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Fajar Ciptandi

Biographic Data

ID8522904
NAMEFajar Ciptandi
GIVEN NAMESFajar
FAMILY NAMECiptandi
SIGNATURECIPTANDI F
AFFILIATIONSTelkom University
ORCID0000-0003-2132-4146
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Tradition and Spirituality

    Open Access•Choirunnisa Rezky Ramadhani Choirunnisa Rezky Ramadhani, Choirunnisa Rezky…•ARTICLE•IBDA Jurnal Kajian Islam dan Budaya•2025

    Batik Rifaiyah is a cultural heritage of the Rifaiyah Community located in Kalipucang Wetan Village, Batang Regency, Central Java. It serves as an expression of Islamic spirituality. This type of Batik represents artistic craftsmanship and is a medium for teaching Islamic values through symbols and motifs. However, understanding the philosophical values and foundational aspects of Rifaiyah Batik is currently limited to the oral traditions passed …

  • Strengthening Batik Character Using Sundanese Cultural Background (Case Study

    Fajar Ciptandi, Nofita Sari et al.•ARTICLE•TEXTILE•2025

  • Development of Lurik Weaving Motive Designs with Coloured Weft Threads in Indonesia

    Open Access•Mulyanto Mulyanto, Desy Nurcahyanti et al.•ARTICLE•International Society for the…•2024

    Lurik woven cloth is a traditional Indonesian textile. Its very existence is the primary potential for the national clothing in Indonesia. The word 'lurik' is derived from the type of motif generated by weft and warp threads, producing classic vertical or horizontal stripes. The growing lurik industry today produces an extensive variety of threads for specific uses, including polyester threads for fabrics and knitted products and nylon threads fo…

  • Exploring the Sundanese culture in the Makuta Binokasih as a cultural asset of the Sumedang Larang Kingdom

    Open Access•Fajar Ciptandi, Jeng Oetari et al.•ARTICLE•Cogent Arts and Humanities•2024

    Makuta Binokasih is an heirloom of Sundanese cultural heritage stored in Prabu Geusan Ulun Museum, Sumedang Regency. Since the beginning, this makuta (crown) has been used as a symbol at every king’s coronation event in the Sumedang Larang Kingdom. There are various distinctive ornaments decorating its surface, which have meanings that align with the philosophy embraced by the Sumedang people. However, this is only known from information conveyed…

  • The Existence of Aesthetic Transformation in Traditional Batik Colors Based on the Review of Memetics Theory (Case Study

    Open Access•Fajar Ciptandi, Arini Arumsari•ARTICLE•Harmonia Journal of Arts Research…•2024

    This article discusses the existence of aesthetics in traditional batik colors in Tuban, East Java, Indonesia, which is reflected in the appreciation of the deep values in the activity of making cloth. Batik colors have been one of the foundations for producing traditional identity values belonging to the Tuban community and have been preserved for generations. However, the existence of this aesthetic is gradually experiencing degradation due to …

  • The transformation of Tuban Batik colors

    Open Access•Fajar Ciptandi, Morinta Rosandini et al.•ARTICLE•Dewa Ruci Jurnal Pengkajian dan…•2023

    This article discusses the philosophical meanings represented by the dominant color in the background of traditional batik cloth in Tuban, East Java, Indonesia. These meanings have provided values and appreciation for the people of Tuban throughout their lives, reflecting a way of life connected to the concept of cosmology from birth to death. However, the current wave of development trends and modernity has impacted how the people of Tuban attri…

  • Innovation of motif design for traditional batik craftsmen

    Fajar Ciptandi•CHAPTER•Understanding Digital Industry•2020

    The traditional batik motif is moving in a direction in which the market demands new designs without diminishing its distinctiveness. The main obstacle is the limitations of craftsmen in developing new ideas, as they still tend to be conservative both in thinking and competency. As a solution, technology can be used to form a design using j-Batik software that is able to produce many motif variations more quickly and easily. However, it raises ot…

  • The Identity Transformation of Gedog Batik Tuban, East Java

    Open Access•Fajar Ciptandi•ARTICLE•Journal of Urban Society s Arts•2020

    Tuban area in East Java, Indonesia, has a role as one of the ancient international trading ports since the 11th century. For that role, Tuban has accepted many foreign cultures brought by other nations, such as Tionghoa and Gujarat. Tuban’s improvement that involves international relationships influences the forms of tradition and culture shown in Tuban nowadays. It is believed that from those traditions and cultures owned by the people of Tuban,…

  • Fungsi dan Nilai pada Kain Batik Tulis Gedhog Khas Masyarakat di Kecamatan Kerek, Kabupaten Tuban, Jawa Timur

    Open Access•Fajar Ciptandi, Agus Sachari et al.•ARTICLE•Panggung•2016

    Kerek subdistrict, Tuban residence in East Java is an area whose people work on field and have a tradition on making fabric with gedhog weaving. Each fabric produced by Kerek people have specific characteristic which distinguish them from batik fabric on another area in Indonesia. This is because they have special knowledge concerning fungtion, cosmology, aesthetics, as well as their ability on making fabric which they have been learned from gene…

No prominent works on this page.

  • Fungsi dan Nilai pada Kain Batik Tulis Gedhog Khas Masyarakat di Kecamatan Kerek, Kabupaten Tuban, Jawa Timur

    Open Access•Fajar Ciptandi, Agus Sachari et al.•ARTICLE•Panggung•2016

    Kerek subdistrict, Tuban residence in East Java is an area whose people work on field and have a tradition on making fabric with gedhog weaving. Each fabric produced by Kerek people have specific characteristic which distinguish them from batik fabric on another area in Indonesia. This is because they have special knowledge concerning fungtion, cosmology, aesthetics, as well as their ability on making fabric which they have been learned from gene…

  • Innovation of motif design for traditional batik craftsmen

    Fajar Ciptandi•CHAPTER•Understanding Digital Industry•2020

    The traditional batik motif is moving in a direction in which the market demands new designs without diminishing its distinctiveness. The main obstacle is the limitations of craftsmen in developing new ideas, as they still tend to be conservative both in thinking and competency. As a solution, technology can be used to form a design using j-Batik software that is able to produce many motif variations more quickly and easily. However, it raises ot…

  • The Identity Transformation of Gedog Batik Tuban, East Java

    Open Access•Fajar Ciptandi•ARTICLE•Journal of Urban Society s Arts•2020

    Tuban area in East Java, Indonesia, has a role as one of the ancient international trading ports since the 11th century. For that role, Tuban has accepted many foreign cultures brought by other nations, such as Tionghoa and Gujarat. Tuban’s improvement that involves international relationships influences the forms of tradition and culture shown in Tuban nowadays. It is believed that from those traditions and cultures owned by the people of Tuban,…

  • The transformation of Tuban Batik colors

    Open Access•Fajar Ciptandi, Morinta Rosandini et al.•ARTICLE•Dewa Ruci Jurnal Pengkajian dan…•2023

    This article discusses the philosophical meanings represented by the dominant color in the background of traditional batik cloth in Tuban, East Java, Indonesia. These meanings have provided values and appreciation for the people of Tuban throughout their lives, reflecting a way of life connected to the concept of cosmology from birth to death. However, the current wave of development trends and modernity has impacted how the people of Tuban attri…

  • Development of Lurik Weaving Motive Designs with Coloured Weft Threads in Indonesia

    Open Access•Mulyanto Mulyanto, Desy Nurcahyanti et al.•ARTICLE•International Society for the…•2024

    Lurik woven cloth is a traditional Indonesian textile. Its very existence is the primary potential for the national clothing in Indonesia. The word 'lurik' is derived from the type of motif generated by weft and warp threads, producing classic vertical or horizontal stripes. The growing lurik industry today produces an extensive variety of threads for specific uses, including polyester threads for fabrics and knitted products and nylon threads fo…

  • Exploring the Sundanese culture in the Makuta Binokasih as a cultural asset of the Sumedang Larang Kingdom

    Open Access•Fajar Ciptandi, Jeng Oetari et al.•ARTICLE•Cogent Arts and Humanities•2024

    Makuta Binokasih is an heirloom of Sundanese cultural heritage stored in Prabu Geusan Ulun Museum, Sumedang Regency. Since the beginning, this makuta (crown) has been used as a symbol at every king’s coronation event in the Sumedang Larang Kingdom. There are various distinctive ornaments decorating its surface, which have meanings that align with the philosophy embraced by the Sumedang people. However, this is only known from information conveyed…

  • The Existence of Aesthetic Transformation in Traditional Batik Colors Based on the Review of Memetics Theory (Case Study

    Open Access•Fajar Ciptandi, Arini Arumsari•ARTICLE•Harmonia Journal of Arts Research…•2024

    This article discusses the existence of aesthetics in traditional batik colors in Tuban, East Java, Indonesia, which is reflected in the appreciation of the deep values in the activity of making cloth. Batik colors have been one of the foundations for producing traditional identity values belonging to the Tuban community and have been preserved for generations. However, the existence of this aesthetic is gradually experiencing degradation due to …

  • Tradition and Spirituality

    Open Access•Choirunnisa Rezky Ramadhani Choirunnisa Rezky Ramadhani, Choirunnisa Rezky…•ARTICLE•IBDA Jurnal Kajian Islam dan Budaya•2025

    Batik Rifaiyah is a cultural heritage of the Rifaiyah Community located in Kalipucang Wetan Village, Batang Regency, Central Java. It serves as an expression of Islamic spirituality. This type of Batik represents artistic craftsmanship and is a medium for teaching Islamic values through symbols and motifs. However, understanding the philosophical values and foundational aspects of Rifaiyah Batik is currently limited to the oral traditions passed …

  • Strengthening Batik Character Using Sundanese Cultural Background (Case Study

    Fajar Ciptandi, Nofita Sari et al.•ARTICLE•TEXTILE•2025

Cultural and Artistic Studies (8 works) · Art (5 works) · Sociology (5 works) · Aesthetics (4 works) · Computer Science (4 works) · Cultural and Religious Practices in Indonesia (4 works) · Business (2 works) · Engineering (2 works) · Environmental Engineering and Cultural Studies (2 works) · Philosophy (2 works)

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