Janet Holtman
Biographic Data
| ID | 8516282 |
|---|---|
| NAME | Janet Holtman |
| GIVEN NAMES | Janet |
| FAMILY NAME | Holtman |
| SIGNATURE | HOLTMAN J |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Countering "What God Thought and the Neighbors Said"
This article reads Harriette Arnow’s 1949 novel of the Kentucky hills through a lens of twenty-first-century queer theory and post-structuralism. It briefly surveys past criticism, but instead of suggesting, as many past critics have, that the novel merely offers, and fails to resolve, the tensions between its central hunting narrative and its gender critique, this paper instead argues for another way of viewing the novel’s structure, troubling d…
"Documentary Prison Films and the Production of Disciplinary Institutional "Truth
Documentary Prison Films and the Production of Disciplinary Institutional “Truth” Janet Holtman Abstract Drawing primarily upon Michel Foucault's theories regarding knowledge and power, this essay examines the discursive mode of the documentary prison film. Beginning with Foucault's brief discussion of the role of newspapers and crime novels in nineteenth-century France, the essay contemplates the similar ways in which humanist discourses might b…
No prominent works on this page.
"Documentary Prison Films and the Production of Disciplinary Institutional "Truth
Documentary Prison Films and the Production of Disciplinary Institutional “Truth” Janet Holtman Abstract Drawing primarily upon Michel Foucault's theories regarding knowledge and power, this essay examines the discursive mode of the documentary prison film. Beginning with Foucault's brief discussion of the role of newspapers and crime novels in nineteenth-century France, the essay contemplates the similar ways in which humanist discourses might b…
Countering "What God Thought and the Neighbors Said"
This article reads Harriette Arnow’s 1949 novel of the Kentucky hills through a lens of twenty-first-century queer theory and post-structuralism. It briefly surveys past criticism, but instead of suggesting, as many past critics have, that the novel merely offers, and fails to resolve, the tensions between its central hunting narrative and its gender critique, this paper instead argues for another way of viewing the novel’s structure, troubling d…
Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 work) · Cinema and Media Studies (1 work) · Criminology (1 work) · Discipline (1 work) · Ecocriticism and Environmental Literature (1 work) · Epistemology (1 work) · Foucault, Power, and Ethics (1 work) · French horn (1 work)