Alejandro L Madrid-González
Biographic Data
| ID | 8526749 |
|---|---|
| NAME | Alejandro L Madrid-González |
| GIVEN NAMES | Alejandro L |
| FAMILY NAME | Madrid-González |
| SIGNATURE | MADRID-GONZÁLEZ A L |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 0 |
Transnational EncountersMusic and Performance at the U.S.-Mexico Border
This volume maps out the continuous transnational dialogues that have informed culture and life at the U.S.‐Mexico border through the study of a wide variety of musical practices from the area. Without neglecting border musics that have been privileged in music scholarship (such as Tejano, corrido, and norteña) this book focuses on neglected indigenous, popular, and alternative musical practices in order to challenge biased understandings of the …
Otra visión de la música popular cubana (review)
Reviewed by: Otra visión de la música popular cubana Alejandro L. Madrid and Liliana González Moreno Leonardo Acosta . Otra visión de la música popular cubana. La Habana: Letras Cubanas, 2004. 275 pp., notes, index. Paper $10.00. ISBN: 9591008678/ 978-9591008671. A recent recipient of the Cuban National Literature Prize, music critic and saxophonist Leonardo Acosta offers Otra visión de la música popular cubana as a challenge to the histories of …
No prominent works on this page.
Otra visión de la música popular cubana (review)
Reviewed by: Otra visión de la música popular cubana Alejandro L. Madrid and Liliana González Moreno Leonardo Acosta . Otra visión de la música popular cubana. La Habana: Letras Cubanas, 2004. 275 pp., notes, index. Paper $10.00. ISBN: 9591008678/ 978-9591008671. A recent recipient of the Cuban National Literature Prize, music critic and saxophonist Leonardo Acosta offers Otra visión de la música popular cubana as a challenge to the histories of …
Transnational EncountersMusic and Performance at the U.S.-Mexico Border
This volume maps out the continuous transnational dialogues that have informed culture and life at the U.S.‐Mexico border through the study of a wide variety of musical practices from the area. Without neglecting border musics that have been privileged in music scholarship (such as Tejano, corrido, and norteña) this book focuses on neglected indigenous, popular, and alternative musical practices in order to challenge biased understandings of the …
Art (2 works) · Scholarship (2 works) · Anachronism (1 work) · Anthropology (1 work) · Art history (1 work) · Cuban History and Society (1 work) · Discipline (1 work) · Diverse Musicological Studies (1 work) · Folk music (1 work) · Folk music, history and criticism (1 work)