIGNATURE | BANASH D C |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 0 |
Burroughs Resists Globalization
Globalizing William S. Burroughs David Banash Review of: Schneiderman, Davis and Philip Walsh, Retaking the Universe: William S. Burroughs in the Age of Globalization. London: Pluto, 2004. Imagining the work of William S. Burroughs through emerging theories of globalization promises to keep an extraordinary and difficult body of multimedia excesses and provocations relevant for the new millennium. Davis Schneiderman and Philip Walsh have assemble…
From Advertising to the Avant-Garde: Rethinking the Invention of Collage
From Advertising to the Avant-Garde: Rethinking the Invention of Collage David Banash Abstract This essay offers an alternative analysis of the invention of collage, arguing that this technique, most typically viewed as avant-garde and oppositional, is in fact preceded by and rooted in practices pioneered by early mass media advertisers. Beginning with an examination of the orthodox versions of the invention of collage told by art historians, the…
Intoxicating Class: Cocaine at the Multiplex
Postmodern Culture - Volume 12, Number 1, September 2001
The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis
The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis David Banash The Blair Witch Project. Dir. Daniel Myrick and Eduardo Sanchez. Perf. Heather Donahue, Joshua Leonard, and Michael C. Williams. Artisan Entertainment, 1999. Given its preposterously low budget, outsider production, and a priori cult status as ludic masterpiece, The Blair Witch Project does not seem a likely candidate to become the allegorical moment of …
No prominent works on this page.
The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis
The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis David Banash The Blair Witch Project. Dir. Daniel Myrick and Eduardo Sanchez. Perf. Heather Donahue, Joshua Leonard, and Michael C. Williams. Artisan Entertainment, 1999. Given its preposterously low budget, outsider production, and a priori cult status as ludic masterpiece, The Blair Witch Project does not seem a likely candidate to become the allegorical moment of …
Intoxicating Class: Cocaine at the Multiplex
Postmodern Culture - Volume 12, Number 1, September 2001
From Advertising to the Avant-Garde: Rethinking the Invention of Collage
From Advertising to the Avant-Garde: Rethinking the Invention of Collage David Banash Abstract This essay offers an alternative analysis of the invention of collage, arguing that this technique, most typically viewed as avant-garde and oppositional, is in fact preceded by and rooted in practices pioneered by early mass media advertisers. Beginning with an examination of the orthodox versions of the invention of collage told by art historians, the…
Burroughs Resists Globalization
Globalizing William S. Burroughs David Banash Review of: Schneiderman, Davis and Philip Walsh, Retaking the Universe: William S. Burroughs in the Age of Globalization. London: Pluto, 2004. Imagining the work of William S. Burroughs through emerging theories of globalization promises to keep an extraordinary and difficult body of multimedia excesses and provocations relevant for the new millennium. Davis Schneiderman and Philip Walsh have assemble…
Art (4 works) · Art history (4 works) · Literature (4 works) · Sociology (4 works) · Aesthetics (3 works) · Cinema and Media Studies (3 works) · Philosophy (3 works) · Philosophy (3 works) · Epistemology (2 works) · HERO (2 works)