Marc Olivier Reid
Biographic Data
| ID | 8521944 |
|---|---|
| NAME | Marc Olivier Reid |
| GIVEN NAMES | Marc Olivier |
| FAMILY NAME | Reid |
| SIGNATURE | REID M O |
| AFFILIATIONS | Wilfrid Laurier University, Waterloo, Ontario, Canada |
| ORCID | 0000-0002-6355-4719 |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Esta fiesta se acabó
In this article I analyze the modifications brought to the iconography of the Havana nightlife in two movies from the early years of the Cuban revolutionary regime: Orlando Jiménez Leal’s and Sabá Cabrera Infante’s documentary P.M. (1961), and Mijail Kalatozov’s Cuban-Soviet co-production Soy Cuba/Ya Kuba (1964). Both movies signal the transition between what I call P.M.’s aesthetic of disorder, with its alleged objective and apolitical gaze over…
No prominent works on this page.
Esta fiesta se acabó
In this article I analyze the modifications brought to the iconography of the Havana nightlife in two movies from the early years of the Cuban revolutionary regime: Orlando Jiménez Leal’s and Sabá Cabrera Infante’s documentary P.M. (1961), and Mijail Kalatozov’s Cuban-Soviet co-production Soy Cuba/Ya Kuba (1964). Both movies signal the transition between what I call P.M.’s aesthetic of disorder, with its alleged objective and apolitical gaze over…
Art (1 work) · Art history (1 work) · Cuban History and Society (1 work) · Humanities (1 work)