WAI FONG CHEANG
Biographic Data
| ID | 8529308 |
|---|---|
| NAME | WAI FONG CHEANG |
| GIVEN NAMES | WAI FONG |
| FAMILY NAME | CHEANG |
| SIGNATURE | CHEANG W F |
| AFFILIATIONS | Chang Gung University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
Women And Visual Representations Of Space In Two Chinese Film Adaptations Of Hamlet
This paper studies two Chinese film adaptations of Shakespeare’s Hamlet, Xiaogang Feng’s The Banquet (2006) and Sherwood Hu’s Prince of the Himalayas (2006), by focusing on their visual representations of spaces allotted to women. Its thesis is that even though on the original Shakespearean stage details of various spaces might not be as vividly represented as in modern film productions, spaces are still crucial dramatic elements imbued with powe…
The Sea and Women in Shakespeare’s First Tetralogy
The garden is a powerful imagery in Shakespeare history plays, yet the sea also plays an important role. By discussing episodes and metaphors related to the sea in Shakespeare’s first tetralogy, this paper aims to demonstrate Shakespeare’s macro-spatial perspective of England as an island, whose history is influenced by elements on and across the sea. The paper also examines Shakespeare’s dramatization of women’s interconnections with the sea. It…
Maritime Fantasies and Gender Space in Three Shakespearean Comedies
Laden with sea images, Shakespeare‘s plays dramatise the maritime fantasies of his time. This paper discusses the representation of maritime elements in Twelfth Night, The Tempest and The Merchant of Venice by relating them to gender and space issues. It focuses on Shakespeare‘s creation of maritime space as space of liberty for his female characters
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Maritime Fantasies and Gender Space in Three Shakespearean Comedies
Laden with sea images, Shakespeare‘s plays dramatise the maritime fantasies of his time. This paper discusses the representation of maritime elements in Twelfth Night, The Tempest and The Merchant of Venice by relating them to gender and space issues. It focuses on Shakespeare‘s creation of maritime space as space of liberty for his female characters
The Sea and Women in Shakespeare’s First Tetralogy
The garden is a powerful imagery in Shakespeare history plays, yet the sea also plays an important role. By discussing episodes and metaphors related to the sea in Shakespeare’s first tetralogy, this paper aims to demonstrate Shakespeare’s macro-spatial perspective of England as an island, whose history is influenced by elements on and across the sea. The paper also examines Shakespeare’s dramatization of women’s interconnections with the sea. It…
Women And Visual Representations Of Space In Two Chinese Film Adaptations Of Hamlet
This paper studies two Chinese film adaptations of Shakespeare’s Hamlet, Xiaogang Feng’s The Banquet (2006) and Sherwood Hu’s Prince of the Himalayas (2006), by focusing on their visual representations of spaces allotted to women. Its thesis is that even though on the original Shakespearean stage details of various spaces might not be as vividly represented as in modern film productions, spaces are still crucial dramatic elements imbued with powe…
Sociology (3 works) · Art (2 works) · Feminism (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Linguistics (2 works) · Literature (2 works) · Philippine History and Culture (2 works) · Philosophy (2 works) · Philosophy (2 works)